Laverty

贫富不均对社会有什么影响？穷人真能掌握自己的未来？国际非营利组织STEPSINTERNATIONAL所推动的《为什么贫穷？》（WhyPoverty?）跨媒体计划，参与协同制作工作，与全球同步播出一系列探讨21世纪贫穷问题的纪录片。《为什么贫穷？》是由总部位于丹麦的国际非营利组织STEPSINTERNATIONAL推动的非商业计划。Steps曾在2007年推动过《为什么要民主？》（WhyDemocracy?）。而《为什么贫穷？》即以此为基础，希望用影片刺激大众讨论贫穷问题；计划共同发起人还有英国广播公司（BBC）和丹麦广播公司（DR），这两家电视台也是本计划的主要合作伙伴和推动者。这计划邀请了来自世界各地的纪录片导演，以“为什么贫穷”为共同题目，拍摄了每集一小时共八集的纪录片，让世界共同思考贫穷问题，探讨全球10亿赤贫人口的过去与未来。本系列纪录片于2012年11月起全球播放，台湾PTS与英国BBC、美国PBS、日本NHK、香港RTHK等在内的70余家电视台均加入联合播出，估计观众总数超过5亿人。第1集PoorUs:AnAnimatedHistoryofPoverty,当我们穷在一起：动画贫穷史第2集WelcometotheWorld,人之初性本穷第3集ParkAvenue:Money,PowerandtheAmericanDream,有钱有庇护：金钱、权力和美国梦第4集LandRush,耕者无其田第5集GiveUstheMoney,摇滚救贫穷第6集StealingAfrica,生财有“盗”第7集SolarMamas,太阳能妈妈第8集Education,Education,出路

Homelessness, hunger and shame: poverty is rampant in the richest country in the world. Over 40 - million people in the United States live below the poverty line, twice as many as it was fifty years ago. It can happen very quickly. Many people in the United States fall through the social safety net. In the structurally weak mining region of the Appalachians, it has become almost normal for people to go shopping with food stamps. And those who lose their home often have no choice but to live in a car. There are so many homeless people in Los Angeles that relief organizations have started to build small wooden huts to provide them with a roof over their heads. The number of homeless children has also risen dramatically, reaching 1.5 - million, three times more than during the Great Depression the 1930s. A documentary about the fate of the poor in the United States today. 这是一部对于贫平易近生活情况的记录片。在美国这个天下上最富有的国度,有超越4万万人低于穷困线,比50年前多了两倍。一夜崎岖潦却是常有的。贫平易近只能依附食物券过活。无家可归的人除了住在车里不其余挑选。在洛杉矶有太多的无家可归者,一些公益构造开端赞助他们造街边小板屋。无家可归儿童的数目也大幅回升,亲近150万,这个数字是1930年月大冷落时代的3倍。这是一部对于贫平易近在本日美国的运气。

　　Actor Hugh Jackman and his wife Deborra-Lee Furness traveled to Ethiopia in their role as ambassadors for World Vision Australia in 2009. During that visit, they met Dukale, a coffee farmer. Growing up, poverty had deprived Dukale of an education, but he saw an opportunity to create a new future for his family when World Vision offered access to a new kind of economic empowerment. Jackman was so inspired by Dukale’s story, that he made – and kept – a promise to him that is revealed in the film.

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

A young Syrian refugee faces hard truths chasing the American dream on the streets of Memphis, Tennessee, while living in poverty, dealing with social injustice and witnessing his neighbor's opioid addiction.

Post September 11 - Mohsen Makhmalbaf tracks the children who do not attend school in the border villages between Iran and Afghanistan with his digital camera and questions why they are not being educated. He finds girls studying in UNICEF classes in one region. One of the girls is not willing to come out of her burqa despite the fact that she has run away from Afghanistan and the Taliban are not present here. She is more afraid of the horrifying god that the Taliban have created more than the Taliban. The teacher tries…                                                                    Director's commentary:                                                                    The Taliban was not a political regime in Afghanistan but they are still a culture. Bombarding can ruin a political regime but it cannot change a culture. You cannot free a woman whom is imprisoned in the burqa with a rocket. The Afghan girl needs education. She doesn’t know that she doesn’t know. She is imprisoned but she does not know that she is a prisoner of poverty, ignorance, prejudice, male chauvinism and superstition. 95% of the women and 80% of the men in Afghanistan did not have the chance to attend school even before the Taliban. The film seeks the lost key to be able to open the lock of the cultural problems of Afghanistan.                                                                    From the IMDB:                                                                    In 2002 - about 3 - million Afghan Refugee were living in Iran. From those about 700 - 000 - were Afghan Children who were not allowed to go to Iranian schools because of their illegal status in Iran. After this movie was made, this subject became controversial and finally the Iranian Majlis (Parliament) passed a bill in which the Afghani children were allowed to go to school and it resulted in 500 - 000 - kids getting education.

