Latoya

Since 1977 - Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.‘This year will be my year, it has to be!’ Since 1977 - Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 - Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 - to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.

Historian Lucy Worsley debunks popular myths and royal as well as anti-royal propaganda about key events from British royal history including the English Reformation, the attack of the Spanish Armada and Queen Anne's forgotten legacy.

When star high school quarterback AJ Montoya breaks his hand his only hope is to team up with his longtime rivals, the cross country team-a group of nerds and misfits with potential for high school glory.

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

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Emerson Graham's nights as a cab driver are filled with annoyances and inconveniences, but until tonight, never attacks and disappearances. After picking up a mysterious passenger her evening goes from working a job to performing a quest as they must race against the clock to defeat a force of evil. The meter is running.

　A man afflicted with clairvoyance tries to change his fate when a series of events leads to a vision of his own imminent murder.

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旧金山唐打手黄必须处决他儿时的朋友孙。孙知道自己的时间到了，并在黄出现在他家门口之前写下了遗嘱。当孙意识到黄是要杀我时，他试图说服他的朋友告诉他他是孙所有世俗财产的受益人，并说服王答应照顾孙的小女儿托亚桑，孙将她遗赠为他的妻子。多年后，当她成年时，她嫁给了王，现在是一个强大的人物，尽管她爱邪恶的哈利。当Wong得知Toya和Harry在一起会更快乐时，他允许他们离开。后来Wong得知哈利已被驱逐出境，并且由于Toya无法证明她已与其他人结婚，她也被驱逐到中国。黄得知此事后，开始追捕他们。“...我们的故事在有权有势的 Lem Sing Tong 成员 Hop Li 去世后开始，我们看到他的送葬队伍经过杜邦街”...一面巨大的龙旗展开，宣战。人们恐慌：人们磨刀霍霍；商店都关门了。Wong Low Get 从萨克拉门托被召唤来为 Hop 的死报仇。当议会主席诺康发告诉他，他儿时的朋友孙逸明才是有罪的一方时，他感到震惊。孙先生见到王先生既惊讶又高兴。他已经为自己的暗杀做好了准备：他的遗嘱将一切都留给了他的老朋友。他还要求王抚养他的小女儿托亚桑，并在她成年后娶她。黄同意了，然后透露他是林星堂的打手。王在佛陀面前发誓，托亚永远不会知道“悲伤之歌”。孙平静地跪下祈祷并原谅黄的“无辜之手，正义之举”。“今天的唐人街”……“与我们刚刚看到的情况相去甚远。交战的钳子已经消失了——队列和筷子也消失了。” 黄先生是一位著名的商人，富有而快乐。诺格厌恶改变，尤其是女性被“智慧和自由”宠坏的方式。今天是 Toya 的生日；这应该是她订婚的日子。诺格惊讶地发现黄将打破传统并给她一个选择。Wong 向 Toya 提供了他母亲的戒指并表达了他的爱意。当她回答“我父亲的愿望也是我的愿望”时，他欣喜若狂。他跪在佛像前，承诺给她带来唯一的幸福。婚礼当天，居住在萨克拉门托的亡命徒“Bing Foo”宣战。黄担心全国范围内的冲突以及帮派变成黑帮。诺格雇佣了保镖，英俊的年轻黑帮成员哈利恩海（莱斯利·芬顿饰）被指派给黄。托娅是一位受过良好教育的现代女孩，起初她对哈利不屑一顾。黄和托亚在一起很开心，但来自萨克拉门托的威胁和勒索仍在继续。黄的忠实职员钟浩被杀，黄前往萨克拉门托与宾富会面。只有挑起战争的白人黑帮大佬吉姆·马龙拒绝合作。王消灭了他，战争结束了。与此同时，哈利引诱了托亚。当黄回来时，他发现他们热情地拥抱着。她走到哈利和王之间，想起他曾许诺要永远让她快乐。黄把托亚和她的幸福交给哈利，让他发誓，警告如果他违背信仰，佛陀就会找到他。因为这个“无耻行为”，黄先生被处处从堂的记录中除名。遭到回避，他陷入贫困。最后，王从托亚那里收到了一张在中国“由活死人写成”的字条，告诉他她只爱他。政府抓获哈利贩卖鸦片，并将他们两人驱逐出境。黄从典当中赎回了他的斧头，跨越太平洋来到中国，担任司炉。托亚被囚禁在鸦片馆/妓院，被哈利卖给丝丝夫人。哈利看到了黄，但认为他是药物引起的幻觉。Toya 一看到他就晕倒了，但 Wong 对她只有爱。他与丝丝夫人对峙，并根据中国古代法律和打手的荣誉，要求他的妻子。丝丝夫人嗤之以鼻；他通过击中壁画中龙的眼睛来证明这一点。托亚和王离开。他承诺会回来救哈利。在隔断的另一边，丝丝夫人对着反应迟钝的哈利尖叫，而她的仆人则从隔断和哈利的头骨上取下斧头。哈利的身体落下，切向佛像；黄向哈利重复了他的警告。“无论你在地球表面的哪个地方，伟大的佛陀都会找到你”。

　　The journals of a true NASA Arctic expedition unveils the adventure of a six-man crew's aboard an experimental vehicle designed to prepare the first human exploration of Mars. A voyage of fears and survival, hopes and dreams, through the beauties and the deadly dangers of two worlds: the High Arctic and Mars, a planet that might hide the secret of our origins.