Samedi
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In the Blood, the portrait of a medical student in his 20s and his experiences in what will become the defining summer of his life.
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Two rival Medieval shows vie for supremacy in the world of Renaissance Faires.
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David,auniversityprofessor,takestosocialmediatocriticizehiscity’sadministration.Butinsteadofthemayor’sdodgydealingsbeinginvestigated,Davidishimselfaccusedofembezzlementandplacedunderhousearrest.Despitetheoverbearingsurveillance,double-crossingacquaintances,andgrowingmediainterest,Davidremainsdefiantandwillnotapologise.Withthecourtcasedrawingevernearer,doesDavidhaveanyhopeofwinningthisbattleagainstGoliath?
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SixdadsgatherinruralOklahomaforaweekendfishingtrip.Asthemencasttheirrodsintotheriver,sharetheircatchoverdinner,andswapstoriesbesidethebonfire,welearnwhathasbroughtthemtothisscenicidyll:thelovefortheirtransandLGBTQchildren,theirfearsfortheirchildren’ssafety,andtheurgencytofightforthegroundonwhichtheyallstand.TheDadsisaquietmeditationonfatherhood,brotherhoodandmanhoodamidthechangingAmericanlandscape.
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内详
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DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.?EverySecondCounts?Surgeonshavejustminutestoperformlife-savingemergencytraumaoperations.?GettingBetter?Asurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.?ANewBeginning??AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.?ARiskWorthTaking??SurgeonscarryoutQueenElizabethHospitalslargesteverremovalofexcesstissue.?PushingTheBoundaries?Afacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.?OneFalseMove?Theseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.
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克里斯·史密斯
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An intimate celebration of George Michael and Andrew Ridgeley’s enduring friendship, from childhood and through their years together as one of the UK’s biggest bands. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?Michael and Ridgeley met at school in Bushy, near the town of Watford. They first formed the ska band The Executive before going on to release their first single as Wham!, Wham Rap! in June 1982. Success wasn’t immediate, but when it finally came, the pair crested a wave of success that continued until their farewell concert, The Final, at Wembley Stadium in June 1986. Chris Smith’s hugely entertaining film offers full and unprecedented access to the band’s archive, including unseen footage and interviews with the duo. The result is a nuanced portrait of an enduring friendship and a joyous musical travelogue.
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罗臻
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剧情简介:本片讲述的是一名芭蕾舞演员(秦萍)饰,在一次偶然的相遇中与男主角(关山)饰的一次邂逅,让这两人产生了姻缘,不久这名芭蕾舞演员得了重病,卧病不起,最终以最悲惨的结局,让这两人的姻缘没有能幸福长久。地区:香港色彩:彩色对白:国语出品:邵氏兄弟导演:罗臻ZhenLuo编剧Writer:罗臻ZhenLuo-writer/依达YeeTat-story(asYiTa)制作人Producedby:Chi-ChungKwan-associateproducer/邵逸夫RunRunShaw-producer摄影Cinematography:OscarTung/董绍咏ShaoyongDong剪辑FilmEditing:姜兴隆Hsing-lungChiang原创音乐Origi...
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Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
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米格尔·马德里
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Paul was raised as a girl after his sister died. He has been collecting dolls ever since. But that has left him troubled and he was unable to cope with the pressure of a medicine degree. He now returns to his home town to work as a gardener at a local mansion. But after he arrives, murders start to happen. Is he responsible or are the answers in his nightmares