Ladd
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威廉·A·塞特尔
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John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band). John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable Roberta gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her. Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. Countess Scharwenka, a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer. Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish. When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce. Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time. John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation. The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
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曾凭借《那年我学开车》（HowIlearnedtodrive）获得普利策奖的女剧作家宝拉?沃格尔（PaulaVogel）再接再厉，献上新作《有伤风化》（Indecent）。该剧在外百老汇收获无数好评后转到百老汇上演并几度加演，在柯尔特剧院连续演出128场，这也是65岁的沃格尔等待已久的百老汇首演。重返历史上一部与百老汇产生道德交锋的剧作，一部不会因为不公审判而消失的剧作，《有伤风化》的灵感来源于1923年《复仇之神》（GodofVengeance）在百老汇上演前后的真实故事，讲述了在艺术、自由与信仰危机的时代，这部带有不合时宜的爱情的杰作与它的创作者们辗转大洋两岸的颠簸遭际。导演瑞贝卡?泰赫曼（RebeccaTaichman）在编排上匠心独运，调动为数不多的演员不断变换角色，又在形式上吸收了很多传统犹太传统戏剧（YiddishTheatre）的特点，加入了丰富的歌舞。绝对真实，绝对有力的新作、简洁而惊人、激情澎湃地再现了艺术的力量《纽约时报》、TimeOut纽约版等媒体献上无数对《有伤风化》的溢美之词，该剧也同样在托尼奖上获得最佳新排话剧奖等诸多提名，最终斩获最佳导演、最佳灯光设计奖，剧作家沃格尔本人也从致力于表彰外百老汇创作的奥比奖上接过了终身成就奖。
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DomtellsthestoryofPedro,ahandsomeboyfromRiodeJaneiro’smiddleclasswhoisintroducedtococaineinhisteenyears,puttinghimonthepathtobecomingtheleaderofacriminalgangthatdominatedthetabloidsinRiointheearly2000s:PedroDom.Shiftingbetweenaction,adventureanddrama,DomalsofollowsPedro’sfatherVictorDantas,whoasateenager,makesa...
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Kill or be killed is the golden rule of the Game of Death. Sucks for seven millennials who ignored that rule. Now each one's head will explode unless they kill someone. Will they turn on each other to survive, or will this sunny day be the last for the innocent people of their middle-of-nowhere town?
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London1864.OnaHackneyboundtrain,aguarddiscoversbloodinafirstclasscarriage-andabodyontherailwayembankment.Forthefirsttime,amurderhastakenplaceonBritain'srailways.Overahundredyearslater,thissingledocumentaryforBBCTwousesthefirsthandtestimonyofthepeopleinvolvedatthetimetoexplorethisuniqueeventandhowitprovokedahugepublicoutcryanddebate.Thestoryquicklybecameanewssensationasthedangersofthebravenewworldofthetrainwerelaidbare.Overahundredyearslater,thewitnessestothisstorymaybelongdeadbuttheirwordssurviveincourttranscripts,memoirs,lettersandvividjournalism.Thesetestimoniesarenowusedtotellthestory,takingthedocumentarydeepintothenineteenthcenturytomeetanextraordinarycrosssectionofreal-lifeVictorianLondon-fromtheenginedriverwhofoundthebodytothedetectiveinchargeoftheinvestigation.WhokilledMrBriggs?
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TaurusCity,TheUnitedStatesofEurope,2023.Uly,adisillusionedsoldierriddledwithamnesia,returnshomefromawarintheMiddleEast,knowingonlythathemustdesperatelycombthecitytofindhisbelovedwife,Penelope.Fatefillsthisendlessnightwithaseriesofchancemeetings.WhetheritbethewealthyAlcyde,thebeastlycyclopsPopov,AeotheGyspy,orCicitheSorceress,goodorevilthattheybe,eachencounterfillsinamissingpieceofUlysmemory,sothathecanfinallyfacehispast.
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Anunbearablyadorable,eternallyoptimisticQuokkanamedDaisyhasanimpossibledream-towinthe'World'sScariestGames'.
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娜吉丝·法克利
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拉吉·库玛
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波·德瑞克
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Candy Clark
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安纳利斯·范德波尔
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Suvinder Vicky
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玛丽安娜·宝拉·韦森特
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Saru Maini
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Robert Palmer Watkins
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Dawn Richard
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Rupak Ginn
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Darshan Aulakh
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西瓦尼·赛尼
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Diljott
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Ravi Aneja
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An American journalist travels to India to cover Bollywood weddings, only to uncover a mosaic of cultural clashes, transgender tangles and lost loves with her travels culminating at a destination where the only journey is the one within.
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This film, very much of its time shows London in the early 1970's. Of course now a different world. Note the old fashion Underground ticket machines, and the Black and White Telly in the flat. The location looks very much like Churchill Gardens, Pimlico, with Battersea Power Station in the background. And, plenty of smoking going on, in pubs, and on the tube. The film is strangely sexy in its own way, with the young girl playing along with the much older man, its really a sexual fantasy come true. It is another one of those British low budget film where the low budget adds to rather that take away value. Watch for fun, which is what it is.
