Dimov
搜索"Dimov" ，找到 以下影视作品
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AboutaweekaftertheWoodsfamilymoveintoXaosHouse,theirdaughterElliegoesmissingduringapowercut.Ellie'smotherKeirainvestigatesandfindsthatthewallshavestrangesymbolsengravedintothem.AfteranumberofterrifyingsupernaturalexperiencesshecomestotheconclusionthatthehousetookEllie.ShediscoversthataphysicistandoccultistcalledJohnF...
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Giant Dragon fights, giant monster fights and some kung fu in this fantasy epic from Taiwan also known as Prince of the Dragon King. The dragon turns into human form early on in the movie and goes on some magical quest.
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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A teenage boy lives with his single mum in a flat in South London. Into the flat below moves an anti-social, former Rock God who faked his death 8 - years ago. The teenage boy works out who the mysterious neighbour is and blackmails him into teaching him the dark arts of Rock Guitar.
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维拉奇·通吉拉
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Ti是一名大学生，曾做过兼职家教。有一天，他的一个学生和高中混混惹上了麻烦。蒂瓦去保护他的学生，并与该团伙的头目诺伊对峙。那一天之后，Ti和诺伊偶遇了那么多次，他开始了解到，虽然诺伊长得很坏，但这个男孩傻得离谱。没有，我只是自己想起来，我是追着他跑。Ti极力解释自己对他一点兴趣都没有，但命运却玩了些有趣的把戏。Ti被联系去给一个新来的学生当家教。那个学生是诺伊。他们对彼此了解得更多。诺伊开始改变自己，在Ti身上有所行动。~~改编自koreanrabbit的小说《พี่จะตีนะเนย》。Ti,acollegestudent,hadapart-timejobasatutor.Oneday,oneofhisstudentsgotintotroublewithhigh-schoolgangsters.Tiwawenttoprotecthisstudentandconfrontedtheleaderofthegang,Noei.Afterthatday,TiranintoNoeisomanytimes,hestartedtolearnthatalthoughNoeihadabadasslook,theboywasridiculouslysilly.NoeijustcameupbyhimselfthatTiwasrunningafterhim.Tiwassodonetryingtoexplainthathehadzerointerestinhim,butfateplayedfunnytricks.Tiwascontactedtobeatutorforanewstudent.ThatstudentwasNoei.Theylearnedmoreabouteachother.NoeistartedtochangehimselfandmadeamoveonTi.~~Adaptedfromthenovelพี่จะตีนะเนยbyKoreanRabbit.
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It’s the start of the spring term in a small northern town, heralding swimming lessons, hanging out with best friends, new classes and new possibilities. But this year, things are different for 14-year-old Sam. While her friends are moving on, focusing
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A failed, recluse director, Max, moves from New York City to a small seaside town after his wife's death. He struggles with his parental role over his son. Eddie, meanwhile, is becoming increasingly involved in the not-so-underground culture of drugs, promiscuous sex, and gang violence that lies there. The chasm between them seems to be growing despite Max's best efforts. Max jogs in the mornings and routinely passes a psychic. She spontaenously predicts that one night a serial killer will attack Eddie on the beach. Eddie is sampling various drugs with his friend, Smiley, and having unprotected sex. He ignores the advice of his father as a rule and seems beyond hope of redemption in the eyes of mainstream society. He shows potential for betterment when he prevents the murder of a rival gang member. Max saves Eddie from the serial killer.
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Pop-Up is a movie starring Greg Powell, Clara Voda, and Eugene Gilfedder. "Pop-Up" is a feature film about three people affected by one event. Their stories are told separately, but they interconnect in unexpected ways.
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李成恩
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Jin-Young (Kim Gyu-Ri) is a not so popular screenwriter. She's been stuck writing a zombie movie script for the past couple of years. During this time she hasn't made any money or dated. Hwang Tae-Il (Park Won-Sang) is a movie director. He decides to direct a zombie film based on the Jin-Young's script. The pair become romantically involved.
