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百分之十第一季
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Troisagentsdecomédiens,auxpersonnalitéshautesencouleuretauxviespersonnellescompliquées,sebattentauquotidienpourtrouverlesmeilleursrôlespourleursprestigieuxclients.QuandCamille,lafilleillégitimedel’und’entreeux,débarqueàParispourchercheruntravail,elleestplongéedanslequotidienmouvementédel’agence.CéciledeFranceestalorspressentiepourjouerdansunegrosseproductionhollywoodienne.QuandGabriel,sonagent,apprendqu’elleestfinalementécartéeàcausedesonâge,iln’osepasluiannoncerlanouvelle.C’estCamillequiva,sanslesavoir,gafferetrévélerlavéritéàl’actrice...
百分之十 第一季
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Troisagentsdecomédiens,auxpersonnalitéshautesencouleuretauxviespersonnellescompliquées,sebattentauquotidienpourtrouverlesmeilleursrôlespourleursprestigieuxclients.QuandCamille,lafilleillégitimedel’und’entreeux,débarqueàParispourchercheruntravail,elleestplongéedanslequotidienmouvementédel’agence.CéciledeFranceestalorspressentiepourjouerdansunegrosseproductionhollywoodienne.QuandGabriel,sonagent,apprendqu’elleestfinalementécartéeàcausedesonâge,iln’osepasluiannoncerlanouvelle.C’estCamillequiva,sanslesavoir,gafferetrévélerlavéritéàl’actrice...
北美国家公园
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一定要以信服的眼光来看待永恒。与过去曾在北美国家公园拍摄过的影片比较,此片有相当令人惊嘆的拍摄手法。使用特种摄影机和技巧,大卫伏特尼以前所未见的拍摄角度掳获了这些国家公园的美丽胜景。流畅、熟练的摄影技巧以及空中摄影,让你有穿越山水风景,翱翔天际的身历其境感受。培特里克曾以绝妙的理由讚嘆:这是一趟会让你期待再三参与的旅程。Byusingspecialcamerasandtechniques,DavidFortneyhascapturedthebeautyoftheseparksinwaysneverseenbefore.Fluid,masterfulcameraworkandserialphotographygivesyouthesensationofsoaringoverand...
低地国家的高雅艺术
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
另一面
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Sevilla,1920.Teresa,unamujerdecuarentaaos,llegaaSevillahuyendodelmisteriosoasesinatodelembajadorespaolenLisboaytraslapistadeunnombre:RobertaLuna,unaalumnadelaacademiadeseoritasdelaciudad.Intentandorecabarinformaciónsobrelajoven,TeresadecidehacersepasarporprofesoraysolicitaplazaenlaAcademia.TrassorprenderalanuevadirectoraManuelaporsusideasprogresistasysunuevamentalidad,Teresaconsigueelpuestoypasaaserunamásenelplanteldeprofesorasdelaacademia.Sinembargo,notodovaaserigualdefácilparaTeresa,yaqueallíseencuentraconlaoposicióndesucompaeramásexperimentada,Luisa,yladesmotivacióndeunasalumnasquenuncahanrecibidounaeducaciónquelesayudeapensaryavalerseporsímismas.
