Ivo·Canelas
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ThestoryfollowsfriendsHedi(ValerieStoll),Fritzi(LiavonBlarer),Harry(JoelBasman)andGeorg(DamianThüne).HediisasalesassistantinthewarehouseownedbyFritzi’sfather.DuringarobberyattheKaDeWe,thetwomeetandfallinlove.Despiteconsiderablesocialresistance,aswellastheirfamilies’disapproval,thetwoverydifferentyoungwomenstartarelationship.AnotherunusualallianceisformedwhenHarry(JoelBasman),theolderbrotherofFritzi,whoisawarveteranandcomesbacktotakeoverthewarehouse,hastoconfrontyoungclerkGeorg(DamianThüne),inwhomHarry’sstrictfatherhasplacedhistrust.
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安迪·威尔逊
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London,20February2018 - Filmingbeginsthismonthonthehighly-anticipatedthirdseriesofITVandMainstreetPictures’compellingcrimedrama,Unforgotten.CreatedandwrittenbyscreenwriterChrisLang(TheTunnel,AMother’sSon,DarkHeart),thenewsix-partseriesseesthereturnofBAFTAnomineeNicolaWalker(LastTangoInHalifax)andSanjeevBhaskar(GoodnessGraciousMe)asDCICassieStuartandDISunil‘Sunny’Khanastheyinvestigateanotheremotionally-chargedcoldcase.ThepairwillbejoinedfortheseriesbyacclaimedactorsAlexJennings(Victoria,TheCrown)KevinRMcNally(PiratesOfTheCaribbean,DesignatedSurvivor),NeilMorrissey(LineOfDuty,TheGoodKarmaHospital)andJamesFleet(IndianSummers,TheVicarOfDibley)whoplayaclose-knitgroupofoldschoolfriendsthathavestoodbyoneanotherthroughthickandthin.However,whenthebodyofateenagegirlwhowentmissingattheturnofthemilleniumisfoundatabuildingsiteofftheM1motorway,thefourmenareplacedunderthespotlightandtheirrelationshipsaretestedtothelimit.ExecutiveProducersandManagingDirectorsofMainstreetPicturesSallyHaynesandLauraMackiesaid,“WearedelightedtoonceagainwelcomesuchafantasticcastofhugelytalentedactorstojoinNicolaandSanjeevforthethirdseriesofUnforgotten.ChrisLang’scomplexandintricatescriptsgetbetterandbettereachyear,andthenewstoryisnoexception.WealsodelvedeeperintoSunnyandCassie’sownpersonallivesthisseries,experiencingtheeffectsthatthecaseshaveontheirownrelationshipsandwellbeing.”SetacrossthesouthofEnglandinlocationsincludingNorfolk,WestSussex,Bristol,HampshireandLondon,thenewserieswillexplorehoweverydaylivescanbefracturedanddestroyedbyoneevent,showingthatappearancescanoftenbedeceiving.Hailedthe“bestdetectivedramaofthedecade”bytheDailyTelegraphand“crimedramaofthehighestclass”byTheGuardian,thefirsttwoseriesprovedhugelysuccessfulwithviewersandcriticsalike,withthelastseriesreceivinganaverageconsolidatedviewingfigureofover6millionwitha21%share.TheserieshasbeencommissionedbyITV’sHeadOfDrama,PollyHill,withMainstreetPictures’SallyHaynes(BleakHouse)andLauraMackie(StateOfPlay)asExecutiveProducers,alongwithcreatorChrisLang.AndyWilson(Endeavour)returnstodirect,whilstGuydeGlanville(AgeBeforeBeauty)isproducingtheseries.TheserieswillbedistributedinternationallybyBBCWorldwide.
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何塞·帕迪里亚
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备受赞誉的导演何塞·帕迪利亚(《毒枭》、《精英部队》系列、《机器战警》)和多产的编剧埃琳娜·苏亚雷斯(《狂欢节的孩子们》、《追夫四人行》、《沙屋》)联手推出《黑金高墙》,一部以发生在巴西、引发有史以来最大腐败丑闻的真实事件为原型的犯罪题材剧情片。《黑金高墙》是一部激动人心、角色导向的原创剧集,讲述一小群顽强的调查员如何发现了巨型腐败体制的运作内幕,以及他们的追查对包括他们自己在内的每个人所造成的冲击。在这部剧集中,赛尔顿·梅罗(《LigaesPerigosas》《强尼不是我》《小丑漫游记》)饰演执着于手头案件的退休联邦警察局前副局长马尔科·鲁福;卡罗琳娜·阿布拉斯(《巴西大道》《如果没有其他方法奏效》《Pertodequalquerlugar》)饰演鲁福的徒弟维蕾娜·卡多利;恩里克·迪亚兹(《Justia》《FelicesparaSempre》)饰演令鲁福心神不宁的罪犯罗伯托·易卜拉欣。本剧演员阵容还包括李·泰勒(《王国的神石》《Velhochico》《流动的河流》)、安东尼奥·萨博亚(《狼在门外》《Foradalei》)、乔纳森·哈根森(《上帝之城》《桑巴诗人》)、亚历山德拉·科拉桑蒂(《Averdadeirahistóriadabailarinadevermelho》)、莱昂纳多·梅德罗斯(《Cabra-cega》《Ondequerquevocêesteja》)、小奥托(《Malhacao》《银崖》)、苏珊娜·里贝罗(《世界的状态》《MeuBemQuerer》)和奥斯瓦尔多·米尔(《机器》《潮涨》)等。关于第2季2014年,总统选举后,维蕾娜的特别行动组逮捕了巴西排名前13的承包商中的12位。在本季中仍有一人落网,而他正是他们中最有权势的那位:西卡多·布雷奇(埃米利奥·奥斯欧罗·内托饰演)。维蕾娜(卡罗琳娜·阿布拉斯饰演)、吉洛米(奥斯瓦尔多·米尔饰演)和芬德(乔纳森·哈根森饰演)以及鲁福(赛尔顿·梅罗饰演)仍在进行调查:这位退休的副局长仍在实施违法行动,无情地追捕易卜拉欣(恩里克·迪亚兹饰演),与妻子海吉娜(苏珊娜·里贝罗饰演)和女儿贝妲(朱丽娅·斯沃辛纳饰演)越来越疏远。
