Latoya
搜索"Latoya" ，找到 以下影视作品
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路易斯·布努埃尔
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豪尔赫·内格莱特
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FranciscoJambrina
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AlfonsoBedoya
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MecheBarba
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LibertadLamarque
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何塞·巴伐利亚
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费尔南多·奥尔巴尼
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Meche
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Barba
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Alfonso
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Bedoya
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Libertad
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Lamarque
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Agustín
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Isunza
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Julio
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Villarreal
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因争风吃醋被关入监狱的加林多拉米列斯（豪尔赫内格莱特JorgeNegrete饰）与同伴越狱来到何塞恩里克（佛朗西斯科加姆布里那FranciscoJambrina饰）的油田打工赚钱。何塞恩里克因拒绝将油田卖给当地的垄断石油公司，在大赌场的老板埃尔（阿方索贝多亚AlfonsoBedoya饰）和舞女卡米利亚（茉荷芭尔芭MecheBarba饰）的陷害下神秘失踪。何塞恩里克的妹妹，歌手默西迪丝（丽贝塔拉玛克LibertadLamarque饰）从阿根廷前来探望兄长，在得知噩耗后化名潜入大赌场调查真相，却与油田的新晋管理加林多产生了误会。二人能终释前嫌共同对抗垄断石油公司吗？本片是路易斯布努艾尔沉寂15年移居墨西哥后所拍摄的第一部电影。
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内详
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这部剧集是否在影射现实生活中的TomCruise（汤姆-克鲁斯）和KatieHolmes（凯蒂-赫尔姆斯）？是否在影射山达基教（科学教派）？制片人对此问题的答案永远一致：别胡说八道！E!频道甚至发了一份官方声明来澄清事实：该剧纯属虚构，并不针对现实生活中的特定人物。《缚爱之约》是E!频道继《王室》（TheRoyals）之后的第二部原创剧集。该剧描述了一个以好莱坞为背景的现代灰姑娘故事，主人公MeganMorrison（ChristineEvangelista）是一位年轻美丽的女演员，正在角逐一部夏季大片的女主角。如果她拿到这个角色，将与当红男星KyleWest（JoshHenderson）——「当代美国最帅动作电影明星」——演对手戏。Megan的试镜非常成功，并且很快与Kyle有了一次梦幻般的初次约会，但她很快意识到这是一个陷阱——她必须签署一份协议，她与Kyle的关系的所有细节在其中都有详细描述。Megan必须小心做出选择，因为这些选择既可以给她带来好处（让她成为童话中的灰姑娘），也可以给她的事业造成严重后果……甚至毁掉她的人生。她是否应该接受这份「协议」呢？
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Netflix开发其原创印度电影《GhostStories》。导演KaranJohar、ZoyaAkhtar、DiBakarBanerjee和AnuragKashyap继电影《爱欲故事》后再次合作，讲述由RonnieScrewvala的RSVP和AshiDua制作的令人毛骨悚然的故事。
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John
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故事中的女配角Wendy Wu是个受欢送的华侨高中女生,在黉舍有两个好姐妹跟一个"亲近"完善!但过於自恋的男友。她最大的欲望就是中选舞会的皇后,为此她跟从小就同校的Jessica不绝想尽怪招拉取选票。跟正常在美国长大的华侨孩子一样,Wendy完整不懂得中国文明,直到一个从中国深处来的奇异僧侣Shen转变了所有,而这个时间,一股罪恶的气力正从博物馆的中国雕琢箱子静静地突起。Shen的任务就是就义生命掩护此代的"杨家将"(Yang Warrior),而Wendy恰是继续曾祖母的气力的兵士,本来Shen的奇异行动吓呆了Wendy,但她垂垂发现罪恶的气力正入侵校园。Wendy好谎称Shen是她中国来的远房表哥,而为了招架罪恶以及当上舞会皇后,Wendy接收了Shen的多项练习,天天相处下,兴许是发现身边多了一个真正肯为本人支付的人,Wendy坦承她并不爱她的男友人,只是他人都有若本人不很奇异,但Shen却不克不及接收Wendy的约请当她的舞伴,由于他不晓得本人是不是下一秒就要为了掩护Wendy就义。舞会当天,Wendy得悉Shen正在一自我战役,但已中选舞会皇后的她,那是她人生最主要的一晚！她该怎样办呢！此片有许多杰出的武打镜头,本片导演为Power Rangers系列的John Laing。女配角Wendy由Brenda Song扮演,同时也是影集「小查跟寇弟的顶级生涯」的London兰蜜斯。男配角Shen 由Shin Koyamada 扮演,她同时也是末代军人中的配角Nobutada。扮演祖母的是Tsai Chin,在许多着名影会合都担负华侨母亲!祖母的脚色,也在艺妓的回想录扮演姑妈。本片中其余介入上演的另有 Susan Chuang!Justin Chon!Ellen Woglom!Andy Fischer-Price.…等。
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"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
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让-马可·莫杜特
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1848 - ParisunderSiege:VictorHugoistornbetweenhisfamily,hismistressesandpoliticalturmoil-nevermindfinallycompletinghisclassicnovelLesMiserables.AlthoughHugoisaconfirmedRoyalist,hesupportstheRepublicandLouisNapoléonBonaparte,whoissoontobecomepresident,convincedthathewillinitiatesocialreforms.ButwhenthenewgovernmentisformedandHugoisoverlookedforoffice,herealizesthathehasbeenused.Furiousatthedeception,heandhissonslaunchadailynewspapertogivethepeopleavoice.Norisitlesschaoticonthehomefront,asheisjugglinghislovelifebetweentwomistressesandhislong-sufferingwifeandmotherofhischildren.WhenNapoléonseizespowerandhissonsarejailedforinsurrection,HugoinsiststhathiswifeanddaughterleaveParis,whereheremains,devotinghimselfwholeheartedlytotheresistance.Openlydenouncingrepression,heisdeclaredEnemyoftheStateandhastofacedisgraceandexile.
