Harri

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最后一次美国恐怖秀
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Threeterrifyingtalestokeepyouawakeallnight:‘NightoftheSeaMonkey’,‘LambFeed’and‘Homewrecked’–atrifectaof80sthrowbackterrorwithmaulingmonsters,homeinvasionsgonehaywireandstomach-turninghumansacrifice.
双盲
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Afteranexperimentaldrugtrialgoeshorriblywrong,thesurvivingtestsubjectshavetofightoffsleep,andeachother,tostayalive.
野猪
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Intheharsh,yetbeautifulAustralianoutbacklivesabeast,ananimalofstaggeringsize,witharuthless,drivingneedforbloodanddestruction.Itcaresfornone,defendsitsterritorywithbrutalforce,andkillswitharaw,animalisticsavageryunlikeanyhaveseenbefore.
爱是盲目
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Afunnyandirresistiblestoryofayounggirlwholiterallycannotseeorhearhermother,despitelivingunderthesameroof.Withthehelpofaneccentricyoungpsychiatrist,(BenjaminWalker:TheChoice),andalocalaccidentalhero,ourheroine(ShannonTarbet:Beast)fallsinloveandeventuallytakesholdofherfuture-despitenotseeingwhat’sinfrontofher!Aheart-warmingstoryofloveandself-discoverystarringAidanTurner(Poldark),Chlo?Sevigny(AmericanHorrorStory)andMatthewBroderick(FerrisBueller’sDayoff)
最后的列车
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
黑暗姐姐
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TroubledartistCassiesufferswithreoccurringvisionsofmurder,whichshecopeswithbycommittingtheviolentactstocanvas.Butwhenhervisionsbegintomanifestinreallife,herfriendsandfamilybegintoturnupdead.Realizinghervisionsactuallyprovideadirectlinktothekiller,Cassiemustnowconfrontherownpastinordertostopthemurdersandsaveherself.
小屁孩大战外星人
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Anall-timeragerofateenhousepartyturnstoterrorwhenaliensattack,forcingtwowarringsiblingstobandtogethertosurvivethenight.
乌龙恶棍
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比尔·斯卡斯加德和麦卡·梦露将主演新片《恶棍》(Villains),DanBerk&RobertOlsen(《别杀它》《身体》)执导。剧情讲述一对业余罪犯闯进了一间郊区房子,偶然发现了一个黑暗秘密,两名虐待狂房主将不惜一切代价阻止秘密被曝光。Tim&TrevorWhite编写剧本,并联合AllanMandelbaum、GarrickDion制片。
达利与史巴基奇遇记
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影片环绕着一个女孩开展,她继续了一匹微型马,这匹马跟她同父异母妹妹的杰克·拉塞尔·泰勒(Jack Russell Terrier)开展了一段不太可能的友情,泰勒爱好骑在马背上。
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