Samedi
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罗恰拍摄好友巴西著名作家阿马多的纪录短片。ThisfilmwascommissionedbyGlauberRochatobeshownontelevisionasaspecialprogrammeonthegreatBrazilianwriterJorgeAmado.Itmainlyconsistsinanextremelyaffectionateconversationaboutallsortsofthings,shotinthewritershouseinSalvadorwithhislargefamily.JorgeAmadowasalsofilmedinabookshopduringasigningsessionforo...
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Arivalryformsbetweentwoteacherswhoarepolaropposites:astrict,old-fashionedby-the-bookinstructorandhischeerfulyoungcounterpartinterestedinsocialmedia.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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《钢铁苍穹2》(IronSky:TheComingRace)得到AtlasInternational和VInternationalMedia的融资，拍摄计划正式启动。续集预算约为1400万美元，九月开拍，预计明年底后期制作完成，打算在2017年的柏林电影节亮相。影片将于戛纳市场卖片。
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DOMESTICVIOLENCEwasfilmedinTampa,Florida.ThefilmshowsthepolicerespondingtodomesticviolencecallsandtheworkofTheSpring,theprincipalshelterinTampaforwomenandchildren.Sequenceswiththepoliceincludepoliceresponse,intervention,andattemptedresolutionofdomesticviolencecalls.Sequencesattheshelterincludeintakeinterviews,individualcounselingsessions,angermanagementtraining,grouptherapy,staffmeetings,andconversationsamongclientsandbetweenclientsandstaff.Sincetwothirdsoftheresidentsattheshelterarechildren,thefilmalsohassequencesofschoolactivities,therapysessionsforchildrenwheredomesticviolenceisdiscussed,andcounselingforparentsandchildrenorganizedaroundchildrensissuesandexperienceswithdomesticviolence.
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Cindy(SaraDrust)returnstoherfamilyhomeafterthedeathofherfathertosettlesomedisputes.Seekingcomfort,sheisjoinedbyherboyfriendandfriends,however,shesoondiscoversthatthehousehidesaterriblesecret,onethatwillputthemallindanger…
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威尔森·康尼贝尔
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AmericanHangmanisathrillerbuiltaroundarelentlesslytickingclockandarapidlyapproachingdeadlineandverdict.Akidnapping,broadcastliveonsocialmedia,turnsintothetrialofajudgewhopresidedoverabotchedcriminalcase.Thistime,however,theaudiencegetstoplayjudgeandjury,decidingifthejudgehimselfgetstoliveordie.
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马赫什·纳拉扬
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HareeshandReshmiareanimmigrantcouplefromKeralaworkinginamedicalglovesfactorynearDelhi.DuringtheCOVID-19lockdowns,whenanoldvideoresurfacesamongthefactoryworkers,itopensupaPandora’sboxthatthreatensthecouple’sjobsandmarriage.Asdesperationandhostilitymounts,theyconfronttheirownneedsanddesireswhiletornbetweenalifeofconscie...
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A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Dalmatian hinterland, a son of an bull fights organizer, and skilled insurance salesman. He is known by his powers of persuasion. At the voting for the Law for animal protection, biggest controversy is considering bull fights. Sonja (Judita Frankovic) is from Zagreb, an inveterate activist fighting for animal rights. In Dalmatian hinterland nobody can understand her attitude. They conclude that Sonja, regardless of the declared intense love of animals, would not dare stand in front of a bull. About Sonja and Anthony , the central pair who in his romantic comedy game going a little farther - a little back, a series of actions is carried out in the style of a wild untamed satire at the expense of local yellow media and important institutions such as the ...
