Ingle
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TheFutureofWorkandDeathisadocumentaryconcerningthegrowthofexponentialtechnologyandwhereitistakingus.Thefilmfocusesonhowfuturetechnologycouldsignificantlychangethetwoinevitablefeaturesofthehumanexperience;punchingtheclockandfadingaway.Itexploreshowadvancedautomation,AIandtechnologicalsingularitycouldbeachievableinthenext30years.Howjobobsolescenceandtechnologicalunemploymentcouldconsequentlyoccurandhowdigitalimmortalitymaynotbeathingofsciencefiction.Butwhatarethesocio-politicalrepercussionsoftheseinnovationsandarewereadyforthem?Doesworkinglessmeanlivingmoreandisendingageingincumbentonus?Worldwideexpertsinthefieldsoffuturology,anthropology,neuroscienceandphilosophysharetheirthoughtsonthesefutureadvancements.
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Alaska Rose has had a difficult few years since her mom left the family four years prior; acting out, rebelling against her single dad, Conner, getting into trouble in school and worse. But when she turns eighteen, Alaska finds herself in front of a judge in adult court for some of the same out-of-control behavior. In lieu of a jail sentence, Alaska is ordered to do community service in an assisted living facility where she is assigned to Mrs. Foster, an elderly resident who is unapproachable at best and hostile at her worst. Will Mrs. Foster be Alaska's undoing or will she simply be another obstacle on the road to the headstrong girl's freedom As Alaska tries to minimally fulfill her court obligation and dodge actual jail time, she deals with peer pressure, static from her family, outside influences and demons from her past. Can she navigate the tumult and re-discover a relationship with God and her family or will she remain caught in the cycle of bad choices and lose what little of either is left
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Léo,acontemporaryartist,wantstoreconnectwithélise,hisformercompanionbutVincentVanGogh,whoreturnedtoourtime,fellinlovewithher.Anover-realisticlovetriangleemergesandartisticissuesappearinthebackground.
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埃德加·G·乌默
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One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
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In a Single Take, Viri and Agustin, will realize that love always operates in unexpected ways, as in the movie
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安东尼·巴罗德
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Judithleadsadoublelife:twolovers,twosonsinFranceandonedaughterinSwitzerland.Entangledinsecretsandlies,herlivesbegintoshatter.