óli
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比尔·杜克
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Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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戴维斯·古根海姆
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故事发生在一幢位于洛杉矶的豪华别墅之中，美丽性感的西德尼（劳拉·雷顿LauraLeighton饰）是屋子的主人，她有着谜一样的过去和神奇的魅力，别墅中的所有租户都和她有着或多或少的纠葛。大卫（肖恩·西珀斯ShaunSipos饰）的父亲麦克（托马斯·卡拉布罗ThomasCalabro饰）曾经和西德尼有过一段浪漫过往，如今，大卫则接替了父亲的位置，成为了西德尼的新宠。艾拉（凯蒂·卡西迪KatieCassidy饰）曾经和西德尼关系十分要好，可最终，两人变成了不共戴天的仇人。除此之外，还有接受过西德尼慷慨帮助的奥吉（科林·伊格斯菲德ColinEgglesfield饰）和年龄虽小却城府颇深的女孩瓦莱特（阿什丽·辛普森AshleeSimpson饰）等人，随着一具尸体的曝光，发生在这所豪宅里的秘密即将大白于天下
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劳埃德·培根
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Scion of the once-rich Mitchell family, Herbert Wynn is found shot to death. Nurse Adams, bored by hospital routine, is recruited by the police to ferret out clues as she tends to Wynn's elderly aunt Julia. Jokingly given the 'rank' of Miss Pinkerson, after the famous detective agency, Adams probes into the mystery, but not before a second death.
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CreatedbyEmmyAward-winningProducerDickWolf,Law&Order:SpecialVictimsUnitnowinits21stseason,makestelevisionhistoryasthelongest-runningprimetimelive-actionseriesofalltime.Thishard-hittingandemotionalseriesfromNBCsLaw&OrderbrandchroniclesthelivesoftheSpecialVictimsUnitoftheNewYorkCityPoliceDepartment,anelitesquadofdetectiveswhoinvestigatecrimesofsexualassault,childabuseanddomesticviolence.
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ChrisKeyser执笔﹑MarcWebb执导的Netflix新剧集定命为《新社会TheSociety》，这部剧被形容为《迷失Lost》与《苍蝇王LordoftheFlies》的混合体，讲述一群少年自一次短途旅行后，回到城镇时发现其他人都失踪了，而且主角们还变得无法离开此地。KathrynNewton饰演的女主角Allie，其余演员包括RachelKeller﹑GideonAdlon﹑JacquesColimon﹑OliviaDeJonge﹑AlexFitzalan﹑KristineFroseth﹑Jose
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恩斯特·刘别谦
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Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family. As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did. Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano. The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving wrong impressions in the minds of the public about the character of the story. It ultimately was released as Broken Lullaby.
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December23,1983:JustdaysbeforeChristmas,theOliveriofamilyreadiestheirFeastoftheSevenFishes,anItaliantraditionstretchingbacktotheoldcountryofCalabria.Amidstthepreparations,TonyOliverio,ayoungmanwithbigdreamsandabiggerheart,wondersifhellfindlovethisChristmasseasonorspenditalonewithhisloudandlovingfamily-GreatGrandmaNonnie,GrandpaJohnny,GreatUnclesFrankieandCarmine,hisparents,hisbrother,andahostoffriends.WhenSarah,thegirlfriendofhisbestfriendAngelo,introducesTonytoBeth,itlookslikeTonysholidayexperiencemighttakeaturnforthebetter.ThatisunlessNonniethinksBethisntgoodenoughforhergreat-grandson,andBethsIvyLeaguesuitordoesntstealherheartfirst.Comeoninside,whereitswarm,andthesmellsofcookingfishpermeatetheair,andletshaveavisit.
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杰里米·卡根
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Natty Gann (played by Meredith Salenger) is a twelve year old Depression era girl whose single-parent father leaves her behind in Chicago while he goes to Washington State to look for work in the timber industry. Natty runs away from the guardian she was left with to follow Dad. She befriends and is befriended by a wolf that has been abused in dog fights, hops a freight train west, and is presumed dead when her wallet is found after the train crashes. Dad gets bitter and endangers himself in his new job. Meanwhile Natty has a series of adventures and mis- adventures in various farmhouses, police stations, hobo camps, reform schools, and boxcars.
