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JohnWoodleftthepiecesofabrokencivilisationbehind,togobacktohisrootsinthewoodland,afteraviruspandemicstrucktheworld.Residinginasimplecabin,heonlywantspeaceandtoliveinharmonywithnature.Comingfromalonglineoftimbermen,hejoinedthearmyandservedasasoldierformanyyears.Rebellingagainsthissuperiorsforkillingciviliansundermartiallaw.Johnfeelshegothisownwifekilledwhensavinghundredsofinnocentciviliansfromcertaindeath.HiswifeexecutedpointblankasretributionforJohnsdisobedienceandsupposedheroicacts.Now,ayoungwomannamedMariaJohnsonhasescapedapandemicresearchlab.Shesbeenpartofexperimentstofindacureforthestillragingvirus.Carryingthepotentialcureinherblood,sheishuntedbyprofiteersandmercenarieswhoknowshersecret.CominguponJohnscabininthewoods,MariaisinstinctivelytakenintoshelterbyJohn.Hewantshertorecoverfastandleave,butbylearningher...
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Denkhun演的角色跟朋友一起去冒险拿了Poh的鬼口中的钱，然后想拿回自己的东西?Eye演的女生可以看见鬼，还能被Poh演的鬼上身。m.ysgou.ccDenkhun跟Eye是同学?恋人?亲戚?Joy演的角色恨着?爱着Poh演的角色?
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Starz过去宣布拍摄《白王后TheWhiteQueen》及《白公主TheWhitePrincess》的姐妹篇限定剧《西班牙公主TheSpanishPrincess》，由CharlotteHope饰演女主角。该剧根据PhilippaGregory所著的小说《TheConstantPrincess》及《TheKing’sCurse》改编，现定于美国时间5月8日首播。《西班牙公主》主角为「亚拉冈的凯瑟琳」（CatherineofAragon，CharlotteHope饰演），漂亮﹑聪明﹑出身自西班牙王室的她因为政治婚姻下，带着摩尔人女官Lina来到英国并嫁给威尔士王子亚瑟，女主亦因此成了威尔士王妃，然而二人尚未洞房亚瑟就因病去世。亚拉冈的凯瑟琳声称自己尚为处女，而如果上一段婚姻能判定为无效，那她就可以嫁给亨利七世的次子亨利（未来他继任为亨利八世）。其他主演包括StephanieLevi-John﹑NadiaParkes﹑AaronCobham﹑AngusImrie﹑DameHarrietWalter﹑LauraCarmichael﹑RuairiO’Connor﹑GeorgieHenley﹑ElliotCowan﹑AlexandraMoen﹑PhilipCumbus﹑AlanMcKenna。
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林诣彬
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俄罗斯莫斯科闹市中心,履行押解义务的军方军队受到一伙练习有素的强盗打击,大战当时的现场惨不忍睹,主要的卫星元件受到挟制。国际刑警霍布斯（道恩·强森 Dwayne Johnson 饰）查明,包含此案在内的一系列案件均系前特种军队武士欧文·肖（卢克·伊万斯 Luke Evans 饰）所为。为了将这群练习有素!干练凶恶的强盗绳之于法,他辗转找到隐居世外桃源的多米尼克·托雷多（范·迪塞尔 Vin Diesel 饰）助拳。霍布斯开出的前提令人难以谢绝,他不只能够将托雷多跟布莱恩（保罗·沃克 Paul Walker 饰）一伙早年的犯法记载一笔取消,别的欧文一伙中居然另有本该逝世去的拉蒂（米歇尔·罗德里格兹 Michelle Rodriguez 饰）。史无前例的伤害战役,为了安宁平常的生涯,这群流亡之徒再上疆场……
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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Infournewfeature-lengthepisodesofthebelovedBritishmysterysetinEnglandsmostmurderouscounty,DCIJohnBarnaby(NeilDudgeon,LifeofRiley)andDSJamieWinter(NickHendrix,Marcella)investigatethekillingsofaballroomdancecompetitorandarealestateagent,aseriesofattacksinavillageknownforitsspecialtyhoney,andaviolentclashbetweenfishermenandmudrunners.
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豪梅·巴拉格罗
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艾斯特·爱珀斯托
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ángela Cremonte
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Alejandra Meco
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费尔南多·瓦尔迪维尔索
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费德里科·阿瓜多
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Magüi Mira
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Inés Fernández
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Whengo-godancerLucíanicksafortuneindesignerdrugsfromhermafiaemployers,themobsters’doggedpursuitforceshertoseeksanctuarywithherestrangedsisterRocíoandnieceAlbain“TheVenus,”adecrepitapartmentcomplexontheoutskirtsofMadrid.Asterrible,rotten,no-goodluckwouldhaveit,LucíasoonfindsherselfsoleguardiantolittleAlbaafterRocíosuddenlyfliestheconcretecoop,unabletohandlethesupernaturalstressoflivinginamonoliththatisapparentlyalsohosttoamalignantevil—onethatinvadesitstenants’wakingnightmares.TakingafewcuesfromH.P.Lovecraft’s“TheDreamsintheWitchHouse,”"Venus"pilesonthebloodandbombshellslikeadoublebillof"Demons2"and"TheSentinel".源自：https://poff.ee/en/film/venus/
