Azarly

AftersettlingdowntogetherandonlybeingseparatedindeathduringtheAyutthayaera(1351-1767CE),DejandKaraketarerebornintheearlyRattanakosinperiod(1782-1855CE).Butthereisonlyoneofthemwhostillbelievesin‘destiny’.Bhop,achiefengineerwiththesweetestsmileinSiam,hasbeenseeingthesameladyinhisdreamsformanyyears.Hebelieveswholehear...

Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn't like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti's mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti's refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable. Written by Yuval Delshad

狂虐的飓风向苏格兰内陆步步紧逼。泰晤士水闸首席设计师罗伯（罗伯特·卡莱尔RobertCarlyle饰）和前妻——水闸工程总监萨米（杰萨琳·吉尔西格JessalynGilsig饰）被叫回到水闸做安全检查，而罗伯心怀芥蒂疏远的父亲莱纳德教授（汤姆·康特奈TomCourtenay饰）根据自己丰富经验测算并料定一旦洪水袭来，泰晤士河水闸必将被击溃。他及时将此情况报告给了危机控制中心的纳什女士。然而他的警告并未到重视，危机控制中心的专家不能准确地判断情况，不置可否的副首相竟向人们承诺洪水不会抵达伦敦市区。洪峰3小时后到达了伦敦，滔天骇浪跃过水闸，数亿吨的洪水急速奔涌进中央伦敦，顷刻间一片汪洋。数百万伦敦人危在旦夕。罗伯特，萨米和莱纳德只有几小时来挽救这座城市……

Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

Scion of the once-rich Mitchell family, Herbert Wynn is found shot to death. Nurse Adams, bored by hospital routine, is recruited by the police to ferret out clues as she tends to Wynn's elderly aunt Julia. Jokingly given the 'rank' of Miss Pinkerson, after the famous detective agency, Adams probes into the mystery, but not before a second death.

Apleasantlyrefreshing,exhilarating,comicalsexeroticparodymovie!'Choon'theheroinewithwackyandgirlysensibility,liveswithherbestfriendGa-heeinherboyfriend'shouse,andisabsorbedbythreegenerationswhichstrugglesbuteventuallylosesitsgoal.'Choon'whocouldn'tshakeoffherworriesaboutthefuture,happenstohideinamansionbychanceandplans...

AnoriginaltakeonDickens’siconicghoststorybyStevenKnight(Taboo,PeakyBlinders).AChristmasCarolisaspine-tinglingimmersionintoScrooge’sdarknightofthesoul.MisanthropicbusinessmanEbenezerScrooge(GuyPearce)refusestotreatChristmasasdifferenttoanyotherday,muchtoBobCratchit’s(JoeAlwyn)chagrin,asheisdesperatetoleaveworkandgethometohisfamilyonChristmasEve.Scrooge’sdeadformerbusinesspartnerJacobMarley(StephenGraham)begsforpeaceinhiscoffin.Havingrepentedhimself,theSpiritshavenewsforhim.HewilllingerinpurgatoryuntilScroogehimselfrepents,somethingMarleyknowshewillneverdo.Tim(LennyRush)writeshisyearlythank-youlettertocousinJack,thankinghimforthemoneythatsavedhislife,butMary’s(VinetteRobinson)pricklyreactionrousesBob’ssuspicions.AspookedScroogeisvisitedbyMarley,whohasawarning:ScroogewillbevisitedbythreeSpirits.

A surprise reunion in southern France reignites passions and jealousies between two women who were formerly polyamorous lovers.

　　Ayse/Eleni who is a member of a Greek family in Turkey is forced to immigrate from Trabzon to Mersin in her early ages. However, the events that happen cause her to face her own past.

　　In the early '90s, the Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. All institutional life was reorganized by the new authorities, while the majority of the citizens responded with peaceful demonstrations. During this terrible time, Fadili, who works as an archivist, has to choose between two options, knowing that both of them are wrong. He therefore involuntarily and unwillingly "swallows" the shame, endures the pressure bearing down from all sides and puts up with the bad reputation for only one reason: to provide for his family.