Ringo

他（伊万·麦格雷戈EwanGordonMcGregor饰）是一个影子写手,一如其代号“Ghost（幽灵）”正常,他深深躲在幕后,为各行各业的绅士捉刀撰写回想录。一日,幽灵接到一项新的义务,即赞助前英国宰衡亚当·朗（皮尔斯·布鲁斯南PierceBrosnan饰）的回想录作修饰任务。此前,该书由亚当·朗在任时期的助手迈克·麦卡拉担任,但是麦卡拉却奥秘自残。看在丰富待遇的份上,幽灵接收了这项任务。在写书进程中,亚当遭到战役罪的控告,政治风暴近在眉睫。而幽灵也开端有意探知亚当鲜为人知的从前以及麦卡拉逝世亡的起因,却不知此举将他引入险途……本片改编自罗伯特·哈里斯（RobertHarris）的小说「枪手」,并荣获2010年柏林国际片子节银熊奖最佳导演奖。

Sixmonthsafterthefloodingofthevalleymuchofthetown’spopulationhavebeenevacuated,thoughsomeremainhopingtofindlovedonestakenbyTheHorde.Anexpert,RichardBerg,arrivestaskedwithfindingthecauseoftheflood.

萨宾娜30岁了,她的母亲跟祖母都试着为她寻觅完婚工具却未果。有一天,她碰见了一位酷似片子明星的年青女子,并对他发生了兴致。他的涌现惊喜连连,使三位女性的生涯发生了变更……Astoryaboutwomen,setinthepresentandin1950sWarsaw.ThemaincharacterisSabina,aquiet,shywomanwhohasjustturnedthirty.Clearly,shelacksamaninherlife.Hermotherknowsallaboutitandtriesatallcoststofindherdaughteragoodcandidateforahusband.Thewholesituationiscontrolledbythegrandmother,aneccentricladywithasharptonguefromwhomnosecretcanbeconcealed.Successiveadmirersarriveatthepre-wartenementwherethewomenlive,butSabinaisinterestedinnoneofthem.Oneday,appearingoutofnowhere,comesthecharming,intelligent,andterriblygood-lookingBronislaw.Hispresencewillsparkoffaseriesofunexpectedeventsrevealingthedarkersideofthewomen’snature.WrittenbyWarsawFilmFestival本片是导演BorysLankosz的故事长片童贞作,也是记录片导演Lankosz初次拍剧情片。该片是击败了「市场女孩」跟「疯人院」两部片子掉掉落的加入奥斯卡最佳外语片比赛的机遇。

　　本劇發生在一夜之間,講述曼哈頓一間名為 Mix 的酒吧中,11 - 位單身男女（五男六女）兩兩相遇時牽扯出的情愛故事。劇中的 11 - 位演員,主創特地都找了沒几多名氣的生面貌,試問毕竟是哪位主創,能有如斯气魄！告訴你,那恰是 2009 - 年笑翻寰球的好萊塢喜劇片「宿醉」（The Hangover）的編劇搭檔強·盧卡斯（Jon Lucas）與司各特·摩爾（Scott Moore）。這是兩人首度渡水電視喜劇,ABC 信念实足地將「一夜尋情記」支配在了周三晚的 10 - 點檔,緊跟著「漂亮家庭」播出,又怎能不叫人等待呢！ （摘自「外灘日報」）

