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乔恩·加西亚
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Moving to Portland, Oregon and finding work in food service is easy for Paul and Ramona. A struggling musician without bandmates, Paul becomes introverted and moody. Ramona's friend from college introduces her to a new social circle and she goes out while Paul stays home. When Ramona confronts turning thirty, it's time to grow beyond old routines and her relationship with Paul comes to a head. Paul and Ramona, a young couple in need of a change, move to Portland, Oregon from their hometown of Boise. Upon arriving, they sublet an apartment and begin to familiarize themselves with the city. While finding work is easy (Ramona begins waitressing, while Paul gets a job at a coffee shop), change is difficult. Their life in this new city seems to be on repeat. When their car breaks down and a tandem bicycle becomes their primary means of transportation, Ramona refuses to ride. A struggling musician, Paul, spends most of his time at home, steadily becoming introverted and moody, while Ramona, at the insistence of a co-worker, is thrust into a new social circle, where she begins an affair with a co-worker. Ramona and Paul’s relationship implodes after she confesses and in the ensuing conflict, she impulsively leaves to stay with a friend. Paul, desperate to work through the pain of the split, befriends a quirky barista named Ali. This friendship gives him a chance to begin to heal and inspires him to focus on expression through his music.
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马克·芬内尔
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Throughoutitsreign,theBritishEmpirestolealotofstuff.TodaythoseobjectsarehousedingenteelinstitutionsacrosstheUKandtheworld.Theyusuallycomewithpoliteplaques.Thisisaseriesaboutthenot-so-politehistorybehindthoseobjects.Eachepisode,award-winningjournalist,authorandgenetic-potluck,MarcFennell,picksoneartefactandtakesyouonthewild,evocative,sometimesfunny,oftentragicadventureofhowitgottowhereitistoday.TheseobjectswillultimatelyhelpusseetheCommonwealth—andourselves—today,inadifferentlight.
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Big-citylawyerCaseyMcKay,(EricClose-Nashville,WithoutaTrace)isdrawntoasmalltownbyhisex-wifetodefendherbrother,accusedofmurderingaDA.Hediscoversawebof.
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Acclaimed filmmaker Leanne Pooley directs this insightful documentary examining the future of artificial intelligence and the impact it will have on our world. As computers continue to e册ve at an ever-greater speed, soon they will have the capacity to design and program themselves. Without the help of humans, the next generation of computers will create new and smarter A.I. at an exponential pace. What will these technological developments mean for the future of mankind? Written by GFC Films
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Tom Riley thought he was getting the deal of a lifetime when he bought a house below market value at a Sheriff's sale. He invested every penny he had with the plan of flipping the home for a profit. Once he owned it, however, he noticed strange happenings, all of which were captured on 21 Surveillance Cameras located throughout the home inside and out. At first he thought people were breaking in, but he soon realized he was dealing with something Paranormal.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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TheDeathofSupermanandReignoftheSupermennowpresentedasanovertwo-hourunabridgedandseamlessanimatedfeature.Witnesstheno-holds-barredbattlebetweentheJusticeLeagueandanunstoppablealienforceknownonlyasDoomsday,abattlethatonlySupermancanfinishandwillforeverchangethefaceofMetropolis.TheDeathandReturnofSupermanfindsSupermaninafighttothefinishwhentheManofSteelbecomestheonlyherowhocanstandinthewayofthemonstrouscreatureDoomsdayandhisunstoppablerampage.Supermansavestheplanet,butnothimself,leavingEarth’scitizens–andhisheroiccontemporaries–dealingwithaworldwithoutSuperman.TheaftermathofSuperman’sdeath,andthesubsequentdisappearanceofhisbody,leadstoanewmystery–isSupermanstillalive?Thequestionisfurthercomplicatedwhenfournewsuper-poweredindividuals–Steel,CyborgSuperman,SuperboyandtheEradicator–emergetoproclaimthemselvesastheultimatehero.Intheend,onlyonewillbeabletoproclaimhimselftheworld’strueSuperman.
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巴瑞·莱文森
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Tin Men is one of my favorite movies of all time. The thing that always strikes me whenever I watch this movie is that while the characters of Richard Dreyfuss and Danny DeVito are seemingly feuding non-stop throughout the movie, in reality they are actually kindred spirits. It's like they see themselves in the other but don't really like what they see. Barbara Hershey is great as the haggard housewife who looks for something more fulfilling in her life. All the supporting cast is excellent. I love the diner dialog which is reminiscent of Barry Levinson's previous film "Diner." The background scenes of Baltimore landscape add to the realistic atmosphere of the movie. Overall, I think this movie is vastly underrated. I'd love to see a sequel with Dreyfuss and DeVito as partners in a VW dealership.