Gaye
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Thisearly70’sgiallobyUmbertoLenziiscertainlyamongthebestinhisfilmographyandalsointhewholegenre.PersonallyIthinkLenzi’sbestfilmsarethefunnycartoon-turned-filmKriminal,thestylishgialloSevenBlood-StainedOrchids,theexplosiveNapoliviolentaandthis.IntheeightieshedidplentyoffilmtrashinformofEatenAlive,HitcherintheDarkorBlackDemons,allofwhicharerippingsomethingoffand/orverydullandslowmoving.KnifeofIcecamewhenthegialloboomwasatitshottestandtheresultisconvincing.Technicallythefilmissuperb,containinggreatcinematographyinthebeginningwhenwelearnaboutthemaincharacter’straumatowardstrains.Fromthispointon,Lenzishowsushisabilitytobenefitthewidescreenand,forexample,thebicyclerideneartheforestisgenuinelybeautiful!ThisscenealsoshowsLenzi’sabilitytobuildsuspense,veryslowlybutmeaningfully.Afterall,therearen’tsomanymurdersinthewholefilm,onlythesuspensecirculatingaroundthemurderer’sidentity.Onesuspectisadevilworshipperwhichbringsnewaspectstothemystery.Sincethefinalscenetakesplaceinachurch,onecanwonderifLenziwantedtocommentonsomething,maybethehypocriticalmoraleofchurchandsuperstition.Themaincharacter(CarrolBaker)ismutewhichdemandsalotfromherfaceandeyes.Theactressworksverywell,givingusabelievableperformancecirculatingaroundtheemotionsoffearandmentalpain.Theotheractorsaregood,too.Thefinally,however,maynotgivetoopositiveasightaboutfemalesexsincetheyallareexpressedrathernegativelyinthefilm,onewayoranother.Stillthisiseasilyamongthemostnoteworthyinthegenre,notasbloodyastheArgentofilms,forexample,butequallysuspensefulandvisuallyalsointeresting.
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ApianistnamedGarvey,whiletravelingonatour,getsoffthetraintobuycigarettes,andlearnsfromasalesgirlthatthecitiesimaginedbyGrinreallyexist.Forgettingabouthistour,hegoestooneofthesecities,wherehemeetsthecaptainof"TheWaverunner"...ThefamousbardAlexanderGalichwrotethescripttothisfilm-oneofthe1960sbestmotionpictures.ThefilmfeatureshiswonderfulsongsasperformedbyGalichhimself:"AshipwassailingfromfarawayAustralia...","Thingswillstraightenout,there’snothingtoworryabout..."...Inthe21stcentury,thecinemawillbedifferent;perhapsit’snatural.Andyet,it’sapity...
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CoryMathis(LesStroud),arespectedcollegeprofessor,claimsamythicalforestcreaturekilledhiswifetransforminghimintoamanhauntedbyobsessionandrevenge.HepartnersupwithlegendaryBigFoothunterFranAndersen(StacyBrownJr.)whoisouttocollecttheNatGeo10milliondollarbountyforcaptureofthecreature.Unfortunately,by-the-bookforestranger,BillyTeal(TomGreen),acovertgovernmentagencyandaserialhoaxer(RickDyer)haveotherplans.Adarkandwittycomedywithadysfunctionalprotagonist,atwistednarrative,andaseriesofeventsthatbuildsintoashockerofanending.TheCanadianduoofTomGreenandLesStroudhititoutoftheforest.
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FaroukOmarisahistoricalArabseriesco-producedbyMBC1andQatarTVanddirectedbyHatemAli,whichisbasedononeofthebestcompanionsofProphetMuhammad(Peacebeuponhim)andthe2ndCaliphoftheIslamicstate,UmarIbnAl-Khattab(MayAllahbepleasedwithhim).A30-episodeseriesshowcasingthevariouseventsduringthelifeofUmarIbnAl-Khattab(MayAllahbepleasedwithhim)fromhispre-Islamicdaystillhisassassination.Theseriesdependssolelyonestablishedhistoricalfactshencedidn’tfacecriticismintermsofitscontentaspastmoviesonsimilarsubjectsdid.Theseriescommenceswiththe23yearofHijraatMakkah,wheretheMuslimpilgrimshavecometogetherfortheHajj.Inmidstofthem,wecanseeUmarIbnAlKhattab(MayAllahbepleasedwithhim)supplicatingtotheLordwhiledoingtheTawaafaroundtheKa’abah.OnthereturnjourneytoMedinahfromMakkah,theypassbyagroupofpeopletendingtotheircamelsinthedesert.Umar(MayAllahbepleasedwithhim)reminisceshispastdays,whenheusedtotendtohisfatherAl-Khattab’scamelsinthedesert,andhowhisfatherusedtoworkhimtoexhaustionandbeathimupifheslackened.However,nowafterhisembracingIslamhowlifehaschangedforhimwithnoonetostandbetweenhimandhisLord.TheseriesthentakesyouonahistoricalrideasmemoriescomegushingbacktoUmar(MayAllahbepleasedwithhim)aboutthevariouseventsthathappenedduringhislifetime.
