Hayma、Washington

改编自同名经典科幻片的美剧《12只猴子》，日前确定将于2015年1月16日晚间登陆美国NBC电视台Syfy频道，加长版预告片也随之曝光。同1995年的电影版一样，该剧仍然讲述了男主角被派往过去，阻止12只猴子军研制致命病毒，以挽救日后会因病惨死的大部分人类。在美剧《尼基塔》中饰演电脑高手的亚伦·斯坦福将饰演男主角詹姆斯·科尔，该角色在电影版中由好莱坞著名硬汉布鲁斯·威利斯诠释。科尔从2043年回到2013年，去查明病毒真相，拯救全人类。而在电影中由布拉德·皮特饰演的角色则将“转性”，由女演员艾蜜莉·汉普雪儿接棒。电视剧版的《12只猴子》将完全区别与电影剧情，“我们不想只做翻拍工作，”该剧制片人TerryMatalas在接受采访时介绍，“故事的主题还是一样的，但故事情节完全不同。”在最新曝光的预告片中，故事情节的悬疑色彩和惊现场面都能唤醒不少影迷...

教授格雷迪（迈克尔·道格拉斯MichaelDouglas饰）曾经被尊称为“奇迹小子”，因为他7年前出版的小说如此优秀，在文坛上轰动一时。这表面看来是一件好事，却让格雷迪背上了沉重的思想包袱，他害怕自己的新作品落差太大，于是一直把它压在箱底，不敢发表。如今，妻子已经离他而去，他有一个情人萨拉（弗兰西斯·麦克多蒙德FrancesMcDormand饰）。这个情人，是他的校长，同时也是上司的妻子。格雷迪怎么也没想到，一把年纪了，倒霉事才陆续朝他招手。萨拉告诉他肚里怀上了他的骨肉。更糟糕的是他被恶狗所咬，不过也因此和学生詹姆斯（托比·马奎尔TobeyMaguire饰）开始一段感情真挚的忘年交。在詹姆斯身上，格雷迪发现了可贵的文学潜质。另一方面，编辑克莱特里（小罗伯特·唐尼RobertDowneyJr.饰）催命鬼似的向格雷迪催稿。众多...

经典咭片「牝牡暴徒」改编自真人真事,报告美国汗青上有名的一对流亡鸳鸯!残暴劫匪——邦妮跟克莱德。而Netflix将拍拍照片「劫匪」(Highwayman),筹划由伍迪·哈里森跟凯文·科斯特纳主演,但不是他俩演牝牡暴徒,而是从另一个角度——执法者视角来描写那场惊动一时的对“牝牡暴徒”的大追捕。「劫匪」配角是1930年月两位传奇执法职员弗兰克·哈默跟曼尼·高尔特,都是老派的德州骑警,前者阅历100场枪战,杀逝世过53名罪犯。当邦妮跟克莱德案发时,两人实在已退休,却被浩繁银行结合约请担负特殊考察员,去追捕如雷贯耳!已招致13人逝世亡的牝牡暴徒。Netflix的「劫匪」则是从执法者的角度动身,描写他们怎样追捕这些疏忽执法!救死扶伤的劫匪。这个名目早在往年前就曾经破项,当初Netflix筹划从举世手中拿过这个名目,让哈里森跟科斯特纳主演,「大妄想家」导演约翰·李·汉考克执导。

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

BBC预订一部3集，以1949-50年代，伦敦诺丁山的连环杀人事件迷你剧《瑞灵顿街惊魂RillingtonPlace》。EdWhitmore及TraceyMalone负责编剧，3月底开拍。《瑞灵顿街惊魂RillingtonPlace》是根据真人真事改篇，讲述瑞灵顿街10号中（有部1971年电影曾描述此案），凶手JohnChristie﹑他的妻子Ethel及邻居TimothyEvans皆出现在剧中，探讨他们之间的关系﹑司法不公引致的悲剧及因此令英国废除死刑。JohnChristie至少在他的住所绞杀了8个女人，包括他的妻子Ethel，其中3人被发现藏在厨房里，他因为杀妻而被定罪及被判绞刑。但可惜的是在此前他的邻居TimothyEvans被错误起诉，指他杀了自己妻子Beryl及女儿Geraldine，TimothyEvans在...

