Travers

JamesPurefoystarsasWilliamTravers,acriminalbarristerwhoisrecoveringfromatraumaticseriesofeventsthathaveshakenhisbeliefinthelegalsystem.Onthesurface,Traversisapictureofsuccess;anaccomplishedcriminalbarristerhappilylivingwithhiswife(playedbyDervlaKirwan)inruralSuffolk.However,Traversisstillrecoveringfromeventsinhispastwhenheisdrawnintoacasethatin册veshisoldfriendMartinNewall(NathanielParker),whofacesconspiracyandmurderchargeswhileatthesametimebeinginvestigatedbyaviciousandvengefuldetectiveDSMarkWenborn(CreedMiles).Thefive-partseriesfromacclaimedwriterAnthonyHorowitz(Collision,Foyle’sWar)isastoryoffriendship,conspiracy,betrayalandmurderaswellasacriticallookatthewaythelegalsystemoperates.

La série suit le quotidien de plusieurs adolescents. Chaque saison est centré sur un personnage (Emma pour la première, Manon pour la seconde).Tout au long de la semaine, des séquences sont publiés sur internet forment en fin de semaine, un épisode complet de 20 - minutes en moyenne.Les téléspectateurs peuvent aussi suivre les personnages à travers leur comptes instagram (photos, stories…). Des messages issu de conversation messenger et sms sont publié en stories sur le compte Facebook de la série.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

AgroupofwomentraversethelandscapesandstrangetownsofColoradointhe1890’s.

SetinTorontoatthedawnofthe20thcentury,MurdochMysteriesisaone-hourdramaseriesthatexplorestheintriguingworldofWilliamMurdoch(YannickBisson),amethodicalanddashingdetectivewhopioneersinnovativeforensictechniquestosolvesomeofthecity’smostgruesomemurders.Murdoch’scircleofassociatesincludesConstableGeorgeCrabtree(JonnyHarris,Hatching,MatchingandDispatching),Murdoch’seagerandoftennaïveright-handman;InspectorBrackenreid(ThomasCraig,CoronationStreet),Murdoch’sskepticalyetreluctantlysupportiveboss;andtheloveofhislife,pathologist-turned-psychiatristDr.JuliaOgden(HélèneJoy,DurhamCounty),astaunchallywhosharesthedetective’sfascinationwithforensicscienceandinnovativeideas.AllarevaluableallieswhohelpMurdochsolvehisvariedcasesandtraversethemanystratumsofVictorian-turned-Edwardiansociety.

起源于欧洲地下墓穴的希腊，一声细语摧毁了大陆。不要像奴隶一样活着！(pronounced“Naminzisoumesandouli”inGreek)Venudescatacombesgrecquesdel’Europe,unmurmuretraverselecontinentdévasté:«Nevivonspluscommedesesclaves»Surlesmursdesvillesetsurlesrochersdescampagnes,surlespanneauxpublicitairesvidesoudétournés,danslesjournauxalternatifsetsurlesradiosrebelles,dansleslieuxd’occupationetd’autogestionquisemultiplient,telestlesloganquelarésistancegrecquediffuse,jouraprèsjour,etnousinviteàreprendreenchœur.Ungrandbold’airfrais,d’enthousiasmeetd’utopiesenmarche,venudelamerÉgée.

Basedonthebestsellingbookofthesamename,TheBeckoningSilencefollowsmountainclimberJoeSimpsonashetakesononeoftoughestchallengesofhiscareer.FreshfromhishorrificordealinthePeruvianAndes-asrecountedintheOscar-winningdocumentary"TouchingTheVoid"-SimpsonattemptstoascendthetreacherousNorthFaceoftheEiger,amountainthathasclaimedthelivesofmorethan60people.Facedwithgrowinganxietyanddoubt,Simpsonpushesonwardandupwardinhisunyieldingquesttotraversesomeoftheworld’smostinhospitableterrain.TheBeckoningSilenceisapowerfultestamenttotheenduranceofthehumanspiritinextremeconditions.

故事开始于1937年，年轻的乔伊（弗吉尼亚·麦肯娜 Virginia McKenna 饰）前往肯尼亚度假，在肯尼亚热带森林里，乔伊目睹了各种各样的珍奇异兽，这些灵动的生命深深的吸引了乔伊，她果断的和丈夫离了婚，嫁给了当地的禁猎监督管乔治（比尔·特拉弗斯 Bill Travers 饰），就此留在了这片神奇的土地之上。　　一天，乔治在巡逻期间遭到了一头母狮的攻击，为了保命，乔治不得不开枪击毙了母狮，之后，他发现母狮留下了三只无人照料的小狮子，于是，乔治将其中两只比较健康的送到了动物园，剩下一只体弱多病的留给了乔伊照料，夫妻两人给它取名艾尔莎，就这样，艾尔莎成为了两人真正的孩子。

Reassigned from TV to radio, a frustrated anchor sees both danger and opportunity when he receives threatening calls on the air.bywww.qujuji.com　　Electronic Media Exposed　　Anwar Says An Anchor is an actor , Actor needs audience and audience need drama, these three lines expose the electronic media today in Ram Madhvani's release today DHAMAKA at Netflix. A remake of 2013 Korean Film 'The Terror Live 'and shot in only 10 days and the credit goes to Neerja and Aarya director and the Superstar in making Kartik Aaryan.　　Madhvani idea of filming is at loggerheads with the area the film is traversing, he is more into explosion , probably since the title is Dhamaka . I liked the way Aaryan Khan's initial life has been shown in the opening song . No other cast has been given much exposure and passing on the buck is the way of corporate life has been perfectly narrated . At points the movie seems going slow but suddenly picks up . Madhvani has been able to drumming up the tensions and also able to sustain it .　　A new trend set by Madhvani , the main cast carries the whole movie on hisher shoulder, whether it was Sonam Kapur or Sushmita Sen and now Kartik Aarayan . Watch it today after India- Newzealand 20-20 for stealing performance of Aaryan.　　#Netflix #anwarsays #DhamakaOnNetflix #kartikaaryan #movie2021 #moviereview #RamMadhvani #ElectronicMedia #sealink #explosion #tvanchor.

　　故事发生在第二次世界大战刚刚结束之际，卡罗尔（埃琳诺·帕克 Eleanor Parker 饰）和保罗（让-皮埃尔·奥蒙特 Jean-Pierre Aumont 饰）的外遇恋情被卡罗尔的丈夫沃尔特（比尔·特拉弗斯 Bill Travers 饰）发现了，沃尔特给了卡罗尔两个选择，要么和他一起前往位于中国的一个非常偏僻的村庄之中，那里霍乱横行，要么就离婚。最终，卡罗尔在无奈之中和沃尔特一起上路了。　　在中国，卡罗尔结识了自由不羁的提姆（乔治·桑德斯 George Sanders 饰），并且通过他在修道院里谋了一份差事，卡罗尔和沃尔特之间的感情也随着时间的推移而渐渐修复，一切都看似在往井井有条的方向发展，可是，在这个节骨眼上，沃尔特染上瘟疫去世了，与此同时，卡罗尔发现自己怀孕了。