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1944年,纳粹发起的第二次世界大战接近尾声,为了能体面地结束战争,纳粹集结巴尔干半岛的A军团北调,妄图阻挡苏联红军南下。同时纳粹推出了“劳费尔计划”,即掠夺萨拉热窝丰富的燃油资源供应装甲部队。纳粹为实现劳费尔计划,将党卫军上校芬迪特里士派往萨拉热窝,全力消灭瓦尔特(Velimir'Bata'Zivojinovic饰)领导的当地游击队。芬迪特里士令间谍假冒瓦尔特,在叛徒的内应下,假瓦尔特与几名真正的游击队员组成抵抗委员会,并得到游击队员名单,诱杀了众多抵抗组织成员。真正的瓦尔特由于作战需要无法公开身份,但凭借个人出色的谋略与众多英勇的游击队员终于让间谍现出了原形。为了阻止劳费尔计划,清除了内奸的游击队员们再次出击。
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彼得·霍尔
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FilminghasstartedonBBCTwo’scriticallyacclaimeddramaTheLastKingdom,fromCarnivalFilms.Thesecondseries,adaptedbyBAFTA-nominatedandRTSaward-winningwriterStephenButchardfromBernardCornwell’sbestsellingseriesofnovels,istoreturntoBBCTwonextyear,withNetflixjoiningasaco-productionpartner.Theemotionallycomplexandcompellinglandscapeofrevenge,rivalry,hostility,corruption,love,sex,loyaltyandfriendship,formsthebackdroptoagrippingadventurebasedonCornwell’snovels,TheLordsOfTheNorthandSwordSong–partofthehugelypopularbestsellingfranchiseTheLastKingdom.Setintheyear878 - thesecondseriesreturnsasfearlessandinstinctivewarriorUhtredcontinueshisfightforhisnativelandofNorthumbria.Uhtred,havinggivenhisswordtoKingAlfred,despitehisupbringingbytheinvadingpaganDanes,embarksonhisvoyagenorthtoreclaimhisownfate:toavengeEarlRagnar’sdeathandrecapturehisancestrallandsofBebbanburg.Alfred’sconvictiontocreateaunitedEnglandisstrongerthanever,andhesetshissightsonthewildlandsofthenorth,whichhavefallenintochaosandrebellion.ItisadangeroustimeforSaxonandDanealike,butAlfredchampionsanewking-aChristianDane-tounitethetribes.However,thiskinghasbeenenslaved,andUhtredbecomesembroiledinarescuemission,whichbringshimfacetofacewithanenemyofold.
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正所谓“少要沉稳老轻狂”,年届不惑的弗兰提斯克·汉那(VlastimilBrodsk饰)越老越有活力,他不去理会老婆艾蜜莉(StellaZázvorková饰)辛苦存下棺材本钱的良苦用心,也懒得搭理那个不成器儿子糟糕的婚姻。弗兰不愿面对即将到来的死亡,只想尽情享受最后的时光。他和剧院的好友艾德(StanislavZindulka饰)假扮各种身份的人,从中得到无限的乐趣,却也因此惹下不少的麻烦。垂暮的生命,因一颗青春顽皮的心而充满光芒……本片荣获2002年克里夫兰国际电影节最佳影片奖;2002年捷克金狮奖最佳女主角奖(StellaZázvorková)、最佳剧本奖和最佳男配角奖(StanislavZindulka);2002年捷克皮尔森电影节金翠鸟奖最佳影片奖。
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列维·施瑞博尔
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名义下去看,雷(列维·施瑞博尔LievSchreiber饰)是一个一般的中年男子,现实上,他从事着一份布满了安慰跟伤害的奥秘任务——替下流社会的各路名流雅士处理他们“不克不及说的费事”。在客户们眼中,雷是无所不克不及的天主,但是雷呢,只管处理过种种百般的“疑问杂症”,但他一直无奈“医治”本人的生涯。雷的父亲麦克(强·沃特JonVoight饰)刚从牢狱里出来,他的家人跟社会可以宽容的接收这个看起来有些玩世不恭的老头子吗!身为雷的老婆,艾比(葆拉·马尔科姆森PaulaMalcomson饰)对老公的奇迹跟本人的身份又抱有着怎么的疑惑呢!另有雷的一双后代布莱恩特(凯莉丝·多西KerrisDorsey饰)跟康纳(DevonBagby饰),他们亦有各自的烦苦衷儿。
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With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders e册ved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.
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兰德尔·赖特
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The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 - by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 - years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a re册ution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.