　　A sassy parrot and a free-spirited librarian upend the well-ordered life of a solitary man. Lyman (Jackson Hurst) is a loner, working the graveyard shift for the Courtesy Patrol. When a green parrot flies in to his trailer he becomes obsessed with finding its owner, which leads him to Fiona(Rachel Nichols). She has been eyeing Lyman from a distance and decides to help with his parrot search, whether he wants her to or not. Along with her basset hound, they set out on a quest to find the bird’s previous owners and Fiona begins to unravel the mysteries of Lyman's past. But when Fiona joins Lyman on his nightly rounds, she witnesses a reality more intense than the romantic version she had envisioned.

故事发生在1872年的伦敦，一间俱乐部中，一位名叫福格（大卫·尼文DavidNiven饰）的绅士打了一个没有人认为他能够获胜的赌，那就是在八十天内环游世界。之后，福格便带着随从巴斯帕图（莫莱诺·马里奥MarioMoreno饰）匆匆的上路了。他们首先来到了法国，然后途径西班牙，在欣赏了一场精彩的斗牛之后，两人辗转前往瑞士，而此时，尚不知情的两人却遭到了伦敦警方的怀疑，怀疑他们是一宗银行抢劫案的嫌犯。在印度，福格救下了出逃的公主奥达（雪莉·麦克雷恩ShirleyMacLaine饰），后者亦加入了他们的旅程之中。之后，三人横渡大西洋，轰轰烈烈的照着目的地赶去。福格能否在规定的时间内完成他的承诺呢？

为了说和花心的哥哥奥布朗斯基（马修·麦克费登MatthewMacfadyen饰）和嫂子多丽（凯莉·麦克唐纳KellyMacdonald饰）濒临破败的婚姻，美丽贵妇安娜·卡列尼娜（凯拉·耐特丽KeiraKnightley饰）乘坐火车来到莫斯科。她在当地邂逅骑兵军官渥伦斯基（亚伦·约翰逊AaronJohnson饰），后者风度翩翩，英俊迷人，令多丽的妹妹凯蒂（艾丽西卡·维坎德AliciaVikander饰）神魂颠倒，也让已为人妇的安娜心中若有所动。忌惮周遭的风言风语，安娜压抑内心的情感，乘夜返回彼得堡的家中。醉心名利的丈夫亚历山大·卡列宁（裘德·洛JudeLaw饰），似乎全然无法体恤妻子心中的苦闷。未过多久，渥伦斯基尾随来至彼得堡，安娜再也无法闭锁那充满爱火和渴望的心门……本片根据文豪列夫·托尔斯泰的同名经典名作改编，...

杰克·雷诺(《变形金刚4》《唱街》)将出演美国航天史的传奇人物——“科学家与黑魔法师”的结合、火箭科学先锋+疯狂的邪教人物JackParsons(两位这嘴长得够像。。)。他将主演CBSAllAccess剧集《怪异的天使》(StrangeAngel)，由雷德利·斯科特的ScottFree制作公司制作，《黑天鹅》编剧MarkHeyman打造，改编自同名书籍，讲述JackParsons那“天才与疯子、科学和科学幻想的一线之隔”的故事：1930年代，JackParsons只是洛杉矶一个聪明、雄心勃勃的蓝领工人，为一所化学工厂看门，而后来他成了著名的民间科学家。他在少年时就沉迷于航天，想制造火箭来登上月亮。也从小被“世界上最邪恶的男人”、争议极大的神秘学家阿莱斯特·克劳利所吸引，迷上了泰勒玛教，会在晚上举办和参加疯狂的性仪式。他是著名的“火箭...

SophieRundle及MartinCompston以主演身份加盟BBC5集剧《窝TheNest》，这部由NicoleTaylor负责的惊悚剧讲述相亲相爱的Dan及Emily（MartinCompston及SophieRundle饰演）住在格拉斯哥一间大房子里，他们唯独缺少的是个孩子。在多年努力皆失败后，两人认识了18岁﹑生活不稳定的Kaya（MirrenMack饰），她表示愿意为主角怀胎，然而Kaya真的是因为偶然才遇上Dan及Emily吗？其他演员包括ShirleyHenderson﹑KatieLeung﹑DavidHayman﹑FionaBell﹑JamesHarkness﹑BaileyPatrick﹑KateDickie﹑PaulBrannigan及SamuelSmall。