TaraMarks
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SamuelworksinBrusselsasapharmaceuticaldeliveryman.HisgorgeousgirlfriendMireilleheadsofftoNewYorktointernataprestigiousarchitecturefirm.Shortlyafterherdeparture,Sam’scomputerishacked.AseriesofratherdodgyIT-guysfailtoprotecthiswirelessnetwork.ThemysterioushackerseemsintentonscrewingupSamuel’slifeandhisrelationshipwithMireille.Paranoiakicksin.SamstartstosuspecthisneighborsandgetsobsessedwithWiFi-rays...Love,paranoiaandtwoloversseparatedbyanoceanofcommunicationdevices.
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"BehindCut"tellsthestoryoftwomenworkingtowardstheirdreamstogether.ThestoryrevolvesaroundKiJin,adesignstudentwithaspirationstobecomeaworld-famousdesigner,andYeongWoo,whoworkspart-timeasadeliverymanwithabrightpersonality,andtheirstrugglesofworkandlove.Korea'stopmodelLeeBincomesintothepictureandisexpectedtogivethesto...
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保罗·惠廷顿
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继收视和口碑均表现喜人的《白屋农场谋杀案》《丹斯》后，ITV预定了下一部真实罪案类剧集《约克郡开膛手 The Yorkshire Ripper》(暂定名)。 《杀死伊芙》《审讯室：英国》编剧George Kay负责剧本，《白屋农场谋杀案》导演执导。 本剧共6集，基于Michael Bilton的书籍《Wicked Beyond Belief The Hunt for the Yorkshire Ripper》创作，将讲述世界上最臭名昭著、令人震惊的连环杀手案件之一，即对被称为约克郡开膛手的Peter Sutcliffe的追捕。 在1975年10月至1981年1月期间，警方进行了英国犯罪史上最大规模的搜捕行动。对Sutcliffe的搜寻持续了五年，有超过一千名警员参与，彻底改变了英国警方的工作方式。 该剧不会仅仅着墨于警方的工作，还会聚焦受害者和...
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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A teenage boy lives with his single mum in a flat in South London. Into the flat below moves an anti-social, former Rock God who faked his death 8 - years ago. The teenage boy works out who the mysterious neighbour is and blackmails him into teaching him the dark arts of Rock Guitar.
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PBS续订《#斯嘉丽小姐和公爵#MissScarlet&TheDuke》第二季，A+ENetworksInternational退出该项目。
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In the not so distant future, society is controlled by the powerful State and a dictator known as the Director. Condor works as a hitman for the State, but a reunion with someone he thought was dead forces him to consider who his enemies really are. -by- http://www.btfensi.com/
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一个新锐明星“皮诺”，被称为“猫先生(猫王子)”，有着冷酷和清醒的形象，因童年阴影创伤讨厌所有四脚动物，为了转变形象跑到“爱犬幼稚园”工作，是一个有魅力的导演。还有' Daebyul '，' Ki-min '和兽医院院长' Jun-hyeok '。他们经历冲突，并通过冲突发展感情...
A new star, 'Pino', called 'Mr. Cat (Cat Prince)' with a cold and sober image works in 'Dog Kindergarten' as a charismatic director. Along with 'Daebyul', 'Ki-min', and veterinary hospital director 'Jun-hyeok'. They experience conflict ...
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四个青年犯和他们的劳教负责人在周末时，去到Yorkshire约克郡外的一个偏远地方Mortlake莫特莱克小镇进行社区服务。一直以来这个小镇都以保持着他们本身所独有的近亲交配而引以为傲。镇上的居民都是一些很怪异的人，青年犯们因为一件微不足道的小事与这群近亲交配的村民产生了冲突并且迅速升级成为流血事件...这个周末，这个小镇成为了这群外来者的梦魇...
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FilmmakerandgayactivistSridharRangayanembarksonapersonaljourneytoexposethehumanrightsviolationsfacedbytheLGBTQcommunityinIndiaduetoadraconianlawSection377andhomophobicsocialmoresofapatriarchalsociety.ThegrittydocumentaryBREAKINGFREEfeaturessearingtestimoniesofgayandtransgenderpersonswhohavebeenvictimizedorexploited,aswellaswide-ranginginterviewswithadvocatesandactivists.See-sawingbetweendespairandjoy,anguishandhope,thefilmoffersaninsiderviewoftheIndianLGBTQcommunityandisadocumentationofitsmovementfrominvisibilitytoempowerment.
