TaraMarks

Mixtetakesplaceinanall-malehighschoolwhengirlsareallowedinforthefirsttime.Setin1960sFrance,theserieslooksattherelationshipsandhormonalfireworksofthetime.Itwillcovertopicssuchaslove,emancipation,sexualityandself-acceptance

Inadilapidatedcyberpunkcityplaguedbycrimeandcorruption,anunscrupulousDistrictAttorneyissavagelymurderedandtossedoutofabuildingontohisbrandnewcar.Mysteriously,theDistrictAttorneyandhiscarcomebacktolifeasasinglebeingwithathirstforvengeance.Theeeriedriverlesscarembarksonaviciousrampageexactingrevengeonthecriminalswhomurderedhim…

《爱的着陆》制作公司Jinloeofficial新BL剧，9月演员们将参与workshop，计划于2023年初播出。

Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.

A young man is forced to face past traumas when he embarks on a new relationship, in this remarkable feature debut.

国度地舆频道剧「咆啸之肤 Barkskins」改编自普破兹小说奖得奖者Annie Proulx的同名小说,10集首季由Elwood Reid主创,报告一群流落者在1600年月的新法兰西殖平易近地中,怎样抛弃本人的从前并在此地敷衍蛮荒窘境﹑好处竞争及及存疑的忠实。

TyreseGibson,JohnMalkovichandMichaelJaiWhitewillstarinRed48,anindieactionthrillerfromYaleProductions.JonKeeyes(TheHarrowing)isdirectingthefeature,whichhasanoriginalscriptbyMickeySolisandiswrappingproductionthisweekinandaroundtheTri-Statearea.GibsonwillplayKyleSnowden,atroubledformerMarineturnedchildprotectiveserviceofficerwhomustsaveanimmigrantchildfromadangerouscriminalwhohastrappedthemandotherhostagesinsideaconveniencestore.Addingmorepowertothekeg:ThestoreisownedbytheSnowden’sstepfather,SamSafty,beingplayedbyMalkovich.WhiteplaysSparks,theSafty’sno-nonsensebodyguardandconfidant.GibsonisalsoproducingtheprojectalongwithKeeyes.JordanYaleLevineandJordanBeckermanareproducingviatheirYaleProductionsbanner.

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

George Bryan Brummel, a British military officer, loves Lady Margery, the betrothed of Lord Alvanley. Despite her own desperate love for Brummel, she submits to family pressure and marries Lord Alvanley. Brummel, broken-hearted, embarks upon a life of revelry. He befriends the Prince of Wales and leaves the army, becoming subsequently the best-known rake and decider of fashion in Europe. As his affairs flourish, so does his disdain for his benefactor, the Prince. Eventually Brummel falls into disfavor, and it is only Lady Margery who has any chance of helping him.

　　Cosimo, a buffalo farmer, refuses to sell off his land to the family of the young mayor candidate. When he finds out he has a tumour caused by all the toxic waste that are illegally disposed of in the fields of the so-called “Land of Fires”, his wife decides to carry on his battle.　　Diego OlivaresDiego Olivares (1965) is a Neapolitan director, scriptwriter and dialogues writer. After directing some short films he embarks in the making of a documentary about the closing of the Frullone psychiatric hospital in Naples, Gli ultimi giorni del Frullone – Cronache da un manicomio nel 2000. In 2003, he directs his first feature film I chinghiali di Portici. In 2014, he directs the short film Canemalato produced by Figli del Bronx for Sky Cinema.