Dicu
搜索"Dicu" ,找到 以下影视作品
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史凯·菲茨杰拉德
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FilmedfrominsidetwoofthemostactivetherapeuticfeedingcentersinYemen,HUNGERWARDdocumentstwofemalehealthcareworkersfightingtothwartthespreadofstarvationagainstthebackdropofaforgottenwar.ThefilmprovidesanunflinchingportraitofDr.AidaAlsadeeqandNurseMekkiaMahdiastheytrytosavethelivesofhunger-strickenchildrenwithinapopulationonthebrinkoffamine.
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17-year-oldLivhasjustmovedtoLondonwithhermotherAnnandlittlesisterMia,whereshemeetsthemysteriousHenry,whohasanextraordinaryability.Namely,hepossessestheabilityofluciddreaming.Butthiskindofadventuringandplayingwithdreamscanbecomeverydangerous.Anexcitingandengagingyouthadventurefilmbasedonthehighlysuccessfulyouthnovelofthesamename,wherelove,youthfulcuriosityandrebelliousnessmeet.源自:https://poff.ee/en/film/silver-and-the-book-of-dreams/
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SYNOPSISYu-ri,grownupinahappyfamily,fallsinlovewithamanforthefirsttime.Whileshehesitates,hersisterdateshim.Shesurvivesthoughbroken-heartedandgetsmarriedwithapublicprosecutoronlytoendupinadivorce.ShegetsasecondchancewithherfirstloveJungNam-ha,howevershecannotaccepthisloveandsufferstillshedies.故事在一个富裕的家庭中毫无困难地成长起来的...
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弗雷迪·弗朗西斯
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1:...And All Through the House 这个故事讲述一名在圣诞前夕谋杀了自己丈夫的女子正在处理尸体之际,曾在广播中报道过的一名有着强烈杀人倾向并乔装成圣诞老人的模样变态却逃窜到她家附近,而这时的她却无法报警.... 2:Reflection of Death 一名男子为了私奔,不惜抛妻弃子,深夜与情人驾车逃离本来的居处,可是在路上却发生了令人异想不到的恐怖事件,这个故事十分精彩,后期的《小岛惊魂》,甚至是《死神来了》等很多恐怖片的灵感来源都可以在这个故事里得到充分体现 3:Poetic Justice 讲述两名冷酷势力的父子,为了赶走他们一向讨厌的邻居,用尽残忍冷酷的手段而逼死他人并最终得到报复的故事,这个故事非常传统,剧情也几近老套,但是由于老牌演员Peter Cushing那令人惊叹,入木三分的表演而提高到了另一个层次,让观众深深为故事里那位受尽排挤,但却善良孤独的老人而同情悲愤。
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Euskadi 1985. El colegio ha terminado, por fin llegan las ansiadas vacaciones. Marcos y sus tres amigos, José Antonio, Paquito y Toni, reciben expectantes la llegada del verano, un verano prometedor sobre todo porque a sus doce a?os poco importa dónde, ni cuándo, ni cómo. Recorrerán las horas en el laberinto que la vida les ha deparado, en una Euskadi antigua, luchadora, convulsa. Un laberinto de paredes grafiteras, donde rebotan las pelotas de goma y los sue?os de libertad; cubierto de un cielo gris prefabricado en cooperativas, donde la muerte y la vida ya no mantienen relaciones formales.
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Belgiandirector/screenwriterBertScholiersjumpsallovertheplaceinhisimaginativefeaturedebut.OnemomentweareinanAntwerppub,thenextwearewalkingacrossanexpanseofsnow,theninacosmicblackholeorchasingaflyingpineapple.ThisishowbestfriendsCharlieandHannah’sdrink-fuellednightpansoutafterswallowingamagicalsweetthatchangestheworldsurrealistically–alsoforeveryonearoundthem.Thelaconictwenty-somethingsrespondtotheseeventswithamusedamazement(whethertheywindupinapre-warbrothelorareblowntosmithereensbyanatombomb),allthewhilesaunteringalonganddiscussingthereallyimportantstuff:dealingwithexesandrelationships.LikeatrippingWoodyAllenorNoahBaumbach,Scholiersplayswithform,usinginventivevisualhumour,colourandblack-and-white,switchingaspectratiosandreferringtosilentmoviesandItaliangiallohorror.
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DaveChappelletakesongunculture,theopioidcrisisandthetidalwaveofcelebrityscandalsinadefiantstand-upspecialfilmedinAtlanta.
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.