小尼古拉（马克西姆·戈达尔 Maxime Godart 饰）深受怙恃溺爱,在黉舍也与一帮友人玩得高兴,这此中包含：想当大官的亚斯特Alceste（Vincent Claude 饰）!当前会继续父业的杰夫Geoffroy（Charles Vaillant 饰）!妄想成为自行车冠军在班上却老是被罚站的克劳岱Clotaire（Victor Carles 饰）!长概略当黑道的奥德Eudes（Benjamin Averty 饰）!生机跟老爸一样成为警员的鲁夫Rufus（Germain Petit Damico 饰）以及全班第一名永久不会被罚站也是教师（Sandrine Kiberlain 饰）的最爱先生同时是其余同窗眼中厌恶的大甲由的阿南Agnan（Damien Ferdel 饰）。 有一天,尼古拉的妈妈（瓦莱丽·勒梅西埃 Valérie Lemercier 饰）提议爸爸（凯德·麦拉德 Kad Merad 饰）请老板及夫人来家里用饭,以便掉掉落老板青眼涨人为；但小尼古拉听到跟视察到的成果却让他认为怙恃要生个小弟弟,不要他了。丧气的小尼古拉要求友人们的赞助,各人众说纷纭给他出了一堆提议,包含送花!大清除,乃至找罪犯领养弟弟等荒诞方法。与此同时,教导部长也要来黉舍不雅赏,班级又换了严格的代课教师…… 本片依据由法国作家勒内·戈西尼（René Goscinny）创作,漫画家让-雅克·桑贝（Jean-Jacques Sempé）配画的系列同名漫画故事改编。影片在法外洋乡上映后一举拿下全法双周票房冠军,并获2010年凯撒奖最佳改编脚本提名。

Intheheartofsomeofthemostdifficultcircumstancesintheworld,thereexistbeaconsofhope.NationalGeographicPresents:IMPACTWITHGALGADOTisacompellingnewsix-partshort-formdocumentaryseriesfromexecutiveproducersGalGadot(“WonderWoman”),JaronVarsano(“Cleopatra”),AcademyAward-winningfilmmakerVanessaRoth(“Freeheld”),EntertainmentOne’s(eOne)TaraLong(Emmy®-nominated“L.A.Burning:TheRiots25YearsLater”)andRPC’sRyanPallotathatfollowsthepowerfulstoriesofresilientyoungwomenaroundtheglobewhoovercomeobstaclesanddoextraordinarythings.IMPACTfollowsinspiringwomenlivingincommunitiesmarredbyviolence,poverty,trauma,discrimination,oppressionandnaturaldisasters,andyet,againstallodds,daretodream,standout,speakupandlead.NationalGeographicannouncedtodaythestoriesofthesixbravewomenfeaturedintheseries,whichincludea19yearoldcollegestudentinPuertoRicowho,afterHurricaneMariadevastatedtheisland,isonamissiontoensurethateverypersonstrugglinghasaccesstocleanandsafewater;atraumatherapistinHalfMoonBay,California,wholosthertwinsistertoCOVID-19andisturninghergrieftoimpactbyhealingwomenthroughsurftherapy;aformallyhomelesstranswomaninMemphis,Tennessee,whoisbuildinghousesforothertransgenderwomeninneedofhomes;aballerinainthemostdangerousareaofBrazil,whothroughdancehascreatedacommunitythatliftsyounggirlstowardsabetterfuture;afigureskaterwhohasbrokenbarriersinhersportanddedicatesherlifetocoachingandempoweringyounggirlsofcoloronandofftheice;andthefirstfemalechiefofacoastalsouthernLouisianatribe,whoisexpectedtobeamongthefirstclimaterefugeesintheUnitedStates,assheimpactsthelegacyofherancestors,thelivesofhercommunitytodayandthefutureofherpeople.

Inthesummerof2006,RobReilly(KillianScott),asmartsuitedhomicidedetectiveandhispartnerCassie(SarahGreene)aredispatchedtoinvestigateachild’smurderandfindacommunitycaughtbetweenoldandnewIreland.Onanaltarliesthebodyofalocalteenagegirl,precociouslytalentedKatyDevlin(AmyMacken).Herbodyisfoundinthemiddleofanarcheologicalsite,threatenedbylocaldevelopersaimingtobuildashinynewmotorway.Theneighbouringestate,Knocknaree,hasneverquitegotitsshareofthe‘CelticTiger’andhasbeenblightedbypovertyandunemploymentforgenerations.Moreover,thisisthenotthefirsttimeachildofKnocknareehasbeenlost:21yearsearlier,inaverydifferentIreland,threechildrenwentmissingandonlyoneevercamebackalive.Memoryrunsdeepinthispartoftheworld,andlocals,pressandtheDublinPoliceworrythatthecasesarelinked.

entends-tuisadramaticcomedythatplungesusintotheunusualdailylifeofAda,FabiolaandCarolanne,threelong-timefriendsfromthemidstofpoverty.