Both

Awomanvanishes.Twomentaketotheroadinsearchofher:theybothloveher.Whydidsheleave?Eachoneofthemhashisownsuspicions,andhidesthemfromtheotheronewho—mysteriously—nevertrulybecomeshisrival.Neitherisright—butisanyone?Thissuddenrunawaybecomesthehiddencoreofanumberoffictionsthatthefilmdelicatelyweavestogether:thesecretoftheheartofanotherwoman,lostaswell,manyyearsago;thesecretofthelifeofavillageinthecountryside,governedbyasupernaturalincidentthatnobodyseemstoperceive;thesecretoftheplains,whichneverceasestospreadanddevoureverything,liketheshadowsthatinvadetheworldafterthetwilighthour.

It's the close of World War II. Unwilling to surrender| rogue German forces shoot down a returning British squadron leaving Sydney Baker wounded and lost with the enemy closing in. He's saved by American soldier and the duo must face their fears both internal and external| to defeat the enemy and make it back to friendly territory alive.

Ayoungmandiscoversanswerstohispastbothtouchingandtragic,asbasketballbecomesmorethanagame.

颂克拉姆和埃都是工科学生，住在大学宿舍。颂克拉姆是宿舍3的学长，宿舍3是“强壮且有运动能力”的男学生被分类的地方。埃是2号宿舍的学长，2号宿舍住的都是“好看”的男同学。埃曾经是颂克拉姆的导师和朋友，但是当他们两个都被选为宿舍的舍长后，他们就分开了。2号和3号宿舍已经吵了好几代了。埃和颂克拉姆虽然表现得像是敌人，但是埃实际上是爱上了颂克拉姆。然而，他认为颂克拉姆对溟恩有感情。埃不知道的是，他才是颂克拉姆喜欢的人，而不是溟恩。SongkramandAyebothareengineeringstudentsandliveinuniversitydorms.Songkramistheheadstudentofdorm3,whichiswherethe"strongandathletic"malestudentsaresorted.Ayeistheheadstudentofdorm2,thedormwhereallthe"goodlooking"malestudentslive.AyeusedtobeSongkram'stutorandfriend,buttheyfellapartafterbothofthemwerechosentobeheadstudentsofthedorms.Dorms2and3havebeenateachother'sthroatsforgenerations.AyeandSongkrammightactlikeenemies,butAyeisactuallyinlovewithSongkram.However,hethinksSonkramhasfeelingsforMean.WhatAyedoesn'tknow,isthathe'stheoneSongkramlikes,notMean.

Inasavagelandwherezombiesroamfreely-LieutenantColonelSawyerisarmedwithmachineguns,bodyarmorandcourage.Heisonamissiontogivehisfamilyaburialatsea.Toreachthecoast,hemustenteraquarantinedinfectedzoneandfightthroughhordesofbloodthirstyzombies.Thereheencountersagroupofsurvivorsincludingayoungwomanwhoisatargetofbotht...

A story of a woman and a man, half of her age being in love with each other despite the fact that they are both tied with someone else.

　　Yiannis doesn’t have much going for him, save for his adorable dog, Jimi, and his fast-approaching date to get out of Cyprus for good. But when Jimi wanders across the U.N. buffer zone and into the section of the island Turkey seized more than forty years ago, an unregulated state unrecognized by the rest of the world, Yiannis learns, bringing a dog back over the border is not as easy as walking straight home. He enlists a mismatched band of accomplices from every side of the Cyprus dispute to find a way to get Jimi back, while never leaving the land he calls home.　　Writer and director Marios Piperides has been producing films in Cyprus for more than a decade, and his inside knowledge pays dividends in this narrative feature debut—a whip-smart comedy on legality, disputed nationality, and the frameworks that are erected to maintain a fragile peace. He demonstrates his compassion for locals on both sides of the divide, as he tenderly captures their struggle to find hope and make a living in a divided land. Such serious themes pair perfectly with Piperides’s sense of humor: As Yiannis’s efforts dip farther into absurdity, they offer a send-up of the forces that prolong a conflict that has been poorly understood and largely forgotten by the outside world.

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

ColtonDonavanlivesonthatrazor-thinedgetowardoutofcontrol.Whetherit'sonthetrackoroffofit,everythinghewantsisathisfingertips:success,willingwomen,mediaattention.Everythingthatis,butRylee.She'stheexceptionthisrecklessbadboycan'tseemtowinover.Herheartishealing.Hissoulisdamaged.Theybothknowthetwoofthemcouldneverwork....

When Gumdrop and Vroomer, the latest members of the Plane Scout crew, are sent on a mission by commander Gumdrop, they take off on the greatest adventure of their lives. As they fly high in the clouds, they meet a genius robot that helps them learn all there is to know about amazing planes!