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Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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Setin790AD,VikinganefeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It'sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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Setin790AD,Vikinganemeijubar.netfeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It'sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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第三季一开场,Earl适应铁窗生涯遇到困难,尤其当他与狱中霸王起冲突时.监狱外也是麻烦不断,Randy无法适应没有Earl的生活,Joy开始照顾这个孩子气的男人.监狱长(CraigT.Nelson)求助于Earl结束狱中不断升级的群殴,同时Randy依然无法适应没有Earl的生活,努力想与他的狱中兄弟重聚。这是GregGarcia笔下所创造的人物。《MyNameisEarl》是Garcia和MarcBuckland一起写的故事，由20世纪福克斯电视台拍摄。Earl’slifehasbeenfullofpoorchoicesandmistakes,butafterwinningasmalllotteryjackpothehasanepiphanyandvowstochangehisways.Upondiscoveringthatheistheholderofawinningticket,Earlishitbyacarandtheticketblowsoutofhislimphandasheliesunconsciousinthestreet.Whilerecoveringinthehospitalandwatchingtelevision,Earlhasakarmicepiphany,thankstoCarsonDaly,whoattributeshissuccesstodoinggoodforothers.AlightbulbgoesoffinEarl’sdimheadandhesetsouttorighteverywronghehasdonestartingwithagradeschoolgeek.
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Setin790AD,Vikinganemeijubar.netfeaturesthedailychallengesofpeoplelivinginasmallVikingvillage,frompowerstruggle,brotherrivalry,genderequality,tobetrayalandfriendship."It’sthestoryofpeoplefromourtime,butlivingduringtheVikingera.Ofcourseeverydaychoiceshavefarmoredramaticconsequencesandthatmakesforgreatcomedymaterial.
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Earl过去的生活中做了许多错误的事情，但是一件事情却使他的生活发生了不小的变化，让他有了重新开始的机会，Earl中了彩票。在知道这一切后，他做了一个重大决定，要用这笔财富来改变他的生活方式，尽力弥补他在过去所犯的错误，他希望这是他新生活的开始。可惜，在他实施这一措施以前，不幸就已经出现了。兑奖前几秒钟，他被汽车撞倒了，而且失去了记忆，彩票也被风吹走了。在医院里，Earl看了《LastCallwithCarsonDaly》的节目，Carson在采访时说，他之所以成功是好心有好报的结果，就在这时，Earl发现真的有因果报应这回事。他想要自己的生活变得美好，所以开始弥补自己以前的错误。最后，他选择了Kenny，一个小学里做滑稽表演的人。帮助Earl寻求改变命运，洗刷罪恶的是他的一群朋友们，尽管他们的头脑有些不灵光：总是比较倒霉的兄弟Randy、非常性感的Catalina、还有Darnell，Earl喜欢去的酒吧CrabShack的老板，他们都给了Earl很多的帮助和支持。但是Earl的前妻Joy却不想帮助他，除非她能从中得到什么好处。尽管Earl的头脑有些迟钝，但是他异常地努力，所以中间也发生了不少的趣事。Earl这个人物非常有自己的特色，有独特的声音和造型。他是GregGarcia笔下所创造的人物。《MyNameisEarl》是Garcia和MarcBuckland一起写的故事，由20世纪福克斯电视台拍摄。Earl’slifehasbeenfullofpoorchoicesandmistakes,butafterwinningasmalllotteryjackpothehasanepiphanyandvowstochangehisways.Upondiscoveringthatheistheholderofawinningticket,Earlishitbyacarandtheticketblowsoutofhislimphandasheliesunconsciousinthestreet.Whilerecoveringinthehospitalandwatchingtelevision,Earlhasakarmicepiphany,thankstoCarsonDaly,whoattributeshissuccesstodoinggoodforothers.AlightbulbgoesoffinEarl’sdimheadandhesetsouttorighteverywronghehasdonestartingwithagradeschoolgeek.
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It’s winter in a small southern Norwegian town in the late nineteenth century. After years of struggling, Dr. Thomas Stockmann and his family – his wife Catherine, their young adult daughter Petra, and their two adolescent sons Ejlif and Morten – have returned to town after being away for five years up north, he now well respected and successful as the medical resident of the Health Institute at Kirsten Springs, where he is also a board member. He devised the springs and institute as a center of therapeutic benefits on his own, but developed it with his brother, the town mayor, Peter Stockmann, who is the board chair. They have reinvigorated what was the financially crumbling town. Peter takes credit for giving Thomas this air of respectability, something that has never been important to Thomas, who would rather be seen as a man of conviction in doing the right thing. In this respect, Petra takes after her father.
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ItsplotintroducesustoAntoineandOlga,aFrenchcouplewhosettledinasmallvillageininlandGaliciasometimeago.There,theyleadaquietlife,althoughtheircoexistencewiththelocalsisnotasidyllicastheywouldlikeittobe.Aconflictwiththeirneighbours,theAntabrothers,willratchetupthetensioninthevillageuntilitreachesthepointofnoreturn...
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The young Marie, daughter of a Thuringian glassblower, violates all traditions after the death of mother and father. To feed herself and her sisters, she became the first female glassblower in the small town of Lauscha in 1890 - and her artful glassy Christmas balls find themselves in America.