"The4400"tellsthestoriesof4,400alienabducteesaftertheyarereturnedtoearth.Inthewordsoftheexecutiveproducers,thesearestoriesofpeopledealingwithtraumaticchanges,drivenbythemysteryofwhathappenedandwhy.Someofthemhavebeenaffectedinmysteriousways,andsomewillhavecertainabilities,bothgoodandbad,sopartofthedramawillbewatchingthemadjusttothesechangeswithinthemselves.TheserieskicksoffwithaballoflightsailingtowardEarth,butratherthantheexpectedcatastrophicevent,thousandsofreturnedabducteesareleftwithnomemoryoftheirotherworldlyexperiences.Eachhasbeengoneanywherefromafewmonthstoseveraldecadesbuthasn’tagedaday.在海滩事件——4400人被未来世界的人带走又送回来，披露后一年，世界发生了巨大的变化。经过一段紧张的医疗观测后，Tom回到了国家技术援助中心，由于能力有限，被派做文书工作。他最终保护了儿子，使其免受一个类似的政府研究，而且也为有希望重新过上正常的生活而激动。在事业方面，他也渴望再次同Diana合作，重新回到这个领域。Diana，在同一连串无能的搭档合作之后，最终找到毁掉公文让Tom重回岗位的办法，在此期间，她还正式收养了Maia。其间，Richard，Lily，和他们的孩子——一个六个月大，不同寻常的孩子，仍然住在远离JordanCollier的山间小屋里，过着粗茶淡饭的日子。Collier已经关掉了ArcadiaEstates，还有他的住宅，为这4400人建起了避难所，同时准备开“4400人中心”，在这儿，其他人可以深入到这4400人当中，自己去发掘4400人（的奥秘）。Collier在接触Lily的腹部之后，出现了有害的反应，Shawn治愈了他，之后他们就发展出亲密的父子关系。Collier成了Shawn的监护人，并利用他医治4400人中心的重要赞助人。世人对4400人甚感好奇，于是关于他们的神秘能力的流言四处传播，公众态度分为两种，一种是包容他们，一种是畏惧他们。当4400人努力重新开始他们“被打断的生活”时，每个人都会在即将发生的事件中扮演关键角色…那些决定人类命运的事件。

WhenformerwrestlingchampionKakhilearnsthathissonSosohasgottenhimselfintodifficulties,hetravelsfromGeorgiatoNewYorktohelphimandfindoutwhatisgoingon…LevanKoguashvilihassethislatestofferinginBrooklyn’sBrightonBeach,capturingthediverseatmosphereofaneighborhoodthatishometoimmigrantsfromtheformerSovietUnion–aplacewherelanguagesandethnicgroupsmix,wheremostshopsignsareinCyrillic,andwherepeople’snostalgiafortheirhomelandmingleswiththeircurrentwoes.Profoundlymelancholicandinfusedwithtragicomicmomentsandasenseofunderstandingforitsprotagonists,thefilmcapturesthebondbetweenafatherandhisadultson,anancientbondinwhichtheoldermanwillalwaysfeeltheneedtoprotecthisblood,nomatterwhatthecircumstances.

怪物城市一个宁静祥和的日子。麦克·华斯基（比利·克里斯托BillyCrystal配音），可爱的大眼仔，这个高傲臭屁的独眼小怪物换了一辆超级先进、全自动化的六轮驱动汽车。他抑制不住心中的狂喜，首先邀请他的好伙伴毛怪（约翰·古德曼JohnGoodman配音）参观、搭乘。苏利文在车中毛手毛脚的行为让大眼仔颇为恼火，他禁止毛怪碰触任何按钮，可是自己又显然还没掌握全部的操作要领。结果折腾了半天汽车没有开动，倒霉的大眼仔却三番五次遭遇磨难。原本准备炫耀一番，结果成了丢人现眼……本片为皮克斯工作室首支有对话并且派生自长片作品的动画短片。

「铁探」报告了督察尚垶（袁伟豪饰）原是警队嫡之星,在一次行为中为救战友,可怜被强盗一枪穿脑,经由挽救后奇不雅生还,而且查案比从前更尽力拼搏,博得“铁探”的佳誉。但尚垶饱受那次枪击的后遗症熬煎,枪伤暗影!火暴!乃至掉禁。而总警司万晞华（惠英红饰）跟Bingo（姜皓文饰）之间奥秘的关联,也让那次枪击的本相错综复杂。在警队的大升迁年,尚垶自愿卷入了警界高层权利相争的漩涡中......

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

Taylorisaworkaholicwithnotalotgoingoninhersociallife.Oliveisanaspiringactress,withlittlemoneytohername.Astheholidaysnear,TaylorgetsacallfromherdadaboutvisitingherfamilyforChristmasandthattheyfinallywanttomeethergirlfriend.Sheagrees,afterfeelingguiltyaboutnotseeingtheminalongtime,butthere'saproblem:Taylorandher...