Kasatonov
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“Whyaretheyeventogether?”wouldbethefirstthoughtthatcomestomind,asChuSangWooandJangJaeYoungaresodifferentineveryconceivableway.Oneisarobot-likeengineeringstudentwhowearsdarkclothesforconvenienceandfollowsastricttimetable.Theotherisafree-spiritdesignmajor,withcolorfuloutfitsandaskateboard.WhenJaeYoungfreeridesonateamassignmentwithSangWoo,SangWoocrossesoffJaeYoung’snamefromtheproject,andthetwobecomeenemies.Thefilmisare-editofaneightpartTVseriesthattoppedtheWATCHAChart,basedonthewebnovelSemanticErrorbyJeoSoo-ri.Itwouldbechallengingtoexceedexpectationsasthenovelhasahugefanbase,however,twoformalidolactors,ParkSeoHamandParkJaeChan,hitthejackpot.DirectorKimSooJungdelicatelyemphasizesthecomicandfreshromanceoftheyoungmen,whohaveuniquecharmsandperfectlooks,astheydointhenovel.
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由DonHandfield及RichardRayner主创的10集历史剧集《骑士陨落Knightfall》讲述的是十字军中，圣殿骑士团的传奇故事。剧情描绘了骑士团在战场上的信念，忠诚，还有兄弟情，也会谈及为什么13号的黑色星期五会成为世界上最忌讳的日子。另外JeremyRenner亦是该剧执行制片，曾有传他会客串演出（但未有肯定）。TomCullen饰演Landry，是十字军东征的老将，圣殿骑士团的领导，他一直在探索基督教的最珍贵的宝物：圣杯。身手厉害﹑勇猛的他对上帝及自己的信心因在圣地战败而深深动摇，不过在圣杯失去多年踪影但突然再次传出它存在的消息后，令到他再次燃起斗志，并决心带领圣殿骑士团进入神秘﹑信仰﹑流血的冒险。BobbySchofield将会扮演Parsifal，一位平民之子，他本想加入圣殿骑士团寻求复仇，却在途中发现了更高的追求﹑SabrinaBartlett将会扮演Isabella公主，Joan王后与Philip国王的女儿，她即将到来的婚礼将会帮助国家与法国建立政治联盟﹑JulianOvenden将会扮演DeNogaret，Philip国王的权术律师以及左右手。Sarah-SofieBoussnina扮演Adelina，她在小时候被圣殿骑士团解救，现在却成了法国街头的盗贼﹑PadraicDelaney将扮演Gawain，曾经是圣殿骑士团最伟大的剑士，现在却和他原来所属的组织有了矛盾﹑SimonMerrells将扮演Tancrede，一个忠诚的老兵，对圣殿骑士团十分狂热。OliviaRoss扮演Joan女王，一个忠实的母亲、战士以及令人畏惧的外交家。
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AspecialanimatedadaptationofSirMichaelMorpurgo’schildren’sbookMimiAndTheMountainDragon.MimiAndTheMountainDragonisthestoryaboutavillagethatquakesinfeatureofthemightyMountainDragon.Onewinter,ashylittlegirlcalledMimifindsababydragonasleepinherfamilywoodshed.Mimitakestheperilousjourneythroughtheblizzardanddarknesstoreturnthebabydragontohermother,whomallthevillagersfear.Followinganintroductionbytheaward-winningwriterhimself,SirMichaelMorpurgo,thefilmisnarratedthroughoutbyanoriginalscorebyOscar-winningcomposerRachelPortmanperformedbytheBBCPhilharmonicandfeaturingsingersfromtheHallé’sfamilyofchoirs.TheanimationisbasedonoriginaldrawingsbyEmilyGravettandhasbeenadaptedforthescreenbynovelist,poetandplaywrightOwenSheers.MimiAndTheMountainDragonwascommissionedbyHeadofBBCMusicTVCommissioningJanYounghusband,forCharlotteMoore,DirectorofBBCContent.TheprojectisalsosupportedbyAliceWebb,DirectorofBBCChildren’s&Education.TheExecutiveProducerisLeopardPicture’sChiefCreativeOfficerKristianSmith,andPhilChalkfromBaftaAward-winningstudioFactory.
