astill
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WereturntothestoryofFaithHowellssome18monthsafterherhusbandEvanreturnedtoAbecorranintimetoseehiswifeinthearmsofSteveBaldini.EvanhaspulledFaithintoadarkanddangerousworldandshesstillpayingtheprice.
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奥利弗·赫曼纽斯
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BasedonAndréCarlvanderMerwe’sbook,Moffie(aderogatoryAfrikaanstermforagayman)followsthestoryofNicholasvanderSwart:fromaveryyoungage,herealisesheisdifferent.Tryashemay,hecannotliveuptothemachoimageexpectedofhimbyhisfamily,byhisheritage.Attheageof19heisconscriptedintotheSouthAfricanarmyandfindshiseverysensibilityoffendedbyasystemclosetoitsdemise,andyetstillinfullforce.SetduringtheSouthAfricanborderwaragainstcommunism,thisisalongoverduestoryabouttheemotionalandphysicalsufferingenduredbycountlessyoungmen.
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1985-92播出7季，还拍了两部电视电影的ABC老剧《百战天龙MacGyver》，被CBS接手翻拍。MacGyver在原剧中是个不喜用枪的人，但却能用一把瑞士刀等东西解决各种事件。CBS对本剧的关注度很高。新版主演会年轻10年，讲述20多岁的MacGyver被招入一个隐秘的部门，剧中会解释他是如何学到一身如何解決难题的不同技能。定档秋档的《百战天龙MacGyver》预订后重选演员﹑编剧及导演，原班底只留下主角LucasTill及GeorgeEads。在拍摄试映集时把导演从温子仁换成DavidVonAncken，但当预告片放出后恶评如潮，CBS因此清洗了大部份演员﹑编剧与导演。温子仁再次走马上任，负责执导这部CBS有很高期待的新剧。《X战警X-Men》系列中饰演AlexSummers（冲击波/Havok）的LucasTill饰演主角MacGyver。他在美国政府一个绝密部门，运用他过人的天赋﹑非传统的解决方式﹑丰富的科学知识去拯救别人。《犯罪现场调查CSI:CrimeSceneInvestigation》的GeorgeEads角色重新设定为特立独行的前CIA特工JackDalton，跟MacGyver一同在全球出生入死，进行高风险的任务。SandrineHolt将饰演前前线特工PatriciaThornton，现行动部门「对外特勤局（DepartmentofExternalServices）」局长。她不喜欢自己被「领导」一词所框框，并且愿意自己亲身上前线，她才不想让自己的手下把乐趣都抢了。JustinHires饰演有雄心壮志的WiltBozer，MacGyver的室友。TristinMays饰演常规角色RileyDavis，她是个带怨恨﹑不可预测的电脑骇客，脑子有着各种计算机编码的知识；原本她在狱中服刑，因此她更是乐意在MacGyver的队伍中工作，而不是留在监狱……不过她懒得表示谢意。在对外特勤局（DepartmentofExternalServices）支持下，MacGyver肩负起保护世界的责任﹑武装到牙齿的他，得到的工具不止是香口胶及回纹针。
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DaylightFadesisamoviestarringMatthewStiller,RachelMiles,andAllenC.Gardner.WhatdoyoudowhenyoucansavethelifeofthemanyoulovebygivinghimeternallifeDesperateforasecondchance,Elizabethmakestheunthinkablechoiceinthisthoroughlyengaginghorrorthriller.AFilmBuffPresentation.
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Gray-haired furniture retailer Paul Winkelmann still has his dinner cooked and his laundry done by his mother. He spends his evenings playing Scrabble with Mama's friends and discussing the role of women in society in his carnival club. When he meets psychologist Margarete Tietze, "Pussi" finally begins to rebel against his dominant mother.
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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AseeminglytrivialcaseofasmallcarpentrybusinessthathasgonebankruptundermysteriouscircumstancesgetsMads'attention.ClaudiaisreleasedafteroneandahalfyearsinprisonbuthersonisinParisandtheonlyworkshecanfindisatacoffeeshop.ButthenshegetsavisitfromEnergreen'soldchairman,Mr.Christensen.NickyandBimsestillhastheautorepair...
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Awealthyrais(aheadoflocaladministrationinTadzhikistan)buildshistoiletrightnexttothehouseofateacherinthevillage.Thearomasofthetoiletdisturbthelifeoftheteacher’sfamily;itisveryupsettingforthem.ButtheraisisalsoanewTadzhik(newmoney)andignoresthecomplaints.Moreover,everytimehevisitsthetoilet,heshamelesslystaresattheteacher’syoungwifeoverthefence.However,thepoweroftheraisissogreatthatnobodydarestoopposehim.Theteacherbuyscheaplyahomerightinfrontoftherais’shousefromanoldmananddecidestobuildapublictoiletthere.Itseemsthattheeraoffairytalesandlegendshasvanishedanditisnotpossibletomakefilm-parables.However,JamshedUsmonovcreatesfilm-parables.Ineveryoneofhisfilmsthereisacharactertellingalegendthatturnsthemeaningofthefilmallaround.InFlightoftheBeeitisataleaboutabee,whichsavedthelifeofanarmy:Onceuponatimeitwasacustomtokilloldpeoplewhoreachedacertainage.ButoneofthesoldiersofAlexandertheGreatdidn’thavethehearttokillhisfather.Hehidhiminhistravelingtrunkandcarrieditonhisbackduringmarches.Thearmycametoadesertandthewarriorsstartedtodiefromthirst.Nobodyknewhowtofindwater.Thefathersaidtohisson:Catchabee,tieawhitethreadtoitslegandfollowit.Itwilltakeyoutowater.Theyfoundwaterandthearmywassaved.Afterthatoldpeopleweresparedbecauseeverybodyrecognizedthemasasourceofwisdom.Thevillageteachertellsthisstorytohisstudentsatthebeginningofthefilm.ItisinterestingtonotehowinthefilmFlightoftheBeedifferentmentalitiesintermingledandco-existed.TheteacheristypicaloftheSovietintelligentsia:hewritesbooksthatnobodypublishes;helooksforjusticefromthegovernmentthathasneverbeenfairtohim.ThesurroundingsofthevillagearestillSoviet:theraishasLenin’sportraitinhisoffice;youngpeopleareidleanddrunkastheyalwayswereduringtheSovietera.Thenewcapitalists,thenewTadzhiksinthevillage,donotweardesignerjacketsanddonottalkoncellphones.Thenewmoneyispresentedinthecharacteroftherais.Ithasalmostafeudalquality;itisthepowerofalocallord.JamshedUsmonovhasauniquetalenttobalancethefunnyandserious,thesimpleandcomplicated.He,likenobodyelse,sensesthisborder,whereasimplestoryturnsintoaparableandfilmcharactersstandoutasarchetypesofdifferentperiodssettogetherinthegapoftimes.(kinokultura/GULNARAABIKEEVA)
