DanielC
搜索"DanielC" ，找到 以下影视作品
剧情：
直美（堀北真希 饰）是东京国际黉舍的高中生,由于一次不测,她从台阶上跌落,除了身受皮肉之苦,还得到了从前四年的影象,独一铭记的是她已经与人接吻的画面。由于如许的影象碎片,老是隐约涌现,甚至于她开端与事实中的人对号入座。垂垂地,谁人隐约的身影被锁定在三个男子身上：包含亲热的学长（松山健一 饰）!仁慈的同学（手越佑也 饰）以及美国留先生（安东•尤金 Anton Yelchin 饰）。直美于是开端对这三个男子分离示好,生机从蛛丝马迹中寻觅到真爱的讯号。但是,阴错阳差,老是不克不及如愿,影象中的影子与事实中的爱侣好像老是差了一些,难以对接。一次偶尔的机遇,直美取回了丧掉四年的影象,她这才如梦初醒,赫然发明本来本人至可爱的是他……
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宮崎光代
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Yumaisa23-year-oldwomanfromTokyo.Whenshecommutesbytraintoherjobinamangastudio,herfaceisathipheighttotheotherpassengersstandingup.Yumausesawheelchaironaccountofcerebralpalsy.Herdeformedlimbsonlyallowhertocrawl–andtoholdapencil.Thefactthatherboss,asuccessfulcomicartistandbloggernamedSayaka,whohasapenchantforgarishFairyKeiattire,passesYuma’sdrawingideasoffasherown,dismaysthetalented‘mangaka’.Evenworse,heroverprotectivemotherhardlyletsheroutofhersightandrefusestotalkaboutherfather.AsYumaattemptstoliveamoreindependentlife,shestumblesacrossadultcomics–mangaporn–andtoyswiththeideaofdrawingsomeherself.Thepublisheradviseshertogainsomepersonalexperiencefirst.ButwhathappenswhenawomaninawheelchairasksatoutinTokyo’sredlightdistricttofixherupwithasexdate?DirectorHIKARI’shumorousandendearing37Secondsdepictsanunusualjourneyofself-discovery-inartistic,physicalandfamilialterms.And,asthefilm’scharmingprotagonistlearns,friendswhoarenotprejudicedcanbefoundanywhere.
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WhensoldierShaunEmery’s(Turner)convictionforamurderinAfghanistanisoverturnedbecauseofflawedvideoevidence,hereturnstolifeasafreemanwithhisyoungdaughter.ButwhendamningCCTVfootagefromanightoutinLondoncomestolight,Shaun’slifetakesashockingturnandhemustsoonfightforhisfreedomonceagain.WithnewlypromotedDIRachelCarey(Grainger)draftedintoinvestigateShaun’scase,shequicklylearnsthatthetruthcansometimesbeamatterofperspective.ShouldshetrustShaunEmery?TheCaptureisasix-partthrillerthatlooksatatroublingworldoffakenewsandtheextraordinarycapabilitiesoftheintelligenceservices.Inthis‘post-truthera’,canwereallybelievewhatwesee?TheCaptureiswrittenanddirectedbyBaftaAward-winningfilmmakerBenChananandismadeforBBCOnebyHeydayTelevisionandNBCUniversalInternationalStudios.
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ThefilmtakesplaceinToulouseandtellsthestoryofJean,a55year-oldpolicemanwhodiscovershisson,Maxime,andhissonsboyfriendhangedinahotelroom.TheautopsyshowsthathediedfromanoverdoseofGHB,justsevenminutesafterhisboyfriend.DuringaneveningorganizedbyMaximesfriends,JeandiscoverstheclubBISOU,wherehissonusedtogo.There,hemeetsFabien.Tryingtoknowmoreaboutwhathappened,JeangoestotheclubseveraltimesoverandisquicklywelcomedbytheBisouers.Fabienbecomesattachedtohim,andJeanstartsmixinghismourningwiththedesiretodiscoverhissonsworld.
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马克·詹金
剧情：
康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。Thepicture-postcardidylloftheCornwallfishingvillageismisleading.Whilefishingusedtobeawayofsupportingoneself,wealthyLondontouristshavenowdescendedandaredisplacingthelocals,whoselivelihoodisthusthreatened.TherelationshipbetweenbrothersStevenandMartinisalsostrained.Martinisafishermanwithoutaboat,sinceStevenstartedusingitforfarmorelucrativetoursforalltheday-trippers.They’vesoldthefamilycottageandnowitseemsthatthefinalbattletobefoughtisthatwiththenewownersovertheparkingspacenexttothesea.Yetthesituationsoongetsoutofhand,andnotjustbecauseofthewheelclamp.Baitisablack-and-whitefilmshotonhand-processed16mm.Numerousclose-upsoffish,nets,lobsters,wellingtonboots,knotsandcatchbasketsbringtomindthetheoryofamontageofattractions.Thedepictionofthedifferentsocialstrata–onecouldspeakofclassrelations–isalsoreminiscentofthetraditionofsocialrealisminBritishcinema.Aboveall,however,awholelotofcurrentpoliticalrelevanceiswaitingtobediscoveredbeneaththedifferentlayersoffilmhistoricalreferencescontainedintheimages.
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In a summer they won't forget, two broke college students start filming parties for money. Hello dollar signs. Goodbye morals. Welcome to the night club scene.