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坦纳民·翁斯坤帕
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Uea是一个很私人的讨厌卡萨诺瓦的人，而King很聪明，是个卡萨诺瓦。King和Uea在同一个办公室工作，都是杰德最好的朋友。他们不喜欢对方，却因为某种原因开始有了特定的“关系”。~~改编自小贝拉96的小说。Ueaisaveryprivatepersonwhohatescasanovas,whileKingissmartandisacasanova.KingandUeaworkinthesameofficeandbotharebestfriendswithJade.Theydon'tlikeeachotherbutbegintohaveaparticular"relation"forsomereason.~~Adaptedfromanovelbylittlebbear96.
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威廉·A·塞特尔
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John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
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OCrimeDoPadreAmaroisaskintillatingadaptationofthetitularnovelthathasscandalizedPortugalsinceitspublicationin1875.ThestorycentersonthesinfulPadreAmaro(JorgeCorrula),whohasadecidedlynon-celibateaffairwithbeautifulparishionerAmélia(SoraiaChaves).WhenAméliagetsknockedup,PadreAmaroarrangesanabortion;whenshediesasaresult,th...
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普沙努·翁沙瓦尼查功
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萨兰·阿南塔瑟塔功
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Phueakamphai
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Peat
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Suchanon
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Chueluecha
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Apiwat
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Tanchanit
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Limsilatham
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Natkharin
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Ku
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Punnisa
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Sirisang
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Ging
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Areeya
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Pholphutrakul
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萨曼莎·梅兰妮
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讲述了一个黑帮老大遇到一个伤心男孩的故事金姆需要有人拥抱他的身体一个晚上。这是唯一一个知道你真正需求是什么的夜晚。这也是唯一一个让黑帮老大“卡莫尔”不想让金姆属于任何人的夜晚。金姆，一个25岁的上班族，已经和他的学长戴一见钟情很久了。为了忘掉他继续生活，他决定和一个在酒吧遇到的陌生人发生一夜情。他不知道的是，这个陌生人会开始喜欢他到无可挽回的地步。卡莫尔，一个30岁的黑道，在床上有一些特殊的需求，所以他不断地更换伴侣，但没有人能够满足他。一天晚上，他遇到了金姆，金姆完美地满足了他的需求。就在这时，卡莫尔决定把这个人变成自己的，并开始追求他。~~改编自网络小说《黑手党的坏爱情》(ร้ายนักนะ...รักของมาเฟีย!！）Kimneededsomeonetoembracehisbodyforjustonenight.It'stheonlynighttoknowwhatyourtrueneedsare.Anditwastheonlynightthatmadethemafia"Kamol"notwanttoletKimbelongtoanyoneKim,a25yearoldofficeworker,hasbeeninonesidedlovewithhissenior,Day,foraalongtime.Toforgetabouthimandmoveon,hedecidestohaveonenightstandwitharandomstrangerhemetatthebar.Whathedidn'tknowwasthestrangerwouldstartlikinghimtothepointofnoreturn.Kamol,a30yearoldmafia,hassomespecialneedsinbedandsohekeepsswitchingpartnersbutnooneisabletosatisfyhim.OnenighthemeetsKim,whoperfectlymeetshisneeds.Rightatthatmoment,Kamoldecidedtomakethemanhisownandstartspursuinghim.~~Adaptedfromthewebnovel"Mafia'sBadLove"(ร้ายนักนะ...รักของมาเฟีย!!)byYoeNim(ยอนิม).EditTranslation
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
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保罗·塔维亚尼
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ThreeyearsafterthelossofhisbrotherVittorio,withwhomhesharedhisentirecareer,PaoloTavianireturnstotheworksofLuigiPirandello,whichthepairadaptedin1984(Chaos)and1998(YouLaugh).InkeepingwiththeSicilianplaywright’svision,thefilmisnotatallwhatitappearstobe.Thetitlemaycomefroma1910novella,butthereisnotraceofthatbook’sjealousy-riddledplot.Instead,thefocusisonPirandellohimself,orrather,hisashes,whicharetransportedfromahastyburialsiteinfascistRometoapermanentrestingplaceinSicily,onatrekthattakesusthroughpost-warItalyanditsfilmedmemories,asseeninnewsreels,amateurfilmsandfragmentsofNeorealism.Havingburiedthemaster,Leonoraaddiothenshiftsgearfromroadmovietofilmadaptation,buthereitpicksadifferentPirandellostory,namelythelastone,writtenshortlybeforehisdeathin1936.Fromthefarewellofthetitletoitsreturntothewriter’slastwords,itishardnottoreadthiswork,sofreeandyetsomuchapartoftheTavianiworld,asamovingbrotherlyfarewellwhich,justasin2012’sGoldenBearwinnerCaesarMustDie,onceagainusescinematogivevoicetoliteratureandhistory.
