Gaye

超感警探第五季/PatrickJane(金球奖提名者SimonBaker,"TheDevilWearsPrada")过去曾长期在媒体上发表各类关于精神疾病和超自然感觉的文章，并且一直担任电视谈话节目的嘉宾，俨然是一个心理专家。但这位"半名人"自己也承认，他所谓的"超自然能力"纯粹是糊弄人的骗局－－只不过他的观察力和感知力远比别人强而已。如今，从"名人圈"里"卸甲归田"的Jane当上了加利福尼亚调查局（CBI）专案调查组的独立顾问。他利用自己的"超感"特长连续破获了多起公众关注度高的疑难悬案，惊人的破案效率和成功记录让很多人连呼"神人"。但是在调查局内，大家都知道Jane的底细－－他是个缺乏纪律感、不愿意按规矩办事的家伙。古板严肃、一切只知道照本宣科的高级特工TeresaLisbon(RobinTunney,"PrisonBreak")拿Jane非常头疼。她不喜欢Jane公私不明、轻重不分的性格。但另一方面，她也不得不承认：Jane的作用无人可替代，他的判断力对同事们来说非常有价值。Lisbon手下的得力乾将包括聪明的KimballCho(TimKang,"Rambo")和愚笨的WayneRigsby(OwainYeoman,"TheNine")，还有一名毫无经验的新手GraceVanPelt(AmandaRighetti,"TheO.C.")。@m.yakutv.cc

FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeof...

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

TheindomitableDCIVeraStanhope,assistedbyhertrustedcolleague,DSJoeAshworth,stepsupforanotherseriesofchallengingcases.Sheinvestigatesthemysteriousdeathofapensioneronabusycommutertrain(OnHarbourStreet),unearthsathirtyyearmysteryafterabrutalmurderonthesandsofaseasideresort(Protected),unpicksthetragiclastmonthsofafailednovelistgunneddownonaremoteNorthumberlandmoor(TheDeerHunters),anddelvesintothetangledlifeofabusinessmanfoundfloatinginthewaterundertheGatesheadMillenniumBridge(DeathofaFamilyMan).InspiredbythenovelswrittenbyrenownedcrimewriterAnnCleeves,andfilmedagainstabackdropofoutstandingNorthumberlandlandscapesandatmosphericproduction,eachenthrallingstoryisenhancedbythecaptivatingperformanceofBrendaBlethynasthisshambolicyetbrilliantdetective.

　　The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael.　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism.　　As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

由TimDoyle开发的70年代家庭喜剧《TheKidsAreAlright》讲述一个爱尔兰裔的天主教家庭–Cleary一家。在美国最为动荡时期的洛杉矶工人阶级邻里中，Mike及Peggy照顾着8个孩子，不过这么多人也自然很难做到面面俱到。而当大儿子Lawrence回家说自己退出神学院时，这一家的平稳就被颠覆过来了。MichaelCudlitz饰演MikeCleary﹑MaryMcCormack饰演PeggyCleary﹑SamStraley饰演Lawrence﹑CalebMartinFoote饰演Eddie﹑SawyerBarth饰演Frank﹑ChristopherPaulRichards饰演Joey﹑JackGore饰演Timmy﹑AndyWalken饰演William及SantinoBarnard饰演Pat.。