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When the all-star player of the local high school football team collapses during practice, all eyes turn to the storied head coach. Instead of mollifying the situation, the coach tries to maintain the team's winning streak. The town turns against him, leading to a lawsuit from the player's mother.
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In2261,theVorlonsjointheShadowWar,buttheirtacticsbecomeaconcernforthealliancewhentheVorlonsbegindestroyingentireplanetswhichtheydeemtohavebeen"influenced"bytheShadows.Disturbedbythisturnofevents,Babylon5recruitsseveralotherpowerfulandancientraces(theFirstOnes)totheircause,againstboththeShadowsandtheVorlons.CaptainJohnSheridanreturnstothestationafterescapingfromZ’ha’dum,butataprice:barringillnessorinjury,hehasonly20yearslefttolive.HeisaccompaniedbyamysteriousaliennamedLorienwhoclaimstobetheoldestsentientbeinginthegalaxy.HoursbeforeSheridan’sreturn,Garibaldiisrescuedandreturnedtothestation,inratherdubiouscircumstances.HeismarkedlymoreparanoidandsuspiciousofotheralienracesandofSheridanthanhewasbefore.CentauriEmperorCartagiaforgesarelationshipwiththeShadows.LondoMollariengineerstheassassinationofCartagiaandrepudiateshisagreementwiththeShadows.LondokillsMr.MordenanddestroystheShadowvesselsbasedontheCentaurihomeworld,inanattempttosavehisplanetfromdestructionbytheVorlons.Aidedbytheotherancientraces,andseveralyoungerones,SheridanluresboththeVorlonsandtheShadowsintoanimmensebattle,duringwhichtheVorlonsandShadowsrevealthattheyhavebeenleftasguardiansoftheyoungerraces,butduetophilosophicaldifferences,endedupusingthemaspawnsintheirendlesswarsthroughouttheages.Theyoungerracesrejecttheircontinuedinterference,andtheVorlonsandShadows,alongwiththeremainingFirstOnes,agreetodepartthegalaxyforever.AftertheShadowsaredefeatedGaribaldileaveshispostassecuritychiefandworksonhisownasa"providerofinformation".HebeginsworkingforoneWilliamEdgars,aMarsTycoon,whoismarriedtoGaribaldi’sformerlove.WhileheworksevercloserwithEdgars,hebecomesincreasinglyaggressivetowardsSheridanandeventuallyleavesBabylon5.MinbarisgrippedbyabriefcivilwarbetweentheWarriorandReligiouscastes.DelennsecretlymeetswithNeroonoftheWarriorcasteandconvinceshimthatneithersidecanbeallowedtowin.Shetellshimthatshewillundergoaritualwhereinshewillbewillingtosacrificeherself,butwillstoptheritualbeforesheactuallydies.WhenNeroonseesthatsheactuallyintendstogothroughtheentireritual,herescuesherandsacrificeshimselfinstead,declaringthat,althoughhewasbornWarrior,inhisheartheisReligious.AspartoftheongoingconflictbetweenEarthandBabylon5,GaribaldieventuallybetraysSheridanandarrangeshiscaptureinordertogainEdgars’trustandlearnhisplans.GaribaldilaterlearnsthatEdgarscreatedavirusthatisdangeroustoonlytelepaths.Itisthenrevealed,thatGaribaldiwasactuallyabductedbythePsi-CorpsattheendofSeason3andre-programmedbyBestertoprovideinformationtohimattherighttime.BesterreleasesGaribaldiofhisprogramming,andallowshimtoremembereverythinghehasdonesincebeingkidnapped.Edgarsiskilledandhiswifedisappears,butisreunitedwithGaribaldiaftertheendofthewar.GaribaldihelpsfreeSheridanandreturnhimtothecampaigntofreeEarth.AnallianceledbyBabylon5freesEarthfromtotalitarianrulebyPresidentClarkinashortbutbloodywar.ThisculminatesinClark’ssuicideandtherestorationofdemocraticgovernment.Marsisgrantedfullindependence,andSheridanagreestoresignhiscommission.TheLeagueofNon-AlignedWorldsisdissolvedandreformedintotheInterstellarAlliance,withSheridanelectedasitsfirstPresidentandcontinuinghiscommandoftheRangers,whoaretoactasagalacticequivalentofUnitedNationspeacekeepers.Intheseasonfinale,theeventsof100,500,1000,andonemillionyearsintothefutureareshown,depictingBabylon5’slastinginfluencethroughouthistory.Amongsttheeventsshownarethepoliticalaftermathofthe2261civilwar,asubsequentnuclearwaronEarthinvolvinganewtotalitariangovernmentintheyearAD2762,theresultingfallofEarthintoapre-industrialsociety,thelossandrestorationofhumanity’sknowledgeofspacetravel,andthefinalevolutionofmankindintoenergybeingssimilartotheVorlons,afterwhichEarth’ssungoesnova.
