Siebel

AcourageousyoungWorldWarIIgunnerandaspiringcartoonist,trappedinthebellyofaB-17aircraft,hasonlyhisimaginationasaforcethatmightbeabletosavehim.

丁丁（杰米·贝尔JamieBell配音）和白雪的故事可以说是影响了不止一代人。在史蒂文·斯皮尔伯格和彼得·杰克逊的努力下，丁丁的故事终于被搬上了大银幕。这一次，丁丁因为一艘古老的船模，而开始了一次惊险的历险。这艘名为独角兽号的模型船，隐藏着一个海盗和财宝的故事。为了解开这个流传了几个世纪的秘密，丁丁和白雪一起不断寻找线索，找寻真相。在航海家阿道克船长（安迪·瑟金斯AndySerkis饰）、笨手笨脚的侦探搭档杜庞（西蒙·佩吉SimonPegg配音）与杜邦（尼克·弗罗斯特NickFrost配音）以及白雪的帮助下，丁丁游历了半个地球，与恶棍萨卡林（丹尼尔·克雷格DanielCraig配音）斗智斗勇。最终，丁丁终于找到了独角兽号隐藏的秘密，以及那一则古老的诅咒……在第84届奥斯卡金像奖中，丁丁历险记获得了最佳配乐的提名。

AcourageousyoungWorldWarIIgunnerandaspiringcartoonist,trappedinthebellyofaB-17aircraft,hasonlyhisimaginationasaforcethatmightbeabletosavehim.

巴顿大学新秀贝卡（安娜·肯德里克 Anna Kendrick 饰）,不测参加黉舍的阿卡贝拉男子美声独唱团,该社团集结了又乖又坏又怪的百般女性成员,独一共通点就是能清唱出如同天籁的美声。社团成员包含：自认歌声最好,自负过人的“胖艾美”（蕾蓓尔·威尔森 Rebel Wilson 饰）!经常出言不逊又执拗墨守陈规,但实在焦急不已的欧柏莉（安娜·坎普 Anna Camp 饰）!团员精力支柱克萝伊（布兰特妮·斯诺 Brittany Snow 饰）!性事无度的撩人歌姬史黛西（亚历克西斯·克纳普 Alexis Knapp 饰）!歌声动听的男子婆辛西亚萝丝（伊斯特·迪恩 Ester Dean 饰）!声响小如蚊子但即兴饶舌却令各人冷艳不已的哈娜梅李。　　与校园心心相印的贝卡,怎样以她惊人的才干转变阿卡贝拉的传统扮演方法！又怎样带领这群女生与竞争剧烈的天下美声集团一较高低！

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

阿布拉（卢巴纳·阿兹巴尔LubnaAzabal饰）的丈夫去世之后，留下了年仅8岁的女儿瓦尔达（杜艾·贝尔卡乌达DouaeBelkhaouda饰）和母亲过着相依为命的生活。为了维持生计，阿布拉决定在家中开一家面包店，贩卖自制手工面包和传统摩洛哥糕点。一天，一个名叫萨米亚（尼斯林·艾拉丁NisrinErradi饰）的女子闯入了阿布拉家中，腹中怀有身孕的她希望能够在这里找到一份工作。阿布拉自己的日子就过得够捉襟见肘的了，怎么可能还有闲钱来雇佣一个店员，虽然阿布拉并不想接纳萨米亚，但瓦尔达和萨米亚之间却很快的热络了起来。

皮埃尔（皮埃尔·里夏尔-威尔姆PierreRichard-Willm饰）出生于一个富裕的家庭之中，养成了花钱大手大脚的坏毛病。当他的家人们发现，皮埃尔一直都在背地里偷窃家族财产后，他遭到了家族的驱逐。不仅如此，但皮埃尔深爱的女友发现自己的男友不再像以前那样豪爽和富有之后，这个现实的女人抛弃了皮埃尔。人生遭遇了重大变故和挫折的皮埃尔决定离开伤心地前往摩洛哥，在那里的一间小酒馆中，皮埃尔邂逅了一位神秘的女子（MarieBell饰），这个女人拥有着和他念念不忘的前女友极为相似的面孔，这令皮埃尔一下子就被她吸引了。但随着时间的推移，皮埃尔发现，这个看似单纯的女人，身后隐藏了许多的秘密。

亿万富翁EricBenirall（SamNeill扮演曾出演《侏罗纪公园》《马语者》）率领一队名不见经传的科学家，试图揭开自己的货轮在百慕大沉船之谜。由BryanSinger（X-MEN），DeanDevlin（《独立日》《哥斯拉》），RockneS.O'Bannon（《银河迷返》《异形帝国》）创作并担任执行制片。其电影版剧本也一并完成。《百慕大三角》在SciFi频道，从2005年12月开始作为电视剧播放。剧中，由EricStoltz饰演HowardThomas，一位愤世嫉俗的小报记者；SamNeill饰演运输大亨EricBenirall；LouDiamondPhillips饰演MeenoPaloma，沉船事件中唯一的幸存者，不幸地是失去了部分记忆；CatherineBell饰演深海资源工程师Emi...

Itistheyear2105...ayoung,inexperiencedandhighlyflawedcrewembarksonaroutineexploratoryspacemission.Suddenly,theirship,theUMPCruiser,isdrawnthroughaportalintoadifferent,mysteriousuniverse.Withnomaps,nocontact,andnowaybackhome,CaptainStewartLipinski,FirstOfficer/Stewart’s-Older-SisterKarenLipinskiandtheircrewhavetolearntoworktogether,allwhiledealingwithmysteriousspaceclouds,foodandfuelshortages,robotrebellions,foldsintime,andtheoccasionalalienattack.

HighschoolstudentJaneShipleyseekstomendhersplinteringrelationshipwithchildhoodbestfriendMerritt,andfitinwithherrebelliouspeers.WhenJane'smathteacheroverstepshisbounds,anapathetichighschooladministrationforcesJaneandMerritttotakemattersintotheirownhands,drivingtheirrelationshipintofurtherturmoilandincitingdeadlyconsequences.