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　　Based on an unknown Sch?nberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Sch?nberg’s atonal score, performed here by 70 musicians. That Sch?nberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Sch?nberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Sch?nberg canon—and the film such a challenging and intriguing experience.

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Four best friends embark on a luxurious wine tasting and soon find themselves fighting for their lives.

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Pier Ulmann vivote à Paris, entre chantiers et larcins qu’il commet pour le compte de Rachid, sa seule "famille". Son histoire le rattrape le jour où son père est retrouvé mort dans la rue, après une longue déchéance. Bête noire d’une riche famille de diamantaires basée à Anvers, il ne lui laisse rien, à part l'histoire de son bannissement par les Ulmann et une soif amère de vengeance. Sur l’invitation de son cousin Gabi, Pier se rend à Anvers pour rénover les bureaux de la prestigieuse firme Ulmann. La consigne de Rachid est simple : ? Tu vas là-bas pour voir, et pour prendre. ? Mais un diamant a beaucoup de facettes…

　　故事发生在1955年的法国南特，彼时那里正在进行一场轰轰烈烈的工人罢工运动，而钢铁工人弗朗西斯（理查·贝里 Richard Berry 饰）就是参与其中的一员。弗朗西斯租下了寡妇玛格特（达尼尔·达黎欧 Danielle Darrieux 饰）手里的一间房子，玛格特虽然是资产阶级，但是却对工人阶级充满了同情，时长向他们伸出援手。　　弗朗西斯有一个相恋多年的女友瓦雷特（Fabienne Guyon 饰），虽然瓦雷特腹中已经怀上了他的孩子，但这个冷漠残酷的男人还是选择抛弃了她，转而将注意力投向了一个名叫艾迪斯（多米尼克·桑达 Dominique Sanda）的女人。艾迪斯嫁给了一个富有的商人，可婚后的生活却令她苦不堪言，为了排遣内心的愤懑，艾迪斯偷偷从事着妓女的职业。

　故事开端于尼娜(Aliyah Faizah)带着她最好的友人Wynee (Dara)!Cherry (Laura Theux)跟玉轮(Metta Permadi)去他家的别墅。因为日程很紧,她们多少乎不时光会晤。