Delta

《神探夏洛克》第四季将于2017年元旦回归BBC1，本季依旧为三集，标题分别为：第一集：六座撒切尔像（TheSixThatchers）：编剧为MarkGatiss，导演为RachelTalalay；第二集：倒下的侦探（TheLyingDetective）：编剧为StevenMoffat，导演为NickHurran；第三集：最后的谜题（TheFinalProblem）：编剧为MarkGatiss和StevenMoffat，导演为BenCaron。

FromLosAngelestoAmsterdamtoBerlinandback,PassingStrangetakesmusicaltheateronawholenewtrip.Fromsinger-songwriterandperformanceartistStewcomesPassingStrange,adaringnewmusicalthattakesyouonajourneyacrossboundariesofplace,identityandtheatricalconvention.Stew,apopularperformeratJoesPub,wascommissionedbyThePublicTheaterofNewYorktodevelopthisheartfeltandhilariousstoryofayoungbohemianwhochartsacoursefor“thereal”throughsex,drugsandrockandroll.Loadedwithsoulfullyricsandoverflowingwithpassion,theshowtakesusfromblack,middle-classAmericatoAmsterdam,Berlinandbeyondonajourneytowardspersonalandartisticauthenticity.

影片改编自英国作家路易斯·德·伯尼尔斯《战地情人》的畅销书，讲述了名叫Koko的小狗穿越澳大利亚寻找曾经的主人的真实感人故事。影片中的红犬，由一只两岁大的叫做Koko卡尔比犬扮演。这种犬据称是柯利犬的后代，目前在澳大利亚的分布极其广泛。在澳大利亚西北部的一个铁矿上，有一只叫Red的红犬。在美国青年约翰（乔什·卢卡斯JoshLucas饰）一次救了它之后，就把约翰做了自己的主人。约翰爱上了矿上的秘书（瑞切尔·泰勒RachaelTaylor饰）。但在订婚之后的第二天的早上，约翰在上班的路上撞死了一只袋鼠，导致摩托车翻车自己当场丧命。从后，Red走遍了澳大利亚，甚至搭乘轮渡东至日本，去寻找自己的主人……