翠堤春晓
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施特劳斯(FernandGravey饰)热爱音乐,将音乐当做毕生的理想,然而,现实是残酷的,为了生计,他不得不坐在办公室之中,为老板打工。因为上班开小差写曲,施特劳斯遭到了解雇,然而,女友波蒂(路易丝·赖纳LuiseRainer饰)成为了他最坚实的后盾,在波蒂的帮助下,施特劳斯来到了咖啡馆,在那里演奏自己的作品。一次偶然中,施特劳斯邂逅了当红歌星卡拉(米莉莎·科耶斯MilizaKorjus饰),卡拉的存在激发了施特劳斯的灵感,令他创作出了许多不朽的名曲。波蒂对于施特劳斯和卡拉之间的关系充满了嫉妒,但是,当她看见他们两人在一起珠联璧合的美好景象之后,接受了现实,而卡拉则感动于波蒂的高洁品质,选择了离开。
一条安达鲁狗
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本片是超现实主义电影之父路易斯·布努埃尔和超现实主义画家萨尔瓦多·达利的跨界合作。表现的是人的梦境和潜意识。故事分两段,第一段开头,一个忧郁的男青年(路易斯·布努埃尔LuisBunuel饰)坐在月光下,磨着剃刀,他抽着烟,等着年轻女孩出现。男青年拿着剃刀抚弄年轻女孩的脸,用剃刀割开了她的眼球,同时乌云划过了月亮。第二段的时间设定在8年之后,马路上出现了一个骑着自行车穿着类似女装斗篷的男青年,他晕倒在一个女人的楼下,女人下楼来拿走了他手中的盒子,男人再也没有醒来。回到屋内后女人坐着沉思,另一个男人来敲门,手心布满了蚂蚁,当男人和女人在研究蚂蚁的时候,楼下一个穿着男装的女人正在拨弄一支断手,引起了路人的围观。随后女人的乳房、南瓜、修道士、钢琴、衣衫褴褛的男女纷纷出现在画面中,富有象征意义的梦境被一一展现。
婚外情事第三季
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当第三季开始时,故事时间已经过去三年整,Noah一直在监狱里代替前妻Helen服刑。Helen试图让女儿Whitney相信Noah并非真的有罪,但Whitney根本不听。Noah三年刑满后获得自由,但他很快发现过去的阴影仍然存在,他的精神状态变得非常黑暗,重获新生谈何容易。与此同时,Alison一直无法忘记失去第一个孩子的痛苦,而且女儿Joanie的抚养权官司也一直没有定论。虽然Joanie是Cole的亲生骨肉,但Cole已经决定抛开往事,与Luisa组成新的家庭。Helen现在的事业很成功,但在荣誉光环之下,她其实比谁都糟糕。在家中,她和男友Vic的关系很不确定,和孩子们的关系很不稳定,而且她始终有强烈的负罪感。
因为我爱你
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报告了一对伉俪由一见仍旧,到因为婚姻琐事辩论!直到形同陌路行将仳离的故事。这是Luis跟Eva初见后的第11年。他们深爱!完婚!生子,而当初,在去往法院的路上,这是他们仳离前最后一次背靠背。去法院的路程显得很长,他们回想起形成这专心碎终局的各种过往…  那年在里斯本,他们初遇,一见仍旧。回到德国的Eva再难忘却Luis,于是她与男友分别,孤身去葡萄牙寻觅Luis。两人再见晤时,恋情的花火就此绽开。但偶然间,美妙的开端并不象征着欢乐的终局。
破碎的拥抱
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马提奥•布兰科(Lluís Homar 饰)曾是一名风光无限的电影导演,在遭遇车祸失明后,他改名哈瑞•凯恩,以编剧的身份过着平静的生活。2008年的一天,名叫雷(Rubén Ochandiano 饰)的青年拜访哈瑞,雷对一部电影的设想再次开启哈瑞关闭已久的记忆大门。  1994年,马提奥正在筹拍新片,美丽女孩莱娜(佩内洛普•克鲁兹 Penélope Cruz 饰)在试镜中脱颖而出。莱娜是某公司老板欧内斯特•马特尔(José Luis Gómez 饰)的女秘书,两人之间始终保持着若即若离的暧昧关系。为了给罹患癌症的父亲治病,莱娜委身欧内斯特,成为他的情妇。欧内斯特经不住莱娜的请求,同意投资并让她出演马提奥的新片。拍摄过程中,莱娜和马提奥擦出爱情的火花,而这一切也很快为敏感的欧内斯特所获知。爱恨情仇自此纠缠不清……
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