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汉娜（凯特琳·卡特利吉 Katrin Cartlidge 饰）跟安妮（Lynda Steadman 饰）是大学时期的同居室友,彼时安妮由于本人的长相而布满了自馁,恰是爽朗豪放的汉娜的涌现让安妮重拾了自负找回了快活,两人之间也因而修建起了坚固的友情。一晃眼多年从前,自从结业之后就再也不接洽过的安妮跟汉娜相逢了,此时的她们都已经成为了成熟庄重的职业女性,看到相互的伟大变更,汉娜跟安妮的心中都布满了高兴。但是,经由过程回想已经的校园生涯以及故地重游,两人才发明,她们本身的变更远远跟不上时期的节拍。毕竟什么是胜利,她们的将来又在那边,汉娜跟安妮堕入了深深的思考之中。©豆瓣

不可能恋爱全集故事讲述的是爱耍酷的高中二年生阿岛，拥有连年失恋的体质，然而他却隐藏着另一个不为人知的身份。校园的爱与青春的爆笑喜剧，柏晓动画新番热烈出击。

Onaleaveofabsencefromthepoliceforce,LutherislayinglowinarundowncottageontheedgeofEnglandbutavisitfromhisoldcolleaguesattheMetbringsashockingpieceofnewsthatdrawshimbacktoLondoninsearchofthetruth.Meanwhile,agruesomeserialkillerhasstruckthecity.Withatrailofcluesleadingfromonecrimescenetothenext,Schenkandhisteammustworkoutthetwistedlogicthatconnectseachvictimbutthismurderingmastermindismorethanamatchforthepolice,outsmartingthemateverystep.It’snotlongbeforeLutherisbackintheBullpen,determinedtostealamarchonthekillerbeforeit’stoolate.

BasedontheIDWComic,WynonnaEarpfollowsWyattEarp’sgreatgranddaughterasshebattlesdemonsandothercreatures.Withheruniqueabilities,andapos搜索引擎优化fdysfunctionalallies,she’stheonlythingthatcanbringtheparanormaltojustice.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

JanetgetsintouchfromNewYork.ShetellsLaurathatshehasfoundsomebodyelseandiscontemplatingadivorce,evensendinganestateagenttohavethehousevalued.LauratriestoreconcileherparentsbutinvainasJanetinformsherthatsheisstayinginNewYorkbutwillprovideLaurawithaflat.Jamieandhisparentsareevictedandmoveintoamobilehomewhichtiltsalot.JamiethenannouncesthatheisquittingschooltofindworkandmoveintotheflatwithLaurawhilstBethmakesitcleartoMikethatshehasnodesiretokeepintouchaftertheironenightstand.

肯尼迪总统的遇刺让身为他贴身保镖的弗兰克（克林特·伊斯特伍德ClintEastwood饰）陷入了自责的情绪中不能自拔。即使多年过去，但只要一想到此时，弗兰克总觉得是自己的失职和大意造成了这一悲剧。某一日，一个神秘的电话引起了他的警觉。打电话的男人名叫米奇（约翰·马尔科维奇JohnMalkovich饰），他告诉弗兰克，自己准备暗杀现任总统，并邀请弗兰克玩一个所谓的“游戏”，这个游戏的成败将直接影响总统的命运。往事重演，这一次，弗兰克决定无论如何都要保护总统的安全。这个米奇到底是谁？他这么做的目的何在？在一连串的疑问面前，一场激烈而又危险的追杀游戏逐渐展开。

It’sChristmasandZipandZapareuptotheiroldtricks.Butthistimethey’vegonetoofarandtheirpunishmentwillbenoChristmasvacationandaseeminglyboringboattripwiththeirparentsinstead.Totheirsurprise,thedestinationisaspectacularremoteisland.Butaterrifyingstormrollsinandthey’reforcedtoseekshelteratamansionbelongingtotheeccentricMissPam,wherechildrenwithoutfamiliesenjoyaparadisewithnorules.Helpedbytheirnewfriends,Flecky,MackyandPippi,thebrothersdiscoverthattheirparents’suddendisappearanceinthemiddleofthenightisrelatedtothemysterioussecretbehindtheislandanditsstrangeinhabitants.

在现代风光下的爱丁堡讲述了KateAtkinson的悬疑小说里的谜案和男主角JacksonBrodie的挣扎。私家侦探JacksonBrodie(JasonIsaacs饰演)参过军也是前任警察，表面刚强但心思缜密。他年幼的时候失去了姐姐，而一直以来为他未曾停止追寻姐姐死去的真相；因此他总是很难拒绝一些失去亲人的人们的求助。他接手了三宗案件，而这些案件都颇有年月，他要走向真相，首先要在黑暗里游走，受害人家庭里暗藏多年的秘密，和一些不为人知的利害关系都要被他一一揭穿。

THENEWADVENTURESOFOLDCHRISTINEstarsJuliaLouis-Dreyfus("Seinfeld")inacomedyaboutadivorcedworkingmomwhoissuccessfullyjugglingthedailystressesofmotherhoodandherbusiness,whilemaintainingherfantasticrelationshipwithherex-husband…untilhisyoung,newgirlfriendentersthepicture,instantlycomplicatingherlife.ChristineCampbellhasabusylife--afterall,she’spronetotakingNyQuiltogettosleepandleavingvoicemailmessagestoherselfinthemiddleofthenight.Butit’sagoodlife:sheownsawomen’s30-minuteworkoutgym,andher8-year-oldson,Ritchie(TrevorGagnon),wasjustacceptedintoaposhprivateschoolwheresheencounterstwosnootystay-at-homeclassmoms,Marly(TriciaO’Kelley)andLindsay(AlexKappHorner),whocan’tseemtograsptheconceptthatChristineactuallyworks.Her20-somethingslackerbrother,Matthew(HamishLinklater),liveswithherandhasanuncannyknackofgettingRitchietodoanythingChristinecan’t.Also,shegetsalongwithhercharmingex-husband,Richard(ClarkGregg),evenbetterthanwhentheyweremarried.ButeasystreetissuddenlyfilledwithamajorpotholewhenChristinediscoversthatRichardhasanewgirlfriend:ayoung,nice,impossible-to-hatewomanalsonamedChristine…the"new"Christine(EmilyRutherfurd),andthatdoesn’tsitverywellwith"OldChristine."Now,asChristinerealizesthatRichardismovingonwithhislife,itdawnsonherthatmaybeit’stimeforhertotakethatsameleap.