这部作品风格类似于大和古装片，背景却发生在未来的日本。在不夜城新宿，人类和妖怪和平共处。但是，曾几何时连环杀人案连续发生，而罪犯是叫廻向的神秘男人。为何曾经是街之守护使『鸦』的他会向人类复仇呢？为了阻止杀人案继续发生，新的『鸦』诞生了，青年音羽被选作新的守护使，新仇旧恨在新宿街头开始蔓延……鴉KARAS故事簡介—在不夜城新宿，人們早已忘記存在於身邊的妖怪，大家都過著浮華糜爛的生活。這兩個互相重疊的世界，自古即由「百合音」與「鴉」兩者負責維持秩序；但是，這種平衡關係已開始出現傾斜，理應捨棄一切的自我，註定成為街頭僕人的「鴉」，卻突然自稱為「迴向」並開始對人類展開復仇行動。大街上接連發生了數起離奇殺人事件，而兇手正是透過迴向得到全新軀體，被稱為「御座眾」的機械化妖怪。此時，新宿車站的月台出現了兩名男子，一個是為了偵辦離奇殺人事件而從本廳派遣來的菁英警部「吳」，另一個則是為了打倒迴向而重返新宿的流浪妖怪「燖」。由於受到人類社會的常識規範，使得吳一直無法找到解決事件的線索；相對的，_則順利地追查到了御座眾成員之一的河童。正當_手持來福槍瞄準河童時，另一對百合音與鴉剛好也在此時出現，他們才是透過新宿的龐大意識而誕生的全新城市守護者……普威爾的官方宣傳影片mms://mms.media.hinet.net/elta/gamebase/508403/M_e508403u21.wmv百合音：『一、二、三、四、伍、六、七、八、九、十……とをなりけりや，ふるべ，ゆらゆらとふるべ…行け！KARAS！！！』有一種翻譯是這樣子的：『一、二、三、四、伍、六、七、八、九、一但成為了十……他將會落下…輕輕的落下…去吧！鴉！』有另外的翻譯分別是:『一、二、三、四、伍、六、七、八、九、當十到了時……他將會落下…輕輕的落下…去吧！鴉！』『一、二、三、四、伍、六、七、八、九、成為十了……搖晃吧…慢慢搖晃吧…去吧！鴉！』ふるべ有振るべ降るべ兩個字，不過"先代舊事本紀卷第三天神本紀"裡說是搖晃的意思。普威爾的DVD內容是這樣的：『一、二、三、四、伍、六、七、八、九、十……布瑠部…由良由良止布瑠部…去吧！鴉！』http://applepig.idv.tw/kuon/furu/text/sinpaisi/haraekotoba03.htm神拜詞集一看就知道普威爾是用了"ひふみ祓"的詞。可是ひふみ祓，數的唸法是不一樣的…也沒有"とをなりけりや"這個詞。有看到"十種神寶祓詞"雖然數數90%都近似，但詞又不太一樣。http://www.h3.dion.ne.jp/~tsutaya/newpage18.htmその古神道(こしんとう)関係(かんけい)の祝詞(のりと)（弐）裡面也有提到相當接近的祝詞一(ひ)（ひと）二(ふ)（ふた）三(み)（み）四(よ)（よ）五(い)（いつ）六(む)（むゆ）七(な)（なな）八(や)（やは）九(こ)（ここの）十(と)（とをなりけりや）布瑠部(ふるべ)由良(ゆら)由良(ゆら)止布(とふ)瑠部(るべ)根據：http://applepig.idv.tw/kuon/furu/text/sendaikuji/sendaikuji03.htm先代舊事本紀卷第三天神本紀正哉吾勝勝速日天押穗耳尊。天照太神詔曰:「豐葦原之千秋長五百秋長之瑞穗國者，吾御子正哉吾勝勝速日天押穗耳尊可知之國。知者，治也。」言寄詔賜而天降之時，高皇產靈尊兒-思兼神妹-萬幡豐秋津師姬栲幡千千姬命為妃。誕生，天照國照彥天火明櫛玉饒速日尊之時，正哉吾勝勝速天押穗耳尊奏曰:「僕欲將降裝束之間，所生之兒。以此可降矣。」詔而許之。天神御祖詔，授天璽瑞寶十種，謂:瀛都鏡，一。邊都鏡，一。八握劍，一。生玉，一。死反玉，一。足玉，一。道反玉，一。蛇比禮，一。蜂比禮，一。品物比禮，一。是也。天神御祖教詔曰:「若有痛處者，令茲十寶謂:『一，二，三，四，五，六，七，八，九，十。』而布瑠部，由良由良止布瑠部。此十字以音，ふるべゆらゆら與ふるべ。表搖晃震盪之狀。如此為之者，死人返生矣。」是則所謂『布瑠之言』本矣。本者，源矣。高皇產靈尊敕曰:「若有葦原中國之敵拒神人而待戰者，能為方便誘欺防拒。」而令治平。http://applepig.idv.tw/kuon/furu/text/sendaikuji/sendaikuji07.htm先代舊事本紀卷第七天皇本紀這裡也有提到類似的故事，不過就不去深入研究了。以上修改Hiro發表於網路的文章鴉-KARAS-EDテーマ"セレナイト"詞．曲．唱：RuRuTia東芝EMI下載試聽請按我～http://www.thekaras.net/官方網站http://www.prowaremedia.com.tw/普威爾國際股份有限公司巴哈姆特介紹頁http://buy.gamer.com.tw/atmItem.php?sn=2254

Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1 - Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2 - "Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."�Voice1 - Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2 - Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiver搜索引擎优化bjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1 - Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2 - Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1 - Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"�canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2 - Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecau搜索引擎优化fthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheru搜索引擎优化ftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3 - Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1 - Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2 - Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1 - Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2 - Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3 - Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2 - Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1 - Reallyhardtodrinkmore.Voice2 - Ofcour搜索引擎优化nemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3 - Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2 - Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.

