Raihaanun

DocumentaryseriesgoingbeyondthetheatredoorsofQueenElizabethHospitalBirmingham,wheresurgeonspushmedicalboundariestothelimits.EverySecondCountsSurgeonshavejustminutestoperformlife-savingemergencytraumaoperations.GettingBetterAsurgeonremovesawoman’soesophagusandusesherownstomachtoreplaceit.ANewBeginning?AtBirminghamChildren’sHospital,twochildrenundergolife-changingsurgicalprocedures.ARiskWorthTaking?SurgeonscarryoutQueenElizabethHospital’slargesteverremovalofexcesstissue.PushingTheBoundariesAfacialsurgeonventuresintounchartedterritorytooperateonapatient’sraredisease.OneFalseMoveTheseriesreturnswithbrainsurgeryonapatientwhoisawakeandariskyaortarepair.

OntheborderbetweenUnitedStatesandMexico,onceevery20years,therearedaysthatlocalscalltimelessness.Atthistimethegods,towhomtheancientMayantribesmadesacrifices,descendtoearthtotakehumansouls.

Serieantológicadeseisepisodios.Cadaunadelasseisentregascuentaconunequipocompuestopordestacadosautores,directoreseintérpretes.Unproyectoquemezcladistintasdisciplinasparacrearunafusiónexcepcionalentrelasartesescénicasyelaudiovisual.

Prehistoricsand-dwellingsharksareunleashedontheislandofWhiteSandswhenanunderwaterearthquakecracksopenacraterdeepbeneaththeoceansurface.Themostmenacingbeatstoeverrulethewatersnowrulethesand;withtheirmonsterappetitiestheymercillesslyfeastonanythingthatcrossestheirpathMarkAtkinsdirectsthissci-ficreaturefeaturehorror.Whenanunderwaterearthquakeopensupadeepcraterontheoceanfloor,aprehistoricbreedoflethalsand-dwellingsharksisunleashedupontheunsuspectingresidentsofWhiteSandsIsland.

Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.

A50-year-oldpainternamedLorenzodecidestorebuildhislifeafterhardtimes.Anxiousaboutthesonhewillhavewithhisnewwife,duringpregnancy,shebeginstohaveacertainobsessiveandmaliciousbehavior,whichmakestherelationshipbetweenthembothtense.Withthebirthofthebaby,therelationshipreachesnewlevelsofdangeroushostilityandcertainunhealthybehaviorsthatmakethecoupleanextremelyunstablesituation,fromwhichtherecouldbenoreturn

TheinvestigationsofSisterBonifaceofStVincent’sConvent-nun,mopedrider,winemakerandpart-timeforensicscientist

在这个前卫的砍杀者中，关于恐怖的残酷社交媒体游戏失控，少年恐怖又回来了。惠顿大学（WhitonUniversity）揭开了一名暗杀案指控后，一名明星运动员被谋杀的夜晚的序幕，引发了一系列社交媒体相关的杀戮事件。当一个蒙面杀手针对整个校园的学生时，三位姐妹姐妹争分夺秒地揭露了学校隐藏的秘密背后的真相-以及一个感叹号的恐怖含义-然后他们成为杀手的下一个受害者

WhenfivecollegepalsreturntoruralWisconsinfortheirestrangedfriend’sfuneral,whatbeginsasanuneasyreunionbecomesaterrifyingfightforsurvival.

Ramnam（GreenAusadaporn饰演）是有几分姿色却出身贫寒的妙龄少女，一直对自己卑微的出身耿耿于怀。她下定决心，要尽一切努力使自己的生活变得更好，直到没有人侮辱嘲笑她的出身。Ramnam秘密地爱着自己的养父——Lue（Peter饰演），而Lue已经是有妇之夫，有一位完美的妻子Nampink（nuneworanuch饰演）。因此，Ramnam试图煽动Lue和其他女人调情。Nampink一直很相信Ramnam，却不知道这是Ramnam想要除掉自己取而代之成为Lue妻子的邪恶计划。当Lue真的开始和Ramnam在一起时，他的生活开始走下坡路。由于Nampink和他离婚，Lue的工作因为他私生活的八卦产生了很多问题。而Lue从来不对外承认Ramnam的身份，这让Ramnam感到非常难过。Nampink则在她的朋友Ratee的帮助下开始了她的新生活，并与Ratee的哥哥Umpon建立了良好的友谊