第三季的后半部分，掌握着Ben的生死的Jack似乎占据了优势。他要求释放Kate和Sawyer，让他们平安返回小岛，而他将留下来。但Jack真实的动机是什么呢？Kate终于在Jack和Sawyer之间作出了选择，她的感情是真实的吗？Juliet作出了一个危险的决定。Eko死后，Locke 对岛上之谜的探求使Sayid相信，他的动机并不是幸存者。Sun和Jin在庆祝新生命的到来，孩子究竟是不是Jin的呢？ Charlie对Claire和她的孩子Aaron重新友好起来之时，Desmond丢向他的炸弹永远改变了他的命运。舱门破裂电磁波泄露之后将会对小岛以及外面的世界产生怎样的影响？Penny Widmore能找到小岛和她的挚爱Desmond吗。幸存者们能不能找到联系外界的方法呢？ 救援即将到来，幸存者们不知道能否相信Charlie临终前的警告。救援船上的人的身份也许并不是如他们所言，这些落难的漂流者再次产生分歧。 朋友，家人，敌人，陌生人，为了生存，不仅要克服恶劣的自然环境更要对抗神秘的力量。90余天的荒岛生涯告诉他们，危险和未知在岛上随处可见，信任的人随时可能翻脸。即使英雄也会有不可告人的秘密...

Thesixthseasonof30Rock,anAmericantelevisioncomedyseriesontheNBCnetworkintheUnitedStates,beganairingonJanuarywww.5233tv.comRockwasrenewedforasixthseasonbyNBConNovember15 - 2010.[4]Theseasonbeganairingmid-seasontoaccommodateTinaFey’spregnancy.OnNovember14 - 2011 - NBCannouncedthat30Rockwouldreturnatthenewtimeof8 - 00pm.ThisseasonwasinitiallyexpectedtobeAlecBaldwin’slast,ashehadannouncedhewouldbelookingtoexpandintootherformsofmedia.[7]However,inJanuary2012 - Baldwinconfirmedthathewouldremainfortheseventhandfinalseasonof30Rock.[8]Seasonsixreceivedpositivereviewsand13EmmyAwardnominations.

Jennifer,aHarvardPhDstudent,wassigningacheckatarestaurantwhenshefoundshecouldnotwriteherownname.Monthsbeforeherwedding,shebecameprogressivelymoreill,losingtheabilityeventositinawheelchair.Whendoctorsinsistedthatherconditionwaspsychosomatic,shepickeduphercameratodocumentherownstoryandthestoriesoffourotherpatientsstrugglingwiththeworld’smostprevalentorphandisease.

　本片是一部音乐歌舞片,集七十年月爵士乐之大成。在1980年第33届戛纳国际片子节上掉掉落金棕榈奖,获52届奥斯卡（1979）最佳打扮计划!最佳剪辑,最佳音乐三项金像奖。　　◇剧情先容◇　　作为一个音乐剧迷,即便你不太熟习金像奖导演Bob Fosse这个名字,我赌钱你也必定据说过托尼奖跟奥斯卡的大赢家「芝加哥」跟「歌厅」,Fosse分离是这两部音乐剧片子版的编剧跟导演,他的另一部有名作品就是这部「爵士年龄」。（实在只有轻微留心就能够从「芝加哥」的编舞上发明很多「爵士年龄」的影子,并且「芝加哥」开宗明义的第一只曲子就是‘All That Jazz’。）　　「爵士年龄」可称是Bob Fosse自己的半自传影片,片中的主人公是一位叫Joe Gideon的百老汇资深导演,他天马行空,刚愎自用,才干横溢,然而因为不建破起弘远的幻想跟准确的人生不雅跟天下不雅,任务的压力跟情绪的放肆使他悲不雅厌世,安康盛极一时,最后在其作品的歌声舞影中,Gideon哼着「再会我爱」在手术台上踏上了不归之路。　　人生就是这般无常,Gideon老师能够发明票房奇不雅,能够吸引各式百般的男子投怀送抱,但他跟咱们一样,经常对心灵的充实跟精神的脆弱束然无策。有志趣相投的友人谈天,有爱好的文章可读可写,有难听的音乐剧能够不雅赏,有滑稽的心境能够时常浅笑,有不含SARS病毒的氛围能够呼吸――不晓得如许简略的幸福上天还能够赐咱们多久！　　金曲提醒：「在百老汇」(On Broadway)!「自君别后」(After You've Gone)!「重焕生气」(Everything Old Is New Again) !「再会我爱」(Bye Bye Love) 。