DetectiveMichaelTabbknowsthecityofSt.Louisinsideandout.Hehasfeltitstrueheart,asmuchasitsdarkunderbelly:buthedoesnotknowwho,inboththedarkandlight-istakingthelivesofyounggirls.HeonlyknowsthattheirburnedandbrokenbodiesarewashingashorealongtheMississippiRiver,nevertoreturnhome.Hewearsthescarsoftheonetimehegot...

假如你只有90分钟的性命可活,你将做什么——这就是影片「布鲁克林最末路怒的人」（TheAngriestManinBrooklyn）的故事配景。现在,这部高度不雅点化的影片为本人找到了一个闪着金光的演员声威,罗宾·威廉斯!米拉·库妮丝跟彼特·丁拉基都将出演这部片子。除此之外,梅丽莎·里奥跟詹姆斯·厄尔·琼斯也有可能会涌当初影片之中。影片中谁人只能活90分钟的人是一个病人,一个冒充的大夫毛病地告知他,他只能活一个半小时了。在这之后,这个走运的病人开端在纽约开端了大暴走,素性能把本人生前的那些遗憾都填补返来。而他的大夫则在徒劳无功地挽劝他。◎影片相干据悉,这部「布鲁克林最末路怒的人」将由拍摄了「恐怖的总跟」导演菲尔·奥尔登·罗宾森指点,而编剧则将是「红犬」的编剧丹尼尔·泰普里茨（DanielTaplitz）。影片中谁人只能活90分钟的人是一个病人,一个冒充的大夫毛病地告知他,他只能活一个半小时了。在这之后,这个走运的病人开端在纽约开端了大暴走,素性能把本人生前的那些遗憾都填补返来。而他的大夫则在徒劳无功地挽劝他。现在,对于影片尚无更进一步的新闻,而制片方则在戛纳片子节开端了后期的预售任务。据报道,影片将于往年9月在纽约的布鲁克林开拍。克日,片子「布鲁克林最末路怒的人」片场曝光多组剧照,当天该片演出了苦情戏码,女配角米拉·库妮丝跟老错误罗宾·威廉斯纷纭从水中走出,满身湿透狼狈万状。60岁的罗宾身着白色衬衫,面带愠色,撅起嘴巴,可憎的像个孩子。固然美艳女配角米拉·库妮丝湿身上阵,然而却被外洋媒体调侃道：“黑天鹅米拉·库妮丝湿身,然而却一点都不性感。”

美国拍照师本杰明•肖（JoshuaJackson饰）因任务起因携新婚老婆简（RachaelTaylor饰）飞往岛国日本。夜晚,他们驱车行驶在一条荒无火食的小路上。忽然,一个男子（MegumiOkina饰）涌当初他们的眼前,汽车无情撞上该男子。当他们苏醒过去时,却未发明那名男子的遗体。本杰明以为男子曾经接收医治或纯洁是幻觉所至,遂促分开此地。未多少,本杰明发明本人的相片中常常显现奇异的光影,而简也一直为被撞男子的鬼影所困扰。恐惧变乱无以复加,伉俪俩的挚友接连逝世去,跟着局势的好转,他们也逐步知晓形成这所有的起因……

年末工作即将告一段落的CG制作工作室Delta。高杉梅（太田莉菜）因为被友人放鸽子，邀请大森桃江（内田理央）一同去漫展。回来的路上，桃江想起了和A（盐野瑛久）相遇的往事……本来以为完成工作万事大吉的五个人，突然接到甲方通知要加班赶制一个新CG，于是各种计划都赶不上变化，五个加班狗一起在公司里愉快地跨了年，这个年跨得怎么样呢？@追新番原创翻译