Vilma
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卡比尔·汗
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猛虎(萨尔曼•汗 Salman Khan 饰)是印度情报局的一名优秀的特工,出色的工作能力让他一次次从危险的任务中死里逃生。因为印度当局怀疑一名英国教授向巴基斯坦提供军事导弹的信息,猛虎前往伦敦执行任务,并且认识了任务目标的家庭保姆佐雅(卡特莉娜•卡芙 Katrina Kaif 饰),一个性感魅力的舞蹈学院学生。依靠理智生存的猛虎对她一见钟情,动情的猛虎开始变得柔情起来,在执行任务之余想办法接近佐雅。然而在追捕敌方特工时,猛虎意外的发现,原来佐雅是巴基斯坦的特工成员。虽然在关键时刻他选择了放走佐雅,但是命运却又让他们在伊斯坦布尔相遇。这一次猛虎终于决定从心所欲的生活,带着佐雅逃离这种冷漠的特工世界。 该片被称为印度版的007。
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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丹尼·德维托
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哈里(丹尼·德维托 Danny DeVito 饰)和泽尼亚(雷亚·普尔曼 Rhea Perlman 饰)两夫妻,一个是商人,一个是赌棍,两人再也没有想到的是,他们爱情的结晶,小小的玛蒂尔达(玛拉·威尔逊 Mara Wilson 饰)竟然是个世间罕有的天才。应玛蒂尔达的要求,完全忽视她的教育的父母将她送进了康琴小学,一段新的旅程在玛蒂尔达面前就此展开。 身为康琴小学的校长,特拉齐布尔小姐(帕姆·费里斯 Pam Ferris 饰)喜欢听话而温顺的孩子,身为铅球高手,她解决问题的唯一方法就是武力。和暴力的特拉齐布尔小姐完全相反的是一年级老师汉尼小姐(艾伯丝·戴维兹 Embeth Davidtz 饰),她的温柔和耐心让玛蒂尔达如沐春风。聪明的玛蒂尔达发现汉尼小姐似乎有着一些无法结局但又说不出口的难处,她决定用自己的力量帮助汉尼小姐。
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M-Net和Fremantle联手打造8集南非罪案剧集《瑞卡Reyka》,2021年7月于南非M-Net播出,Fremantle负责全球发行。《闪电侠》的KimEngelbrecht饰演,ReykaGama,一位心理有缺陷但才华横溢的犯罪侧写师。备受过去困扰的她,正在调查夸祖鲁-纳塔尔省甘蔗地里一名连环杀手犯下的数起残忍谋杀案。《权力的游戏》IainGlen饰演充满魅力的农场主Speelman,很会摆布他人。Reyka在小时候被他绑架过。Reyka因为这段经历内心遭受创伤,但也让她变得擅长进入罪犯大脑,对他们的想法了如指掌。Peelman对Reyka的影响,以及Reyka和母亲Elsa的关系,构成了故事背景的一部分。
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尼克·墨菲
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戴米恩·路易斯
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盖·皮尔斯
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安娜·麦克西维尔·马丁
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卡瑞尔·罗登
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莫妮卡·戈斯曼
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詹妮弗·马萨拉
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雅各布·詹姆斯·贝西克
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丹尼尔·莱派恩
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斯蒂文·埃尔德
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托马斯·阿诺德
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露西·阿科斯特
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亚历山大·梅尔库里
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露西·拉塞尔
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亚德里安·埃德蒙松
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史蒂芬·坤肯
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里克·沃登
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礼萨·迪亚科
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George
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Taylor
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阿纳斯塔西娅·希尔
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尼克·墨菲
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拉多斯劳·凯姆
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米莉亚姆·里泽亚
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亚历山德鲁-维克多·内姆特亚努
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杰伊·辛普森
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罗杰·巴克莱
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马里安·洛伦西克
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Sophie
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Dix
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亚伦·沃多沃兹
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格雷戈·科尔帕克奇
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BritBoxUK限定剧《敌友难辨》开拍,DamianLewis正式签约加入,GuyPearce则顶替了DominicWest。本剧改编自BenMacintyre的同名畅销纪实作品,《国土安全》主创AlexanderCary负责改编,《血疫》导演NickMurphy执导。故事从KimPhilby(Pearce饰)与MI6同事兼密友NicholasElliott(Lewis饰)的复杂关系出发,讲述了Philby这位MI6和KGB双面间谍的叛变。卡司还包括AnnaMaxwellMartin、StephenKunken和AdrianEdmondson。这本冷战间谍惊悚纪实作品被认为有着伊恩·弗莱明和约翰·勒卡雷的气质,实际上,本书后记就出自间谍故事大师约翰·勒卡雷之手。
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老国王将女儿格温多琳公主(阿什莉·琼斯 Ashley Jones 饰)嫁给了萨西尼安国王做他的王妃,以求掉掉落强国的呵护。为了保障公主可以顺遂到达彼国,老国王派出了以雷诺兹(朗·普尔曼 Ron Perlman 饰)为首的国王卫队,一起掩护公主,就如许,雷诺兹率领着他的一帮弟兄,踏上了布满了伤害的漫漫路程。 半路上,雷诺兹一行人遭受了悲天悯人的劫匪,让雷诺兹不想到的是,在此中,他居然发明白已经的国王卫士戴博特(埃里克·罗伯茨 Eric Roberts 饰)。本来,戴博特始终深爱着格温多琳公主,老国王此次的决议激愤了他,妄图掳走公主。偶合的是,在相处的进程中,格温多琳公主居然爱上了忠诚的雷诺兹,如斯一来,在雷诺兹跟戴博特之间,一场恶战在所不免。
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大卫·普莱斯
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由于成人尸体不断出现以及联系中断,盖特林小镇的诡异情形终于引起内布拉斯加州政府的关注。为了避免政府的追查,盖特林镇的孩子们全部转移至邻近的汉明福德小镇。 工作和家庭皆不如意的记者约翰?盖瑞特(Terence Knox 饰)带着儿子丹尼(Paul Scherrer 饰)来到盖特林追查真相。在小男孩米凯(Ryan Bollman 饰)的帮助下,父子二人找到一所房子落脚。与父亲矛盾重重的丹尼很快米凯成为好朋友,在米凯的引荐下,他又结识了玉米地中的孩子们,并受到深深的影响……
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment