Careen

PoppyFieldfollowsthestruggleofayoungRomaniangendarme,Cristi,whotriestofindthebalancebetweentwoapparentlyopposingpartsofhisidentity:thatofamanworkinginamachohierarchicalenvironmentandthatofaclosetedgaypersonwhotriestokeephispersonallifeasecret.Whilehislong-distanceFrenchboyfriend,Hadi,isvisitinghim,Cristiiscalledinforaninterventionatamovietheatre,whereanultra-nationalist,homophobicgrouphasinterruptedthescreeningofaqueerfilm.Afteroneoftheprotestersthreatenstoouthim,Cristispiralsoutofcontrol.

唐（沙鲁克·罕 Shahrukh Khan 饰）是大毒枭波利斯的部下,而波利斯神龙见首不见尾,行迹诡秘,因而,在外隐姓埋名的唐成为了警员重点追捕的工具。唐嗜血残酷,作歹多端,杀人不见血,卡米妮（卡琳娜·卡普 Kareena Kapoor 饰）的老公就是唐的部下冤魂。为了替老公报复,卡米妮决议与警方协作,却可怜因而而丢了生命。 一场不测让唐逝世于横死,与此同时,一位面貌与唐如出一辙的奥秘女子瓦尔加（沙鲁克·罕 Shahrukh Khan 饰）浮出了水面。瓦尔加本只是一介平常少年,终极却在威逼之下成为了唐的替人以及耳目,而他的存在讳饰了一个惊人的机密,隐蔽在这个机密当面的本相毕竟是什么呢！

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb

An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.

Fromasatiretoapsychologicalthriller,fourshortstoriesfromcelebratedauteurandwriterSatyajitRayareadaptedforthescreeninthisseries.

十一岁的孤儿菲利克斯（尼基塔·沃克卡 饰）很惦念本人的欧巴——六年前被养怙恃带走的查理（巴纳比·梅茨朱莱特 饰）。应用一台破旧动员机,他机密制作了一辆汽车,并有意中将车与电脑相连,下载了一种神奇软件。于是小车发生了头脑,尔后菲利克斯将该车定名为“查理2号”。安娜·迪克森（Henny Reents 饰）得悉本人的软件被盗后,开端追踪菲利克斯跟“查理2号”。但是与此同时,安娜罪恶的叔叔妄图应用软件制作战役呆板人,得悉此过后便经心尽力地想法撤除他们……

完美贴合是一部在健身房中发生各种荒诞无厘头的情景喜剧，Freen饰演的Bia又在这里有怎样的故事呢？

Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.　　Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...　　Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.　　The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

杰米（米拉•库妮丝 Mila Kunis 饰）是一位在纽约供职的猎头,为了将身在洛杉矶的迪伦（贾斯汀•汀布莱克 Justin Timberlake 饰）挖角到纽约,她供给的不只是丰富薪资,还给了这位初来乍到者真诚的友谊,带着他明白了纽约的美妙夜晚。“挖角”胜利了,两人成 了最好的友人,也不免遭到对方吸引。此时恰逢迪伦与后任分别,而曾禁受过情伤的杰米也不想进入一段正式关联,于是两人约定只谈性不谈爱。在迪伦的勉励下,杰米在公园搭讪到令她动心的人——大夫帕克（布赖恩•加连保格 Bryan Greenberg 饰）,但是很快发明对方只是想把她搞上床,令她再度受伤。为了帮杰米走出阴郁,迪伦带杰米回到本人故乡,两人隐约认识到对相互的情感,却在这当口产生一场误解。唯有得到才会理解珍爱,迪伦在杰米意气消沉径自回纽约后,明确本人曾经深深爱上她,而她却俨然在他生涯中消逝了,迪伦不知该怎么迈出挽回杰米的那一步…… 在第38届美国国平易近挑选奖上,本片被提名最佳笑剧片子跟最佳笑剧女演员（米拉•库妮丝）

ゲーム会社「マキナビジョン」の社長、ジョニー?マキシマが、仮面ライダー風魔と忍者プレイヤーたちを使って、新たなバグスターウィルスを撒き散らした!「マキナビジョン」の幹部?南雲影成がゲームプレイヤーに選んだのは難病で余命いくばくもない少女?まどか。新型ウィルスに感染した人々はみな昏睡状態に陥り、仮想現実の世界で、現実とは異なる時間を過ごしていた。鏡飛彩や花家大我、さらにはバグスターであるポッピーまでが感染する中、まどかは仮想現実の世界で、元気に駆けまわる。「マキナビジョン」の目論見通りの結果が、そこに表れていた。永夢は黎斗やパラドの協力を得ながら、現実世界で患者たちの意識を取り戻させるべく、仮想現実の世界へ飛び込む。そこには貴利矢の姿もあった。「マキナビジョン」がまどかをプレイヤーに選んだ理由と真の目的は何か。やがてエグゼイドたち仮面ライダーの前に出現する、最強にして最後の敵。果たして永夢は、そして若き医師たちは、究極のゲームをクリアし、患者たちの運命を変えることができるのだろうか?