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尼尔·马歇尔
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Onher?nalcombatmissionacrosstheruggedmountainsofAfghanistan,RoyalAirForce?ghterpilotLt.KateSinclair’sjetisshotdownoveroneofthemostdangerousrebelstrongholds.Wheninsurgentscomeafterheratthecrashsite,she?ndsrefugeinalongsinceabandonedundergroundbunker.AftertrackingSinclairintothedepthsofthebunker,theinsurgentsaccidentall...
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YoungnurseCherryfindsherselfhauntedbychildhoodtraumawhensheisemployedataremoteestatetocareforaclairvoyantandsinisterman.Starring:MarvensPassiano,MariaCamilaPerez,AlisonSullivanDirectedby:DavidBohorquezReleaseDate:5/7/21Availableonallmajorcableanddigitalplatforms.
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麦克思·温克勒
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奥利维亚·霍尔特
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米卡·阿卜杜拉
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基娅拉·奥利勒拉
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尼克尔·比德尔贝克
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弗洛伊·格特瑞兹
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迈克尔·兰德斯
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哈莉·奎恩·史密斯
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布鲁克林·苏丹诺
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谢尔比·苏丹
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Patrick
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A.
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Grover
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Gregory
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Charles
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Lane
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Virginia
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Puga
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Miguel
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Andrews
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Nathaniel
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Ashton
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Allius
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Barnes
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Timsha
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Batiste
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Sophia
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Bernard
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Nicole
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Fancher
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Ben
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Hicks
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布莱克·李
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Freeform预订BertV.Royal执笔﹑MaxWinkler执导的惊悚剧试映集《残酷夏天CruelSummer》，这部非常规剧项目讲述93-95年得州小镇里的两个女主角，第一个是Kate，在剧中被绑架，另一是Jeanette，甜美﹑不擅社交的她成为了镇上最受欢迎的人，但于95年时成为全美最被鄙视的人。剧集每集都以这两女主的视角描述剧情，然后慢慢披露事情的真相。
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Adocumentaryabouttheresonatingeffectsoflosingalovedoneinwar.ThestoryfollowsdirectorChrisJohnsononanodysseyofdiscoveryashesetsouttoconnectwithhislateGreatUncle,RoyalA.Stratton,a22yearoldrescuepilotwhodiedsavingthelivesof9airmenintheSouthPacificduringWWII.Johnson’sjourneyleadshimtothesolesurvivingmemberofRoyal’screwandthesurvivingmembersofthe4thEmergencyRescueSquadron.Itisfromtheseheroicservicementhathelearnsofthedangerousmissionsthatcarriedthemunarmedintothepathoftheenemy.InanefforttounderstandhisGreatUncle’sexperience,JohnsonreachesouttotheproprietorsoftheNewCastle,PennsylvaniaairfieldwhereRoyallearnedtofly.ThereheembarksuponhisownflighttrainingwiththegoalofpilotingarestoredWWIIPBY.Alongtheway,heencountersa100yearoldpilotwhorecountsthehistoryoftheairfield,theevolutionofaviationoverthepastcenturyandthepassionthat...WrittenbyJohnson,Christopher(IV)
