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不屈不挠的DCI维拉印刷机回到面临艰巨的病例数。帮助陷入困境的新招募DS艾登希利(肯尼的),他们在沿海商队公园调查一种致命的大火,发掘一个30岁的神秘老矿业社区,深入研究一个年轻人的悲剧最后几个月发现漂浮在一个农场泥浆坑和发现生活的秘密和谎言当一个挚爱的家人人坠落到他死于一个多层停车场。每个扣人心弦的情节都以令人叹为观止的诺森伯兰郡乡村为背景，而布伦达·布伦森饰演的这位混乱但才华横溢的侦探的精彩表演又使情节更加精彩。灵感来自于畅销小说,维拉,由著名的犯罪小说作家安二。在第五季中，Jon Morrison将会回归扮演D.C. Kenny Lockhart, Cush Jumbo将会扮演D.C. Bethany Whelan, Kingsley Ben-Adir将会扮演病理学家Marcus Summer, Riley Jones将会扮演D.C. Mark Edwards，并且Lisa Hammond将会扮演情报官员，Helen Milton将会加入Vera的团队。
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渡边彻明
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黑暗足球漫『BLUELOCK蓝色监狱』动画化決定！日本国家足球队在2018年国际足协世界杯止步16强，日本足球联会为了在2022年拿下下届世界杯，决定发起「蓝色监狱计划」。出于计划主责人绘心什八的理念，在全国集合300名18岁或以下的优秀前锋，在名为「蓝色监狱」的建筑内进行残酷的闭门训练，并淘汰其中299人，训练出仅仅一名最自我中心的最强前锋。
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安妮·弗莱彻
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Margaret（Sandra Bullock 桑德拉·布洛克饰）是美国一家着名出书公司的高管,服务精彩,为人却极为强势,一旦她的身影涌当初OL,氛围破即会降至冰点,员工们在名义上无错误她口若悬河,在心底则暗呼她为“女魔头”。 Margaret对这所有听而不闻,照常执行铁腕政策,可就在她奇迹方兴未艾之际,一个凶讯却多少乎把她砸晕——由于某些技巧性起因,她的签证无奈续签,而她自己不得不被遣送回客籍加拿大。 为了保住她苦心运营的所有,Margaret决议跟助手Andrew（Ryan Reynolds 瑞安·雷诺兹饰）假装完婚,以获得在美栖身权。在半威逼半钳制之下,Andrew允许了这个荒诞的请求。 移平易近局将在一周后对两人直接测试,而Margaret对Andrew仍是一窍欠亨,这个周末,她跟Andrew一起回到他的故乡……
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「欢送光顾贝拉的奇幻花圃」是一则可憎的古代童话,剧情环绕妄想成为童书作家的强制症女孩!与特性怪僻的园艺巨匠在伦敦相遇,为了发明一座奇幻花圃而开展出一段动听的友谊。片子由拍摄告白与拍照著名的英国导演赛门艾布执导,让英式花圃特有的五彩缤纷与浪漫在大银幕上怒放。 「欢送光顾贝拉的奇幻花圃」由气质出众的英国女星杰西卡·布朗·芬德利（Jessica Brown Findlay）扮演天生成涯循序渐进!却有一堆眉角的怪女孩,英国金奖影帝汤姆威金森（Tom Wilkinson）则扮演特性机车的园艺巨匠。本片还找来了「新世纪福尔摩斯」（Sherlock）的大反派安德鲁史考特（Andrew Scott）,扮演片中的暖男厨师,以及「战马」的型男杰瑞米尔文（Jeremy Irvine）表演一位可憎的理工宅,集结多少位英国气力派演员同台竞飙演技,杰出可期。
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凯特·凯罗
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After achieving success in her younger years, the brilliant septuagenarian Madeline Matlock, played by Academy & Emmy Award Winner Kathy Bates, rejoins the workforce at a prestigious law firm where she uses her unassuming demeanor and wily tactics to win cases and expose corruption from within. Inspired by the classic television series of the same name.
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由实在故事启示而改编,有一自我继续了现代的水晶工艺品,今后当前他的生涯发生了天翻地覆的转变,并成为懂得放能量奴役统治跟地来天下当局的症结要素。缓和跟伤害的侦察任务后,乔发明Lockhart家属在从前的1000年中,从罗伯特布鲁斯跟十字军东征时代开端,始终在隐蔽这个水晶（或许叫罪恶先觉者的心）。水晶内心有一个科技暗码,这个暗码可以发生无穷干净的动力为全天下供给能量。各路人都想掉掉落这个水晶,为本人带来财产。影片男主在寻觅的进程中,结识了女主。他们两在与其余争取者奋斗的进程中爱上了相互。
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皮奥特尔·舒尔金
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耶日·斯图尔
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克里斯提娜·杨达
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卡里娜·谢鲁斯克
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马里乌什·德莫霍夫斯基
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马雷克·瓦尔切夫斯基
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扬·诺维茨基
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亨里克·比斯塔
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莱昂·涅姆奇克
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克兹佐夫·马扎克
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斯坦尼斯瓦夫·伊加尔
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Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.
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The nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby...
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内详
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AllegradreamsofbeingpartoftheElevenO’Clockmusicaltheatercompanyandbecomingthestarof"FreakyFriday",aplaythatconsecratedhergrandmotheryearsago.GrandmotherCocóisalivinglegendintheworldofmusicalcomedyandhasacomplicatedrelationshipwithherdaughterCaterina,Allegra’smother.Allegra’slifeiscompletelyalteredwhenshefindsamysteriousbraceletinherhomethatsendsherbackto1994,theyearCaterinawasherageandtookherfirststepsinElevenO’ClockwhilelivingintheshadowofCocó,astar.atthepeakofhiscareer.Bylearningabouthermotherandgrandmother’spast,Allegrawillnotonlyhelphealthewoundsandbringthefamilytogether,butshewillalsodiscoverthatwhilethepastcannotbechanged,thereisalottolearnfromit.
