Arul

TheworldofRemnantisfilledwithhorrificmonstersbentonthedestructionofhumanity.Fortunately,thekingdomsoftheworldhaverisentocombattheseforcesbytrainingpowerfulHuntsmenandHuntressesatacademiesaroundtheplanet.RubyRose,WeissSchnee,BlakeBelladonna,andYangXiaoLongarefoursuchHuntressesintrainingwhosejourneyswilltakethemfarpastthegroundsofBeaconAcademy.Thougheachmaybepowerfulontheirown,thesefourgirlsmustcometogethertoworkasateamiftheytrulyhopetobecomethenextgenerationofRemnant’sprotectors.Butcantheysucceedateachother’ssidewhendarkforcesgathertodivideanddestroyhumanity?

LizBonninpresentsacontroversialandprovocativeepisodeofHorizon,investigatinghownewscientificresearchisraisinghardquestionsaboutzoos-thefilmexploreshowandwhyzooskeepanimals,andwhethertheyneedtochangetokeepupwithmodernscienceorultimatelybeconsignedtohistory.Shouldzoosculltheiranimalstomanagepopulations?LiztravelstoCopenhagenZoo,whokilledagiraffeandfedittothelions,towitnesstheircullingprocessfirsthand.Theythinkitisanaturalpartofzookeepingthatisoftensweptunderthecarpet.Shouldsomeanimalsneverbekeptincaptivity?Inaworldexclusive,LizvisitsSeaWorldinFloridaandasksifcaptivitydroveoneoftheirorcastokillhistrainer.Butcouldzoosbetheanswertoconservingendangeredspecies?Lizexaminestheirrecord,fromhelpingbreedpandasforthewildtoeffortstosavetherhinos.Shemeetsoneofthelastsurvivingnorthernwhiterhinosanddiscoversthefutureofthisspeciesnowliesinamultimillion-dollarprogrammetoengineerthemfromstemcells.VeteranconservationscientistDrSarahBexelltellsLizthescienceofcaptivebreedingisgivinghumanityfalsehope.

LondonIrishfollowstheanticsoffourex-patNorthernIrish20somethingsinLondon.WrittenbyDerrygirl,LisaMcGee,someonewhoknowsathingortwoabout'thecraic'inworld'sbestcity.Forthesefourfriendsit'snoteasynavigatingtheirwaythroughLondonlifeespeciallywhenthey'replayingbyrulesonlytheygetwhichleadstoawholeloadofwrongdoings.

　　科幻系列小说「真谛之剑」（The Sword of Truth）已经创下了全美贩卖量的白金记载,而由该系列的第一部「巫师第一守则」（Wizard's First Rule）改编的电视剧「摸索者传说」（Legend of the Seeker）一经播出惹起激烈的反应。该剧将在「指环王」三部曲拍摄的所在新西兰取景,报告了男配角摸索本身邪术气力的奥秘之旅,并阻拦残酷的统治者罪行行动的故事。与之偕行的另有俏丽的男子凯兰跟年老的巫师佐德。该剧投资伟大,魔幻场景可谓积年习见。该剧将于11月8日在美国结合有线电视网播出第二季。　　第二季的情节将紧接第一季开头开展,这一次主人正义查德将面临「巫师第二守则」的挑衅。理查德是拉哈家属的直系后世,暗王拉哈同父异母的兄弟。他的这一身份将为他以后的冒险带来许多不愿定要素。疼痛使者卡拉成为理查德!凯兰!佐德团队中的第四人,她的到来将「搅动」理查德跟凯兰之间的关联。　　更多出色行将在第二季涌现,让咱们再次踏上魔幻的征程。

科幻系列小说《真理之剑》（The Sword of Truth）曾经创下了全美销售量的白金记录，而由该系列的第一部《巫师第一守则》（Wizard's First Rule）改编的电视剧《探索者传说》（Legend of the Seeker）一经播出引起强烈的反响。该剧将在《指环王》三部曲拍摄的地点新西兰取景，讲述了男主角探索自身魔法力量的神秘之旅，并阻止残暴的统治者罪恶行径的故事。与之同行的还有美丽的女子凯兰和年迈的巫师佐德。该剧投资巨大，魔幻场景堪称历年罕见。该剧将于11月8日在美国联合有线电视网播出第二季。第二季的情节将紧接第一季结尾展开，这一次主人公理查德将面对「巫师第二守则」的挑战。理查德是拉哈家族的直系后代，暗王拉哈同父异母的兄弟。他的这一身份将为他今后的冒险带来很多不确定因素。痛苦使者卡拉成为理查德、凯兰、佐德团队中的第四人，她的到来将「搅动」理查德和凯兰之间的关系。更多精彩即将在第二季出现，让我们再次踏上魔幻的征程。

PeteVersusLife是Channel4台的一部喜剧。它讲述了年轻体育记者PeteGriffiths的挣扎生活，Pete发现自己的心态不够成熟，无法应付生活中各种复杂问题，他真的希望自己的生活像体育一样有确定的规则。(文：life_is_good@YDY)PeteVersusLifeisacomedydramaserieswhichfollowsthelifeofstrugglingyoungsportsjournalistPeteGriffiths.Petefindshimselflackingtheemotionalmaturityoflifeneededtodealwithlife’smoreintricateproblemsandheoftenendsupwishingthatlifehadclearlydefinedruleslikethoseusedinsport.

RuthlessentrepreneurCrassusisbuildinganewhousingestatewithnoregardforhealthorsafety-whichresultsinStylax'sdeath.BuilderJasonturnsuptorevealthatheinadvertentlym.77mi.cckilledStylaxduetoCrassus'sdisregardforrulesandjoinswithMarcusandGrumiotoforceCrassustogivethemtheirownproperty-actuallyarun-downformerpubliclavatory.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

YouareneverfullyliberatedfromAuschwitz,11July2016Author:Red-125fromUpstateNewYorkTheFrenchmovie"àlavie"wasshownintheU.S.withthetranslatedtitle"ToLife(2014)."ItwaswrittenanddirectedbyJean-JacquesZilbermann.ThefilmisaPost-Holocaustsaga,althoughitopenswithscenesinAuschwitzthataretrulyhorrific.Hélène(JulieDepardieu)andL...

It’sChristmasandZipandZapareuptotheiroldtricks.Butthistimethey’vegonetoofarandtheirpunishmentwillbenoChristmasvacationandaseeminglyboringboattripwiththeirparentsinstead.Totheirsurprise,thedestinationisaspectacularremoteisland.Butaterrifyingstormrollsinandthey’reforcedtoseekshelteratamansionbelongingtotheeccentricMissPam,wherechildrenwithoutfamiliesenjoyaparadisewithnorules.Helpedbytheirnewfriends,Flecky,MackyandPippi,thebrothersdiscoverthattheirparents’suddendisappearanceinthemiddleofthenightisrelatedtothemysterioussecretbehindtheislandanditsstrangeinhabitants.