Key

搜索"Key" ,找到 以下影视作品

双胞回声
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Netflix宣布预订《十三个原因13Reasons》制作人BrianYorkey负责的7集悬疑剧《双胞回声Echoes》。VanessaGazy主创的《双胞回声》讲述一对同卵双胞胎Leni及Gina自小就会交换身份,一直到成年都在互相过着双重生活,共享着两个家庭﹑两位丈夫及一个孩子。但当其中一位姐妹失踪后,她们精心编织的世界将陷入混乱当中。
键等第二季
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故事描述私立键等学园,这是一个跨越 20 年,赚取 Key 粉丝热泪超过琵琶湖总水量、汇集传说猛者们的魔境不,应该说是理想乡。粉丝们的眼泪已无法满足他们,因此他们决定将世界的隔壁破坏,集结在一起,讴歌著这无比快乐、无比自由,仿佛梦一般的世界。
万圣节恐怖宿舍
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When the driver manages to crash the car on the road in the middle of nowhere the four-man-passenger-team (well, 1 girl and 3 guys, actually) have no other choice than to walk through the dark woods to the nearest hostel. Combine this scenario with zombies, a hockey-mask wearing giant and an annoying doll who demands popcorn, and you'll have "H3: Halloween Horror Hostel".
美妙共振
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影片以上世纪七八十年代的贝尔法斯特为背景。Terri Hooley是一名激进、叛逆的音乐爱好者。当时由于北爱尔兰问题,贝尔法斯特冲突不断、民不聊生,泰瑞的朋友们都选定了立场,要么拿起武器要么抛弃自己的家乡,但是泰瑞决定在全欧洲最爆炸声不断的街区上开设一家唱片行,并且取名叫 做「美妙的振荡」。泰瑞先后签下了两支乐队Rudi和The Outkasts,但直到他发掘了Feargal Sharkey和The Undertones之后事情才真正开始有所起色。当John Peel在BBC第一电台上连着播放两遍The Undertones的《Teenage Kicks》这棵一幕发生之后,泰瑞的音乐梦想成为了现实。但泰瑞并不是一个完美的英雄,他有着极其自私的一面,影片同时还展现了他作为一名丈夫和父亲极不任负责任,但是最终,你却不能不对这个人物感到敬佩。
小熊维尼
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这天,小熊维尼(吉姆·库宁斯JimCummings配音)从睡梦中醒来,发现自己的蜂蜜已经喝光了。于是他走进百亩森林去寻找蜂蜜,路上竟遇到了悲伤的驴子屹耳(巴德·乐凯BudLuckey配音),原来屹耳把自己的尾巴弄丢了。维尼随即找来了跳跳虎、兔子瑞比、猫头鹰、袋鼠妈妈和小豆来帮忙,罗宾提议进行一场比赛,谁先帮屹耳找到了尾巴的代替品,谁将赢得一罐新鲜的蜂蜜。大家便各自使出十八般武艺找来了各种尾巴,然而却没有一条能使屹耳高兴起来。第二天,维尼去找罗宾帮忙,发现门口挂着一张纸条写着出去一会,马上回来,识字有限的大伙儿以为罗宾被绑架了,惊恐地组织起营救罗宾的行动,然而此时的维尼,已经快要忍受不了阵阵袭来的饥饿感了……本片根据小熊维尼的原著作者A.A.Milne书中的三个故事改编。
性与生活
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SarahShahi再一次担当剧集主演,这次是Netflix8集剧情喜剧《性/生活Sex/Life》。这部StacyRukeyser执笔﹑改编自BBEaston的回忆录《44ChaptersAbout4Men,Sex/Life》的剧集讲述一名女子BillieConnelly(SarahShahi饰)﹑她的丈夫及她旧情人之间的三角关系。SarahShahi饰演的BillieConnelly是个住在郊区,有两个孩子的妈,希望重拾10年前那个性感﹑单身的自己,不过这次旅程将与她的已婚身份有所冲突。
嗨,妈妈!
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.  But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).  In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.  imdb comment
假期2018
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 Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well.  In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Eklöf has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
世界末日的迹象
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Whenamysteriousplanetcrossesthesun,globalcatastrophesareunleashed.Aroguescientististhekeytodecipheringthesymbolsandhumanity’sonlychanceatsurvival.
马哈希
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MaharshiisanactionfilmstarringMaheshBabuandPoojaHegdeinleadroles.AllariNareshisqiwan.ccplayingakeyroleinthefilm.
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