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依莱姆·克里莫夫
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Thisisstoryaboutadentistwiththetalentofpainlesslyextractingteeth,andwhathappenstohimasaresultofbeingnaturallygoodathisjob.Itistoldwithhumour(muchofitquitesubtle,almostsurreal,andinthebackground-imagineastreetscenewhereeveryoneonthesidewalkononesideoftheroadwalksinjustonedirection,andontheothersideintheother),poignancy,andafrequentbreakingofthe4thwallbetweenthemovieandtheaudience(thinkofwhathappensinShakespeare’splays,andyou’llbeclose).ItalsofeaturessomesongsbyNovellaMatveyeva,afamousRussiansinger-songwriter(hersongsaresungbytheleadingactress).
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翁贝托·伦齐
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UmbertoLenziisundoubtedlythekingofItaliancrimemovies,butunfortunately;SyndicateSadistsisnotthebestexamplesofhisworkinthisgenre.Lenzi’scrimeflickstendtobeacutabovetherestbecausehemakesfilmsbasedonstorieswithapoint,andtheydon’tlackdirection;butthisfilmfeelsabittoowaywardtofullyfitwiththerestofhisstuff.ThefilmtakesobviousinfluencefromSergioLeone’slandmarkwestern’AFistfulofDollars’(whichinturn,tookinfluencefromAkiraKurosawa’slandmarksamuraiflickYojimbo),inthatitfeaturestwowarringfamiliesandastrongcharacteratthecentre.ThecrimethatLenzifocusesoniskidnapping,andwecentreonacharactercalled’Rambo’.Ramboisdraggedintothewarbetweenthetwofamiliesafterhisbrotheriskilledbecauseofit.Rambouseshisbrainsandbrawntopitthetwofamiliesagainstoneanother,inthehopeofgainingrevengeforhisbrother’sdeath,rescuingayoungboythatthey’vekidnapped,andultimatelylettingthetwosidesdestroyoneanother.Thefilm’sbiggestassetisundoubtedlyTomasMilian.MilianwasputtogreatusebyLenziinalmostallofhiscrimethrillers.TherangeofcharactershehasplayedforLenziisimmense,andthisoneiseasilyoneofthecoolest.ThecharacteriscalledRambo,whichimmediatelysprangtomindthepopularSylvesterStallonecharacter-butforonce,theItaliansactuallyhaven’tstolenthisnameasSyndicateSadistswasreleasedfirst!Asusual,thefilmiswickedlyentertaining,aswegettowatchMiliangethimselfinvolvedintheusualarrayofcarchases,shootoutsandbrawls.Lenzihasgothimridingamotorbikethistimeround,andeveryscenefeaturingitandMilianisarealstandout!However,thefilmoftenfeelslikeitdoesn’treallyhaveanywheretogo,andthismeansthattherunningtimeisstretchedoutmorethanitshouldbe.ComparedtothecrimefilmsofotherItaliandirectors,SyndicateSadistsismorethanaboveaverage;butinrelationtoLenzicrimeflickssuchasAlmostHumanandTheCynic,TheRatandTheFist-itdoesn’tstandtallasoneofLenzi’sbest.Still,ifyou’relookingforninetyminutesoftestosteronefuelledmayhem-SyndicateSadistswillsuffice!
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布兰科·普莱沙
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1970年瑞士洛迦诺国际电影节最佳影片金豹奖.Ayoungteenagegirlissenttoanorphanagewhenshebecomestoomuchforhermothertohandle.Lilika(DraganaKalaba)issenttotheinstitutionafterhermother(TamaraMiletic)discoverssheisstealingfruitfromthelocalmarket.Sheisveryprotectiveofheryoungerbrotherandamentallychallengedfriend,andtakesalikingtohercounselor(BrankoPlesa).Shedreamsofhavinganordinarylifeandescapingthejuvenilehomesheregardsasaprison.Lilikafantasizesaboutherfutureasshehopesforawayoutoftheorphanage.Elevenyearsoldgirl,daughterofawomanaffectedbywar,feelssheisunneededinlifeofherfosterfatherandhermother.Fromcruelenvironmentandtwistedfamily,thejudgeandthejurywillfindHouseofcorrectionasheronlywayout,whichshedoesn’tregardasnewhome,butaspenalservitudeforchildren.
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WhenToryCoroturnsupdead,theneighborhoodturnsupsilent.RumorhasitshebecameyetanothervictimofthesmalltownknownasFIGHTVALLEY.Tory’ssisterWindsormovestotowntobeginherowninvestigationonhersister’smysteriousdeathafterweeksofnoleadsfromthepolice.She’squicktolearnthatToryfoughtformoneytomakeendsmeet.Ifgirl-next-doorWindsorisgoingtomakeherwayintoFIGHTVALLEYtofindthetruthaboutTory,she’sgoingtohavetofightherwayin."Jabs"(MieshaTate)sworeshewouldneverthrowapunchintheValleyagain.JabsnowfindsherselftrainingWindsortosurvivethepainful,unexpectedpathshe’sabouttotake.Everycorner.Everyalley.Everydoorway.Shemustfollowthelastfootstepsofhersisterinordertocomeface-to-facewithTory’skillerinFIGHTVALLEY.
