Ivo·Canelas

一次偶尔中,克莱里亚（埃莱奥若拉·罗西·德拉哥 Eleonora Rossi Drago 饰）结识了名叫罗塞塔（Madeleine Fischer 饰）的男子,一来二去之间,两人之间发生了友情,克莱里亚因而也意识了罗塞塔的三位挚友梦妮娜（伊冯·弗奴克丝 Yvonne Furneaux 饰）!妮妮（瓦伦蒂娜·格特斯 Valentina Cortese 饰）跟玛丽拉（Anna Maria Pancani 饰）。三个女人长相各别性情悬殊,独一的独特之处就是都很富有。 克莱里亚爱上了修筑师助理卡罗（埃托雷·曼尼 Ettore Manni 饰）,但是,她的友人们显然看不起这个出生于工人阶级的穷小子。与此同时,罗塞塔爱上了妮妮的男友洛伦佐（加比利艾尔·费泽蒂 Gabriele Ferzetti 饰）,梦妮娜得悉此过后,非但不阻拦,反而勉励罗塞塔去寻求洛伦佐,她的用心安在！

弗兰奇（达科塔•布鲁•理查兹DakotaBlueRichards饰）自小被一对gay收养,由于特其余家庭让她有着与四周心心相印的着装作风跟不太合群的性情。在之前的黉舍备受排挤,遭遭到同窗的欺辱,弗兰奇转校离开一个全新的情况。开学第一天就跟黉舍的风波人物米妮（弗雷娅•梅弗FreyaMavor饰）误打误撞的了解。米妮带着她的跟从丽芙跟格蕾丝自动示好弗兰奇,让她认为曾经融入了这个新情况,却不想当时再三遭受末路火的事件。堕入窘迫的弗兰奇碰到了奥秘女子马缇（塞巴斯蒂安•德•索萨SebastianDeSouza饰）的劝慰,暗生情愫,不测得悉他是米妮男友尼克（肖恩•蒂尔SeanTeale饰）的弟弟。而热爱重金属摇滚的反叛少年瑞驰（阿历克斯•阿诺AlexArnold饰）也在格蕾丝芭蕾舞般的温顺中堕入爱情。

记叙苏芬战役火线多少个一般芬兰士兵的阅历,以此告知人们,弱国芬兰勇于抵御俄国赤军侵犯的精力量力毕竟来自那边！ Russia attacked Finland in late November 1939. This film tells the story of a Finnish platoon of reservists from the municipality of Kauhava in the province of Pohjanmaa/Osttrobottnia who leave their homes and go to war. The film focuses on the farmer brothers Martti and Paavo Hakala.

在第三季最后，电话公司的爆炸是一个高潮，Netflix发布了一个预告，其中该系列剧的四个主角接受审问。在新一季，BlancaSuárez、AnaFernández、NadiadeSantiago和AnaPolvorosa所扮演的角色将在一个以提高妇女权利和自由为标志的时期经历日常生活中的改变。在她们努力保持团结并维护友谊的同时，电话公司的员工将在女性已经获得投票权和公职权的情况下继续她们的女权主义斗争。第四季的所有剧集将从8月9日开始在Netflix上播出。

WealthySunnyvonBülowliesbrain-dead,husbandClausguiltyofattemptedmurder;buthesayshe’sinnocentandhiresAlanDershowitzforhisappeal.

Wae?l,unancienenfantdesrues,vitenbanlieueparisiennedepetitesarnaquesqu’ilcommetavecMonique,unefemmea?laretraitequitientvisiblementbeaucoupa?lui.Savieprenduntournantlejourou?unamidecettedernière,Victor,luioffre,surinsistancedeMonique,unpetitjobbénévoledanssoncentred’enfantsexclusdusystèmescolaire.Wae?lseretrouvepeua?peuresponsabled’ungroupedesixadolescentsexpulséspourabsentéisme,insolenceouencoreportd’arme.Decetterencontreexplosiveentre?mauvaisesherbes?vana?treunvéritablemiracle.

身为消防队的队长，麦克尔（约翰·特拉沃尔塔JohnTravolta饰）无疑是队员们心目中的精神领袖，在他的领导下，队员们一次又一次出色的完成了火警出警任务。麦克尔的门下有许多优秀的“徒弟”，其中要数杰克（杰昆·菲尼克斯JoaquinPhoenix饰）最令他自豪。对于麦克尔来说，正直勇敢的杰克正是他希望寻找到的接班人。可是，杰克也有自己的烦心事，繁忙而又危险的工作让他和妻子之间的感情出现了问题，与此同时，同事兼好友的意外牺牲也让杰克开始考虑是否应该换一份工作。就在这个节骨眼上，又一场大火燃烧了起来，不同的是，这一次的杰克并非施救者，而是等待获救的被困者。面对着汹涌恐怖的火焰，看着同火灾奋勇斗争的同行们，杰克找到了生命的意义。

乔治·迪里蒂([铁蹄下的村落])将执导新片[我想藏起来](Volevo nascondermi,暂译)。埃利奥·杰曼诺([咱们的生涯])主演,乔治·迪里蒂结合塔尼亚·佩德尼!弗雷多·瓦拉打造影片脚本。影片环绕二十世纪意大利原始派(Naïve artists)有名画家安东尼奥·利加波尔开展。该片将于5月开展拍摄。

贾克斯（布莱特妮?墨菲饰）住在伦敦，是英国时尚杂志《VOGUE》的小助理，周围聚集着一堆时尚界、艺术界的朋友。她和最亲密的同性恋友人彼得(马修?瑞斯饰)住在一起，和前男友詹姆斯分手后保持着肉体关系，她生活中最大的乐趣就是给自己的朋友当媒人，帮助他们处理感情上的各种问题。一天，贾克斯认识了才华横溢、帅气性感的杂志新摄影师助理保罗（圣地亚哥?卡布瑞饰），她想当然地要把保罗和彼得撮合在一起，展开了她的行动。不过这个无厘头的丘比特似乎太忙于撮合别人的感情，而没有时间认真审视自己的情感。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.