Masters
搜索"Masters" ，找到 以下影视作品
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Threeterrifyingtalestokeepyouawakeallnight:‘NightoftheSeaMonkey’,‘LambFeed’and‘Homewrecked’–atrifectaof80sthrowbackterrorwithmaulingmonsters,homeinvasionsgonehaywireandstomach-turninghumansacrifice.
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IfRojindoesn’tpasstheuniversityentranceexam,shewillhavetogothroughwithanarrangedmarriage.Ifshedoesgetin,shewillbefree.Thisisthepronouncementofherfather,theheadofthefamily.Rojin’soldersisterShilantriestohelpherasbestshecan,yeteverywell-meantactiondrawstheyoungwomandeeperintoawebofdeceitandlies.Anabsorbingdramaanddaringprobeintothethemeofawoman’srighttoherownlife.
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How easy is it for desperate youngsters to become dangerous gangsters in a decaying society washed all over by the blood of war? Fairly easy indeed. Rane shows incidents, probably somewhat facts, that took place in Serbia of the war era. Things similar to what you see on this film could happen virtually everywhere, but this film gives a very Yugoslavian feeling to everything. Yugo style mafia, Yugo style murder, and all that. Revolting politicians and their greed are to blame, not only the desperate young men who lose their reasoning while trying to be someone. The film and the casting is overall successful, and it's so very Serbian. I recommend it to anyone who.. well anyone who likes a good film. But don't expect anything American style on this one, as I say it's Yugo to the bone.
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100yearsago,thesistersYodandYardwerethewivesofPhraWanathep.YardwasaloyalservanttomadamKamlai,hismainwife.ButKhunThepaskedYodtohelphimgethersisterandhewouldrewardher.SoYodknockedheroutandWanatheprapedher.Later,YodtricksYardintogivingpoisontoKamlai,togetridofherandgetYardintrouble,soshecanreadmorehaveKhunThepalltoherself.SoYardunintentionallykillsKamlaiandher2daughters.AlltheservantsfindoutthatYardkilledKamlaisotheyhungher.YodsmotherfindsoutthatshecausedYardsdeathsoshestabbedYodandputacurseonher,ifshewastocausehermothertocryatearagain,shewillneverbeabletogetreborn.KhunThepwasrebornasWitsanu,anaward-winningbiographydirector.WitsanureceivedworkfromaTVshowcalledLaoRuangTeukGao(Tellingthestoryofoldbuildings).Palisayoungarchitectthathoststheshow,andforthisparticularepisodethestoryofPhraWanathep’shomeisbeingtold.ThehomeislocatedintheNangBarb(SinWoman)amphoe/district.Duringfilming,thestaffseessomethingstrange.TheydontknowthattheplaceishauntedbytheghostsofYodandYard.KamlaiwasrebornasanactressandYodwantstoapologizeforhersins.SoYodandYardenduppossessingRuengrinandWisa,causingabsolutechaosfortheteam.
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长井龙雪
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童年时期的一个盛夏，女孩子面码（茅野爱衣配音）死于意外。这件突如其来的死亡事件，深深刺痛了她的五个儿时玩伴——仁太、安鸣、雪集、鹤见子以及波波。六人组成的秘密基地超和平Busters就此解散，活着的五人带着无法弥补的创伤各自疏远各自长大。十年后，面码居然以一种只有仁太能看见的形式，带着一个想要实现的愿望回来了。本剧场版从面码已经在五个伙伴的帮助下成佛讲起，在面码完成心愿消失一年后，仁太他们五人重聚，各自给面码写信，回忆去年夏天发生在超和平Busters六人身上的奇迹。
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THE COFFEE MAN follows Sasa from Ethiopia, the birthplace of coffee to Seattle, Washington (USA), the home of the specialty coffee movement and host of the World Barista Championship. From humble beginnings in war-torn Yugoslavia to his adopted home in Australia, Sasa Sestic's journey to the 2015 - World Barista Championships is a long one. But his dedication and pursuit of excellence carries him through as do his family, his staff, coffee growers and roasters and the vendors who travel with him on this remarkable journey. THE COFFEE MAN is an intensely personal, observational documentary that will have you biting your nails, standing up and cheering; and wishing that you, too, could experience Sasa's Holy Grail: the perfect cup of coffee.
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马克·詹金
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
